♪

I feel like this is even expressed in the Sins for this ID compared to base Yi Sang, the set-up is the exact same; S1 Gloom and S3 Sloth. However, the one that changes is S2. Regular Yi Sang has S2 Envy while Ring Yi Sang has S2 Lust. Added this to Ring Yi Sang's passives even being fueled by Lust as well while base Yi Sang's are fueled by Gloom. I take this as a representation that he has taken this Lust, an obsessive desire, as being what will drive him forward throwing away all the self-loathing and regret, with many of his lines calling the past meaningless.

Now I'll tackle his story and do a rundown on it while giving my observation, as it ellaborates into this and what his mindset is (and frankly, it's utterly fantastic). First of all, we get a unique, dissonant track that so far seems to have never been used in any other instance in the game to my knowledge.

Yi Sang's approach to his scientist position is very...unique, because he does so as an artist rather than more proper scientific people like for example Faust, Dongrang, Aseah and Gubo. People who simply want practical application and results, means to an end. Dongbaek seems to be the only person who shares this approach he has which is why their bond is treated as unique compared to the other League of Nine members. At his core, what fascinated Yi Sang so much about technology and sciences was simply the euphoria of discovery itself, finding new things. Which is tackled immediately when Ring Yi Sang's story begins as I am showing here.

With science, you never truly "create" anything, you go through right and wrong answers until finding something that works or causes some effect, he even says so himself in Canto IV. And he goes on to criticize his prior fascination with technology with this particular aspect in mind. Even more shockingly is that he calls the League of Nine's conferences a "waste of time" now, each of their creations predictable which could tie into him being a one-of-a-kind genius, which is also somewhat tackled in Dongrang's observation log. To him, everything else his friends made was child's play.

So instead, he looks towards what made him so fascinated with The Mirror in the first place, echoing this particular point he makes during his log for Dongbaek, both of them are driven to reach something abstract and inconcievable and ended up using technology as their path to that vague destination that can only be described in poetry.

And finally, he completely foresakes his past at the League. He even he believes he finally has his wings but calls them fabricated, and there is something obviously wrong with the entire thing on multiple levels. They are fabricated wings because he was guided to this conclusion by the hand of another, rather than the introspection throughout IV. His chapter title is "The Unchanging", and it's the only chapter where the trait assigned in the title to the focus Sinner is a positive; him staying true to himself and his ideals was the key, but he needed to actually move past his apathy and actually grasp them, but here he has completely changed beyond recognition. Turned arrogant, callous and utterly irrational, discarding all of his self-loathing by divorciating himself from the self that he hates, yet the Sloth—the apathy remains, instead of moving past it, fighting it back with his Lust in an endless cycle of dopamin chases while growing numb to everything else and even destroying it if it fails to satisfy that Lust so that it will, as shown as he kills failing students to take delight in their shock and agony.

But at the same time it frames that portrait of the League in his background art a completely different meaning. It is most likely that this portrait is a mockery of all of them, regarding the past and the life he lived until now including his past self with the same condescencion he does examinees that fail to impress him. Specially when you take in count how his own face is much more well-painted than the childish erratic strokes he assigns to the other, making them look ridiculous. But at the same time, Yeonsim is there under them, but flipped to its underside, he still held onto it but as far as we know it might be completely broken and only keeps it as part of his insulting work going by another of his idle chatter lines.

This dark inversion of Yi Sang's journey even before Limbus and Canto IV is also emphasized by Pointillism in particular being chosen as the subject for this ID, this was first pointed out by this Korean Twitter user (and fellow irl Yi Sang enjoyer going by the layout) in the original announcement for this ID:

Of course, this theme compliments Yi Sang's resolution in IV pretty well. He loved the League and grew to love Limbus because they were his resting place. I can't find any translation of Jochunjeommyo however, so I can only rely on summaries and posts put through machine translation. But from what I can summarize, the story is about an artist who can't find a place to breathe and simply exist due to the materialistic, capitalistic nature of the city he finds himself in, which fits pretty neatly with Yi Sang's story as a whole.

