β ββ πππππππ οΉβ Born from bone & blood β she is the MOTHER OF EVERYONE LIVING:β the original daughter of creation & ordained spouse; conduit of mankind's ruin, the first temptress, the devil's gateway, deserter of divine law & origin of corruption made flesh.β Lute / Eve [ from Amazon Prime's Hazbin Hotel ] exploring her in every divided role: soldier, temptress, experiment, lieutenant, exile & more...
β ββ ππππππππππ οΉβ Todestrieb ,β Woman Scorned ,β Not-Quite Human ,β Tragic Weapon ,β Knight Templar ,β & Now For Someone Completely Different ,β The Bigot ,β The Fundamentalist ,β Holy Vengeance ,β Bitter Faith ,β Identity Buried Under Duty ,β &β Femininity Reshaped By Shame ,β Frankenstein's Monster ,β Living Weapon / The Blade Itself ,β Burden Of Legacy ,β Inherited Sin ,β Loyalty To The Dead ,β The Possibility Of Redemption...
β β β β±β READ GENERAL BLOG RULES HERE!β I ask that if you [ primarily ] write: Angel, Lilith, Valentino or Alastor, do not follow first! Iβm currently at capacity and / or not looking to add new interactions with those particular characters [ on this blog, ] at this time,
β β β β±β Regarding duplicates: I do not engage with Eve duplicates; [ except for @/secondwife. ] I do not engage with Lute duplicates. Do not approach me for shipping if you are already shipping with another Lute,
β β β β±β DDDNE CONTENT AHEAD; follow at your own risk. Fiction is fiction; label me how you will. The following content may be present: incest, age gaps, non / dub con & more. Artworks used in my blog [ + graphics ] were either: commissioned by me, drawn by me, gifted to me or otherwise granted permission for me to use,
β β β β±β The driving force behind my portrayal(s) is primarily rooted in canon; I also draw from religious texts, traditions & literature, along with the Jehovah's Witness biblical framework as the primary inspiration. I do my best to remain canon-aligned in most respects; a significant portion of my lore for Lute is built around narrative gaps the show has not yet addressed. Everything that has occurred in the show applies to Lute; all content is subject to change!
β β β β±β I (generally) donβt ship Vaggie Γ Lute. I donβt interpret Lute's cruelty as rooted in unrequited attraction, homophobia, jealousy or winning Adamβs favor [ especially with Jessica Vosk headcanoning she is bisexual ] Lute's hostility is driven purely by ideology. Likewise, I donβt auto-ship Vaggie Γ Charlie. Iβm not particularly fond of how canon handles their dynamic, or how Charlie treats Vaggie. If either ships are explored, it would require substantial & thorough plotting...
β β β β±β I welcome physical conflict for all Lute β I have no qualms about Lute being held accountable, fought against, tortured, or challenged; she is an abuser & I won't downplay the harm she does to others,
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On one hand, I love the soft visual of Eve being placed in the garden, stirring awake, instinctively drawn toward Adam, finding him asleep & kneeling at his side, seeing something beautiful for the first time; very fairy-tale fantasy... On the other hand, I really like the visual of Michael / Sera holding her by the scruff: a freshly made, unrefined creation, bloodied, hissing, twisting in their grip with no composure whatsoever, telling him this 3-apples-tall thing is his new wife & Adam is just π
The prevailing fandom assumption is that the first figure is Michael, mainly because the silhouette bears a strong resemblance to Lucifer's. Since many depictions frame them as mirrored counterparts or sibling figures, that reading has gained a lot of traction. Personally, though? My attention has always gone to the second image [ this angel is actually the first in the lineup, starting from the left-hand side. ] They're all tall, but something about the proportions of that one [ the build combined with the size of the head ] makes him feel taller than the rest [ visually; for me, at least. ] The halo is the most elaborate of the group, & it actually reminds me a bit of Lute's pilot halo [ her halo is pretty intricate there, ] Add the massive eye motif, & I can't help but think about the standard Exorcist design with the crossed-out eye. Obviously this is all speculation, assuming these figures are meant to represent Michael, Gabriel, & the other archangels at all, but I've always looked at that one & thought, that's probably Michael.
