friends who follow me here - i am going to move amora over to the hub @revelres - all threads will be reblogged over there. thanks for your patience
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@chantres
friends who follow me here - i am going to move amora over to the hub @revelres - all threads will be reblogged over there. thanks for your patience

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'The Witch' by William Mortensen, 1900s
Dance of the Forest Nymphs by Warren B Davis
❛ where do i even begin ? ❜ sometimes she can't help the sarcasm that flows through her lips. in her defense, Amora has caused her plenty of headaches, so it's a natural reaction for her to be a tad hotheaded & DEFENSIVE ( even if it's not the smartest choice ).
❛ as much as i enjoy repeating myself, we don't have time for this. ❜ lots of people are in danger. ❛ i hate magic. you hate me. we've done this whole thing PLENTY of times before, so how about we attempt to be civilized for a change. ❜ not that she trusts the other, but they don't have a lot options either.
❛ i'd know you'd rather see Thor, but he didn't want to see you. ❜ so much for civility . . . who volunteered her for this again ? ❛ apologies if i offended you. ❜
why does she find this part to be so abhorrent ? remove odin and karnilla, forgetting her beloved and begrudged ... would she not have used her magic for good ? the parable of a self-fulfilling prophecy leaves amora without - without a home, a people, or a way back.
the enchantress heaves a heavy sigh, distracted momentarily by carol's sincerity ... and strife.
" before i ask this i must stress to you that i truly do not care but .... " the comment regarding thor remains unvisited, no matter how much of a thorn it presents in her side.
" ... tell me what's happened then. "

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he watches her calmly as she speaks. but a true understanding for the importance of her words remains absent from his dulled gaze. the exhaustion of a long day spent doing almost nothing weighs heavy on his eyelids. he'd just been staying in his little camp, staring at the sky, then had gone for the kill of the deer whose meat is now strung up over the fire between them. the hunt had been surprisingly quick, or incredibly long . . . siegfried can no longer remember. he'd fallen victim to his own mind here, to his own melancholia. at least that is the only way he can explain these circumstances, the boredom, yet no desire to leave or even get up again.
❛ i followed a bear into the forest . . . ❜ his demeanor turns glum, lips curled up in sudden frustration, as if he feels disdain towards something. he averts his gaze and stares into the flames, with eyes as dull and empty as they have been before. ❛ i thought it was . . . a friend. ❜ siegfried exhales a quiet sigh. a slight shake of his head. ❛ but its face became expressionless in the shadow of the dense trees. its eyes lost their character, and just turned black. ❜ like those of a bear. nothing more and nothing less. no longer a friend, or whatever he had seen in them while they had lured him deep into the woods. he huffs, the disdainful curl of his lips intensifying, and kicks the dirt before his boot into the fire with irritation. ❛ like it was just a stupid bear. ❜ he adds, more for himself. but also because he knows that people rarely understand when he speaks about such animals as though they are more. eyes return to her, a crease of confusion upon his brow at last. ❛ if you recall the way you came then why not just go back that way ? ❜
is she beautiful this way, without magic or mettle ? the enchantress wonders if her softness here is enough to rouse him from his slumber or, much like the root of every one of her cleverly exacted illusions, she was simply showing him what he wanted to see - would he be so sleep addled it she revealed her glory to him ? / is she glorious this way, without power ?
" i can not leave without you. "
the formerly airy quality of her voice solidifies, as does the steel in her spine - amora leans forward and demands his gaze fall onto her, seemingly exhausted by the shortlived routine that she be yet another poor soul lost within this magical vale.
she needs him / the confession constricts her throat.
" i have looked long and far for where you are ... it wasn't until recently i thought to start looking for you in places where you were not, " amora explains haughtily, satisfied with her own brilliance and letting it show midst her cheshire grin. " unfortunately - this place requires you to rise to the challenge and brave your own escape ... but the witch did not say you had to do so alone. "
'Ariel in the Cloven Pine' from William Shakespeare's 'The Tempest' by Paul Vincent Woodroffe, 1905.
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WICKED: PART ONE (2024) dir. Jon M. Chu
canon is lucky amora has never shown up to a hellfire gala

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VANESSA KIRBY with the cast of ‘THE FANTASTIC FOUR: FIRST STEPS’ in Good Morning America
Eve Southern by Tiffany Studios, 1929
g l a m o r i i z e d
i wanna take your clothes off… ;) and then replace them with something else because that outfit is ugly as hell
Nadja Auermann @ Vivienne Westwood Fall/Wint 1994

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when richard siken said “the enormity of my desire disgusts me.” and when angela of foligno said “i could not imagine a death vile enough to match my desire.” and when yves olade said “my rot is as hungry as me” and when cj miller said “there is nothing more humiliating to me than my own desires.” and when benjamin alire sàenz said “what is that thing in the pit of your stomach called desire?” and when richard siken said “desire, like a monster, crawls up out of the lake.”
“I can say with great certainty and absolute honesty that I did not know what love was until I knew what love was not.”
— Unknown