I'd also like to point out how a less overtly unhinged variation of this kind of development is shown in his Dieci ID story (which I wanted to make a post on for a while because it really feels like it was preliminary to this and not enough people talk about how messed up Dieci Yi Sang actually is) and how he comes to adopt a mentality just like Ryoshu's, with her already being linked to The Fingers and knowing about their workings personally to the point she might have been affiliated at some point though we cannot confirm, however I will instead link to this post by my friend on the topic since they already did a dissection on how Yi Sang and Ryoshu act as ideological foils and they pretty much said it better than I could: https://www.tumblr.com/ishcliff/743271628518129664/so-any-thoughts-of-well-the-blade-lineage-itself?source=share

Don Quixote being a vampire-creature makes a hell of a lot of sense. "How could she possibly be more desirable than Ryoshu, the one who straight up had a panic button for Dante?"

Faust disintegrated when Don Quixote's boots fell off. It's a top secret that cannot be leaked to the Sinners, and not even Dante until the time was right. But who knew? Vergilius, and the higherups of the LCB. They hired her because they knew - whether they thought she was useful or they just really didn't want their Sinners to face that.

Wrath

Wrath, on the surface level, can present as being irritable or hard to get along with.

Wrath S1 examples

LCB Ishmael, who seems irritable and nitpicky at first.

Seven Heathcliff "Why am I doing this stupid job?"

Hook Office Hong Lu "Don't speak so softly, I'll feel homicidal"

S2 gets closer to how they really feel. The feeling of wrath comes from the feeling of "I can't accept this" - whether it's how they're being treated, how their environment is, etc.

Wrath S2 examples

LCB Heathcliff (past speculation) - Discriminated, mistreated, resenting what's happening to him

LCB Sinclair (past) - I don't want to get prosthetics

W Corp Hong Lu - Bored with his job.

And S3 wrath represents a strong rejection - they won't accept Anything they deem contrary to their own beliefs and ideals. It is a violent refusal.

Wrath S3 examples

N corp identities who are brainwashed - Kill all the dissenters and heretics.

Pequod Ishmael - "It's MY way or the HIGHWAY, god damn it!" (Throws a fit if another ID kills an enemy)

R Corp Ishmael - Hates it to the point she's looking for Singularity information of old R corp

LCB Rodya - I can't accept this armchair revolution and endless poverty. I have to kill this old windbag.

Lust

Lust in this case is a pursuit of something non-physical - a relationship, an ideal, a core element of your self. On the surface level, this can present as really wanting to be something.

Lust S1 Examples

LCB Don Quixote - Wants to become a great Fixer.

W Corp Ryoshu - Wants to be a great artist.

Sous Chef Gregor - Wants to improve his cooking.

S2 is a little stronger than just normal desire. They will willingly hurt other people or trample them to achieve their goal.

Lust S2 Examples

Tingtang Gangleader Hong Lu - Uses violence and is callous to those invading his turf

The One Who Grips Faust - Massacres Sinclair's village to get what she wants

LCB Ryoshu - Her idea of beauty ties in with violence

S3 is a little different - It's desiring something so badly on an existential level. It's pretty much what they live for.

Lust S3 Examples

R.B. Chef Ryoshu - Needs to be one of the Eight. Will stop at nothing to achieve this.

N Corp Heathcliff - Not brainwashed, doesn't really want to be. Wants to preserve his "true self".

G Corp Gregor - After an irreversible transformation, fully believes his reason to exist is to be a killing machine.

Interestingly, both LCB Heathcliff and Hong Lu have a Lust S3.

Sloth

Sloth is inaction, watching from the sidelines, not seeing what is in front of you. This can start with just simply being misguided, believing something to be true when it's not.

Sloth S1 Examples

W Corp Don Quixote - "I am working at a Wing!! CHOO CHOO!! Sally forth!!"

LCB Outis - Her piss-poor act of blind acceptance and obedience.

LCB Meursault - It is simply none of my business if Sinclair hyperventilates and vomits on the floor.

S2 sloth is more purposeful, not taking action when one should or purposefully being ignorant of reality.