My current thinking is that there are two possible ways Hazbin's cosmology works.
The first is that an Abrahamic-style God exists & originally created a primordial embodiment of creation itself. At some point, that being was divided into two opposing aspects: Good & Evil. Following that, God created Heaven & the first order of Elders as a means of containing Evil & allowing Good to flourish. Good is intrinsically tied to Heaven while Evil becomes intrinsically tied to Hell. Both are woven into their respective realms. Sera would be one of the youngest members of that original order, or perhaps she was specifically made for the intents of a newer realm of Heaven, ( humanity's Heaven. ) Earth, humanity, & Heaven's relationship with humanity would effectively be her first major assignment. Humanity feels ancient from a mortal perspective, but to immortal beings it is actually a relatively recent project. Managing its development, overseeing Heaven's involvement with it, & maintaining order would largely fall to Sera,
The second possibility, which I honestly think is more likely, is that the Abrahamic God simply doesn't exist in this universe at all. Instead, what people interpret as "God" is actually Good. Good & Evil were always separate primordial forces responsible for creation, but they fundamentally disagreed on how reality should be governed & eventually separated. From that point forward, Good effectively occupies the narrative role of God while Evil becomes its direct counterpart. Good creates Heaven & everything associated with it. Angels worship Good because Good is, for all practical purposes, the creator deity. Just as Evil's presence is embedded throughout Hell, Good's presence is embedded throughout Heaven. Sera may actually be the oldest of the Elders rather than the youngest. She could even be the one who created the Elder order herself, appointing figures such as Michael, Raphael, Gabriel, & the others to specific responsibilities. Their duties would simply lie elsewhere while Sera remains focused on Heaven's administration & humanity...
Let's count. Besides Lucifer, there are six fellow Seraph. Now count the angels watching over Adam & Lute in the Eden imagery. Also six. Am I about to use this as evidence that Eve already met Michael in Eden? Absolutely; in this essay, I willβ
Also note: Six eyes... in my delusional mind, I associate those with the six Elders we see cast Lucifer out, which ties neatly into my own lore where the Elders are the first order created directly by God [ to ward off Evil & allow Good to thrive. ] That would also explain why Sera appears to pray to them... That said, the more likely explanation: the eyes are probably meant to represent the Good entity itself. If Hazbin ultimately replaces the Abrahamic God with a Good/Evil duality, then the eyes may simply be visual shorthand for that higher benevolent power,
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You know, for whatever reason, it never occurred to me that Good & Evil might simply occupy the role that the Abrahamic God normally would in this universe. I think I just automatically assumed God existed as a separate figure because characters say "God" constantly, there's a Speaker of God, & so much of the show's imagery borrows from Abrahamic traditions. My brain always defaulted to: God exists, God created Good & Evil, Good & Evil created or influenced everything else,
But now that I'm actually thinking about it, the possibility that Good itself is literally the God of this setting isn't that much of a stretch. Honestly, I'm not entirely prepared for that possibility because so much of my framework for Lute has been built around the assumption that there's still a capital-G God sitting somewhere above all of this. If Good turns out to be the highest divine authority instead, I'm going to have to rethink some of my lore assumptions,
The show arguably points in that direction already. Charlie's narration specifically says that Heaven worshipped Good. I always interpreted that as God remaining an unspoken presence in the background while Good was simply another divine figure that He made. Looking back, though, that may have been an assumption on my part rather than something the narrative was actually telling me,
Sorry, guys, I just realized I may be confusing people whenever I throw around terms like "Seraph" & "Archangel." I was raised in a completely different faith tradition, so my brain defaults to a different 'hierarchy.' In the framework I grew up with, the title "Archangel" is reserved exclusively for Michael/Jesus. He's his own distinct category & occupies a unique position. Below that are the Seraphs & Cherubs, which, interestingly, aren't actually ranked; they're treated as different classifications of heavenly beings than higher/lower offices. So when I refer to the Elders as "archangels," that's theology bleed-through on my part. What I actually mean in Hazbin terms is Seraphim, since that's the terminology the show itself uses. My bad π