LCB Faust - Does not tell Dante and the others a lot of information and doesn't stop sinners from running amok.

LCB Hong Lu - Despite being perceptive, does not seem to register bad situations as bad or react to pain appropriately.

G Corp Gregor - This feels wrong but I'll just continue with it anyway.

S3 sloth is a total loss of vision, not being able to see what's important to them. Losing sight of all they used to desire, and doing nothing about it.

Dieci IDs - Lost their memory and doesn't even remember what was most important to them.

K Corp Hong Lu - Doesn't seem to mind his total loss of freedom and autonomy, despite desiring freedom in other IDs.

LCB Yi Sang - Could not care about anything he once loved or aspired to be, until he was able to gain his wings once more.

Blade Lineage Don Quixote - Once used her strength to fight alongside her comrades, but now kills for purely her own sake.

Gluttony

Gluttony is a desire to be satisfied, whether it's something material or psychological. This can present like greed or selfishness at first sight.

S1 Gluttony Examples

LCB Rodya - "I want meat, I want money, I want to gamble!"

LCB Ryoshu - "Let me smoke. Let me do as I please."

Lantern EGO Don Quixote - Curious about the abnormalities and wanting to know more about them

S2 Gluttony is wanting more at a crucial point in their life, or desiring more than they could chew. It could also mean getting hooked into something or addicted.

S2 Gluttony Examples

LCB Ishmael - "I quit my job, I need something that's not labour hellscape... Hm? That hag can sure talk..."

R Corp Heathcliff - Began deriving enjoyment from killing

N Corp Don Quixote - Didn't even need the brainwashing, got hooked onto the N Corp ideology herself

S3 Gluttony seems to be the final stage of seeking what they desire - being satisfied, even when they shouldn't be.

S3 Gluttony Examples

Tingtang Gangleader Hong Lu - Seems completely happy and enjoying himself

Seven Heathcliff - Actually learned to like his job

W Corp Hong Lu - Doesn't want praise or a raise, just fine with how things are now

Gloom

Gloom represents pain, and how it affects how the person treats their situation or other people. On the surface level, they may appear melancholic or having given up.

S1 Gloom Examples

LCB Yi Sang, LCB Gregor - Self explanatory.

Rosespanner Meursault - Crushed by work

R Corp Ishmael - Headache, pain, does not like it here

S2 Gloom is a moment of despair, when something in their heart was broken. This may also involve guilt and inflicting pain.

W Corp Don Quixote and most W Corp IDs (Except Hong Lu and Ryoshu) - The shocking reveal of what W Corp really is.

N Corp Heathcliff - "What the hell am I even doing??"

Lobotomy EGO Heathcliff - "All my friends are dead."

S3 Gloom can represent letting their pain affect how they treat others. Lashing out, being insensitive to others' pain, or simply giving up and accepting the hurt as inescapable.

W Corp Yi Sang - Abandoned hopes for freedom, just wants it to hurt a little less

G Corp Outis - Knows she cannot escape the unfair treatment

LCB Ishmael - Lashes out and hurts others because she is deeply hurting, making it more painful for her too

Pride

Pride is the belief that they are different from other people, and so the rules don't apply to them. This can seem as arrogance at first, even if they are not actually like that.

S1 Pride Examples

LCB Sinclair - Rich boy 1

LCB Hong Lu - Rich boy 2

LCB Faust - Doesn't hide that she thinks she's better than everyone else

S2 Pride can contain disdain for other people, and believing they are better than those around them. Therefore, their actions can be excused in their eyes.

S2 Pride Examples

LCB Meursault and LCB Outis - Competent and they know it themselves. Outis thinks of her comrades as dirt and points and laughs when they die.

W Corp Ryoshu - Her art comes from chopping up the dead and deformed passengers, doesn't give a single shit about them

LCB Rodya - Believed she was special enough to make a difference and split the hag's skull.

S3 pride goes a step further - their own desires take precedence over anyone else's. They may even see other people's lives as literally the same as a blade of grass. If they want something, they'll trample everything and anything.

S3 Pride Examples

The One Who Grips Faust - Probably doesn't even give a shit about the grand ideology or her minions. Just did it because she could, and wanted to.

The Middle Little Sister Don Quixote - "I can kill anyone who disrespected my organization!"

LCB Ryoshu - Has the littlest regard for human life.

Envy

Envy can start out with the simple desire to surpass someone, to become better than others. To want more than what other people have.

S1 Envy Examples

Tingtang Gangleader Hong Lu - Began wanting to be stronger, to have more power.

LCB Heathcliff - Rich bastards are annoying, they don't deserve it more than I do

Shi Ishmael - Just wants to survive in a world of dog eat dog

S2 envy is the need to be better than what you once were, to surpass yourself and get something accomplished.

S2 Envy Examples

LCB Yi Sang - Bettered his own craft and created the mirror.

Pequod Members - Lay their past self to rest, and opted to hunt the whale.

R.B. Chef Ryoshu - Wants to make better and better pies

S3 Envy is the result of their desire to surpass - or that they have accomplished something, but with a heavy price.

S3 Envy Examples

W Corp Ryoshu - Extremely powerful, but her sword will suck up her health if she doesn't charge it properly.

R Corp Heathcliff - Gained insane power but lost something important to him in the process.

LCB Sinclair - Was able to avoid getting prosthetics but his whole family dead.

Pequod Heathcliff - Managed to get out of the Middle but is covered in scars he can't erase.

According to the Kremnoans, the five virtues of Nikador are:

Unfearing of blade at the throat, manifesting the visage of courage

Unyielding to conniving treachery, protecting the crown of honor

Unblinking of eyes burning bright, upholding the cornerstone of reason

Unbending from wounds to flesh, forging characters of tenacity

Undaunted of risking life to protect, embodying corpus of sacrifice

Taking only the key concepts--courage, honor, reason, tenacity, and sacrifice--it should be abundantly clear how closely Mydei hews to these virtues and how they've informed his character arc so far, but I think it's particularly interesting: Mydei's story also intentionally refutes the traditional Kremnoan interpretations of those virtues.

I'll talk more about sacrifice later, but the other virtues are very apparent:

"Unfearing of the Blade at the Throat"

I barely have to say anything, do I? I doubt there's anyone who would question Mydei's courage given what we see in from 3.0 to 3.1. Without flinching, Mydei was willing to plunge into single combat against Nikador, despite knowing that he would almost certainly die a countless number of times while trying to hold the god off. Even knowing that Phainon was literally losing his mind in Nikador's coreflame trial, Mydei was willing to jump into the trial himself to save Phainon, again without a single ounce of hesitation. Mydei has lived a life where he has constantly faced death head on, where he has needed to stand up against impossible odds over and over again.

Clearly, he fully embodies the classic Kremnoan notion of charging into battle without wavering, of never backing down from the challenge, and of never shying away, even when loss is imminent. On the surface, we can easily say that Mydei parallels Nikador in this manner, and that Mydei gracefully fulfills his people's expectations for a leader to be absolutely undaunted in combat.

But then the game takes another track and tells us that Mydei is not only what he seems on the surface. With direct confirmation, the game tells us that Mydei is not fearless.

In fact, he's flat out terrified--not of combat, but of history. He is frightened of his own authority, of the responsibility he bears toward others, of choice that has been left in his hands. He is afraid of making the wrong choice, and for both 3.0 and 3.1, we see him do the exact thing a Kremnoan king--an embodiment of Strife--should never do: he wavers. Multiple characters criticize him for this hesitance, even Phainon, who jokingly scoffs at the idea of Mydei breaking his people's traditions, only to backpedal when he realizes Mydei is serious.

The conclusion of Mydei's arc in 3.1 is not the trial with Nikador. It's not Mydei's becoming a demigod. It's not Mydei's battle with Flame Reaver. It's Mydei finally making up his mind and committing both himself and the Kremnoan people to the dead opposite path expected of a blood-stained conquering nation. Mydei's definition of courage directly opposes the traditional Kremnoan definition, and therefore also opposes their interpretation of Nikador's "unfearing" virtue.