βShe's [Lute] one of the angels that you see for one of those reasons, when it comes to the arc of what happens between Heaven & Hell,β <- I think about this Jessica having said this, a lot, if you even care [ This has been said around three times, by the by. ] Mmmhmm,
Let's count. Besides Lucifer, there are six fellow Seraph. Now count the angels watching over Adam & Lute in the Eden imagery. Also six. Am I about to use this as evidence that Eve already met Michael in Eden? Absolutely; in this essay, I willβ
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Lute does not engage with sex; it holds no function for her. She frames herself as something set apart [ rebuilt with purpose ] so she doesnβt reach for labels like βvirgin,β which read to her as overly human & reductive. Itβs closer to abstention by design than restraint by effort [ if that makes sense... ] That New Eve / Marian throughline from Catholicism fits here: a body aligned to a role, not to appetite. Thereβs no internal conflict about it because thereβs nothing to suppress; her needs are met through slaughter π
Technically, per this blogβs canon, Lute has had encounters that carry that kind of physical / invasive undertone [ a rib taken @/kakodaimones; a rib inserted @/stadam, ] & off the record thereβs an encounter (or twenty) with Michael [ @/archmight ] that may or may not have happened yet(?) & off the record [ fucking your boss's boss is fine when it's off the clock, right? ] so this all exists within her history, but ahh... she won't talk about them,
Sometimes Lute feels an itch to look inward, to examine what she contains; an old, persistent curiosity that never quite settles. It isnβt just indulgent or impulsive; it's also a drive to understand the construction of her own flesh-vessel, its limits, its mechanisms. That impulse existed even in Eden; especially now, with her rib [ her life source ] being baptized in Michael's ichor. To grab a blade & slice open the skin of her forearm... to see gold drip like glitter, slow & viscous, catching the light as it slips from split seams; to watch tendons draw tight & slack again, pale cords exposed, veins trailing with a reverent indecency,
It is a need to witness the machinery beneath sanctified skin, to confirm that divinity leaves residue; that it stains, that it bleeds differently, that it announces itself even when stripped of ceremony. She wants to look closely enough to understand the build itself; to see the design choices, the reinforcements, & how much force the vessel was meant to survive...
Circe was just doing her part in being a PERFECT specimen to hunt, allowing Lute to get her easily.
But that wasn't good enough for the HUNTRESS with silver wings.
β But THOSE rules are so . . . boring, I think I'd much rather you just pin me down now. β Words spoken in a HONEYED tone to redirect from the fact that she's excited about the chase. β Fine, I suppose I'll . . . play along. β
Without ANY further words spoken, Circe sprinted as if her life depended on it. Perhaps it did.
She was sure the fallen exorcist would be able to CATCH up to her in no time at all but it was exciting, her blood singing with the idea of being PINNED once she was surely caught.
@chavahs βοΈ β ahh, so you are taking pity on me, then? β
meme tag | always accepting
βΒ call it whatever you want , but i don't see anyone else offering to help and , honey ,β--Β β brows lift ; serpentine eyes snake a path from head to toe and back up again in a gesture made for show. head tilts above pursed lips as if daring argument. βΒ --β Κ°α΅α΅ Κ°α΅α΅α΅α΅ you need it. β
expectant expression sits atop alabaster skin as pointed nails tap out an impatient rhythm on apple-topped cane. tap tap tap tap. tap tap tap tap. two bars in and exasperation takes over with an exaggerated sigh and sag of shoulders. βΒ consider it a very old IOU if that makes you feel any better. β not that the regent particularly wants to fan the flames of that eternal fight ( who did or did not do what , what blame lays where , and the underlying intentions of ... well , eden ) , but if inferring some kind of unpaid debt will speed this along , so be it. βΒ come on , angel , it's a limited time offer. what's it gonna be ?Β β
so rarely is aid unholy angel freely offered that he could count the number of recipients on one hand.
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HELLO??? Because why would Erika immediately go βthat might be a spoilerβ over flower symbolism specifically π A white daisy with a velvety black center? Charlie/Roo mother-daughter?? PLEASE?????