Rather than charging into battle without flinching--Mydei's courage demands the Kremnoans surrender the fight instead. Instead of dying, now they have to live. This is what makes it so fascinating that Krateros actually reacts to Mydei's brand of courage with terror:

Kremnoans know how to throw their lives away without hesitation. But asking them to embrace peace? Change? To survive? They are unprepared and entirely out of their realm of experience.

Mydei's courage parallels Nikador's--but also utterly inverts it.

"Unbending from Wounds of Flesh"

Tenacity, too, should be very obvious. Of course Mydei fits the traditional Kremnoan interpretation to a T--he takes every hit and stands right back up again. Very little needs to be said about Mydei's willingness to keep going even if it kills him, then to come back swinging even after dying. In the eyes of the traditional Kremnoan people, who could possibly be a better example of tenacity than someone whose body can't even be stopped by death itself?

The implication of the original Kremnoan virtue, linking tenacity to being "unbending from wounds," is that physicality is what matters. Before all else, to be able to battle without ceasing is the aspiration, while other aspects of the soul, other elements necessary for meaningful lives, are left under-developed or entirely eschewed. You keep going into battle or you might as well not keep going at all.

But Mydei once again challenges this notion, as his character revolves around a central conflict whose answer is "peace"--he doesn't want the Kremnoans to have to show the type of tenacity they most ferociously believe in. Like Mydei's courageous decision to lead his people away from their own faith, Mydei's actual tenacity appears most clearly in his ability to face Amphoreus's cruel world with empathy.

Given everything he has experienced in his life, Mydei is the character in Amphoreus who has the most right to be jaded, to believe that people are inherently cruel, that nothing in their dying world can be improved, and that there's no meaning to life other than to suffer. He was murdered by his father who also murdered the mother who loved him. He suffered ten thousand deaths drifting miserably in the abyss of the Sea of Souls, entirely alone--yet he clung tenaciously to that life that promised nothing but more suffering, dragged himself free of that hell and kept going. He embraced friendship and found himself a family, only to lose every tiny shred of joy he had cobbled together for himself as they died in front of him in horrific ways, one after another. He became the crown prince of a fallen kingdom, leading refugees into a city that hated and mistreated them for years while he served as fodder for battle, all while knowing that his own ultimate fate would be to surrender his remaining humanity to become an avatar for calamity, ensuring his own future would nothing but endless pain and loneliness.

The man had absolutely nothing to live for (except for the fact he can't die, I guess), but instead of surrendering to despair, he's the one joining in on the Flame-Chase Journey, telling Aglaea that he admires her most because she managed to light the flame of hope in people--even in him.

Knowing that only more suffering lies ahead of him, Mydei still ferociously embraces the life he's been given and the heavy honor he bears in guiding others on the right path. Rather than just racing mindlessly into battle, again and again into the same cycle of conquest, Mydei's truest example of tenacity is his ability to "take the first step," moving forward mentally and emotionally toward the future he dreams of for his people.

"Unyielding to Conniving Trickery"

Just as with all of Nikador's other virtues, Mydei clearly embodies the traditional Kremnoan definition of honor: He's honest, straightforward, and reviles those who use trickery to achieve their goals. To that end, we can see his act of patricide as the ultimate example of Mydei upholding the very classic Kremnoan definition of honor, killing a conniving schemer, his father Eurypon, to avenge an honorable warrior, his mother Gorgo.

Yet even as he accomplishes what he views as a necessary act--a duty to his mother's memory--Mydei does not react to the deed as other Kremnoans expect. Krateros rejoices at Mydei's decision to kill his father, but Mydei's only response is silence. Later, as I mentioned above, he discusses the pursuit of vengeance with Phainon and warns Phainon that revenge can never bring joy or closure.

In the ruins of Castrum Kremnos, when Phainon and Mydei debate the intersection of honor in combat, Mydei at first challenges Phainon's soft-hearted view with the traditional Kremnoan definition--but then, when Phainon claims that Mydei doesn't believe in his own people's tenets--Mydei remains silent again, tacitly agreeing with the truth Phainon has revealed.

Mydei is a deeply honorable character. Certainly the Kremnoans would have no scruples saying that about him, if only his surface actions are considered. Yet at his core, Mydei's definition of honor ultimately rejects everything the Kremnoans stand for, seeing absolutely no meaning in their pointless battles or their excuses for bringing harm upon others. Recognizing that nothing is truly gained even during the most justifiable of killings, Mydei's own sense of honor makes all of Kremnos's sacred history look like nothing but a record of historic evils.

"Unblinking of Eyes Burning Bright"

"Reason" is the virtue missing from Nikador, the one that up and wanders away while the Black Tide moves in. We're introduced to Nikador's reason as an entire embodied concept through Gnaeus. Through Castorice's interactions with Gnaeus, we're led to believe that Nikador was once fair and just, capable of staying his blade in respect of worthy opponents and of discerning the schemes of lesser men. The virtue, in the classical Kremnoan interpretation, seems to lie in being judicious, in knowing when to strike to always secure victory.

Mydei, of course, is not an unreasonable person. (He's more reasonable than the cranky/tsundere stereotypes he gets in fandom, anyway lol.) As I mentioned in the first part of this post, when Phainon wants to go charge straight into fight Nikador, it's Mydei who demonstrates this virtue of reason, reminding Phainon that they simply don't have the resources to tackle the fight. In 3.1, it's Mydei who reasons out what is going on in the first coreflame trial and determines how to solve their issue, find Phainon, and safely escape. Tactically, Mydei clearly demonstrates the ability to keep up with his opponents' moves, strategically divide forces, and see through enemy bluffs. By all accounts, he's a perfect picture of traditional Kremnoan "reason" too.

Yet, once again, Mydei's particular sense of reason puts him at odds with Kremnoan beliefs--because he is smart enough to see the bigger picture. What does victory in one, two, three battles mean? What does winning one war mean, if the next war is already on the horizon? What purpose does dying in noble combat even serve in a world that is already ending? Mydei applies his reason not to the short-sighted conquest of prior Kremnoans but to the longer view of the future, recognizing the futility and inevitability of the rise and fall of nations. For this clear view of history, Krateros warns Mydei that the ultimate consequence of his own intelligence will only be more suffering for him:

Like Nikador's reason standing alone, Mydei's reason sets him entirely outside the Kremnoan faith, causing him to recognize the inherent failings of a cultural system of wasteful violence enforced for over a thousand years. Looking at his own people with a discerning eye, Mydei ends up accidentally separating himself entirely from the familiar confines of his people and their traditions--like Gnaeus, struggling but unable to return to the whole.

On the surface, Mydei represents an excellent embodiment of classical Kremnoan virtues. As Eurypon says in the Kremnos flashback, Mydei bears the seeds of all of Nikador's virtues, stepping unflinching into battle, refusing to surrender in the face of death, approaching every duel with honor, and knowing when and where to strike. But at every turn, he also rejects and exceeds the confines of his people's interpretations of those virtues, using courage to stop battles rather than start them, tenacity to take the first step on a journey toward a more peaceful future, honor to reject the cruelty of Kremnos's callous views on death, and reason to grasp the broader context of making meaning in a dying world.

Mydei should be understood, at his core, as a character of extreme contradictions--both the "most and least Kremnoan of them all." Examining the way his character parallels while also wildly deviates from Nikador's perfectly encapsulates the core conflict of Mydei's character arc, the place where who the world expects him to be--crown prince of Kremnos, demigod of Strife--clashes directly with who he wants to be--the revolutionary remembered for freeing his people from despair into a true "Era Nova" of hope.

7. The Person Who Matters Least to Mydei is Mydei

Okay, so wait--what about "sacrifice"? It almost goes without saying, but I left the last virtue to its own point because "sacrifice" is the single most important trait of Mydei's character.

This is true in two entirely different ways: Mydei's life and philosophy were shaped almost single-handedly by the sacrifices of others--first, by his mother fighting to the death in an attempt to avenge him, and then by the sacrifices of each of his five friends in turn, who died insisting that Mydei should live on in their place. Knowing of his mother's sacrifice and witnessing his friends' deaths were clearly the life-altering experiences driving Mydei's departure from the Kremnoan faith.

Even as he tried to fulfill his friends' wishes by taking up his place as the crown prince of Kremnos, it's from these losses that Mydei truly learned the meaningless of the central tenet of Kremnoan belief, "valorous death before glorious return." There was nothing valorous in the deaths Mydei was forced to watch--the people he loved died pointlessly, fighting essentially for a cause and nation that had already rejected them. By watching everyone he cared for sacrifice themselves on the altar of Kremnoan ideology, he--the sole survivor, the one always, always left behind--was forced to confront the real reality of a culture that chooses to romanticize death, that hinges self-worth on a willingness to kill and be killed, that exists entirely as a war machine dependent on its ability to bring pain and suffering to others.

Even as he loved Kremnos for being the nation to birth him, the nation to embrace him, and the nation to need him--I think Mydei must have hated Castrum Kremnos in equal measure. This, I think is core to understanding Mydei's relationship with his own self-identity as Kremnos's prince: He loved what Kremnos could have been, while despising what it had become.

In the sacrifices of his comrades, Mydei found the very opposite cause his friends expected of him--he found his will to tear down their entire nation's thousands-year-old system of wasteful bloodshed.

But, another contradiction: While hating the sacrifices others were willing to make for him, Mydei has also proven himself to be an exceedingly, unflinchingly giving person. There is no aspect of himself, his own happiness, or his own freedom that Mydeimos is not willing to sacrifice if it means protecting the people, the land, and the world. If by giving something of himself, he can improve the lives of those who deserve it, Mydei will always choose to take the suffering of others on himself.

We see this selflessly giving nature from his earliest memories. His first character story impresses that even from his time as a tiny child, he was willing to aid others with no thought of reward, at his own expense even, helping drowning fisherman make it to safety but never seeming to be able to make it out of the Sea of Souls himself. By 3.0, we're told that Mydei and the Kremnoan detachment had become Aglaea's blade, carrying the brunt of Okhema's battle against the Black Tide and the raving titankin. Despite the fact that Mydei has reservations about Aglaea's orders, he follows them essentially without question, even when he knows this will put him at risk of pain and death:

But 3.1, of course, is what truly hammers the extent of Mydei's self-sacrificial behavior home. In 3.0, we see Mydei flat out refuse the coreflame of Strife several times. Mission text for the game tells us that he has "an absurd extent of hesitation and objection to accepting the god's authority," but Mydei also insists repeatedly that his hesitation doesn't have to do with worrying about himself. Instead, he says that his only hesitation is his people. Whether this is true... more in a second, but for now:

Mydei does not want to accept his destiny to become the demigod of Strife because he fears it will bring harm to those he cares for, the Kremnoan people he has fought for and died (many times) to protect. He is afraid he will perpetuate the exact same cycle of needless violence he despises if he loses his self-identity to the soul of Strife. He is, he claims, perfectly willing to sacrifice his humanity and self-identity as "Mydei" to become "Amphoreus's Guardian"--but only if he can do so while still ensuring a real future for the Kremnoans. Sure, this seems like a noble goal, but in all of this, there is no talk of Mydei's life, Mydei's freedom, or Mydei's dreams. It is only ever "what is best for the Kremnoan people" and "what is best for Amphoreus."

In essence: What Mydei wants does not matter, because Mydei's only spoken concern is the needs of other people.

For me as a fan of this character, the first half of 3.1 was viscerally discomforting. As players, we have the oh-so-pleasant privilege of starting 3.1 watching Mydei be systematically manipulated into sacrificing his own autonomy. I absolutely love Aglaea and Tribbie, but I won't sugarcoat it: by word and action, both of Okhema's demigods knowingly stripped Mydei of his agency:

First, Aglaea insults and pressures Mydei, calling him foolhardy and essentially suggesting that if Amphoreus falls, it's going to be because of Mydei's indecision. She essentially drops the responsibility for all of Amphoreus on his shoulders:

Then, Mydei confronts Tribbie about the even harsher truth, that both Aglaea and Tribbie had knowingly gambled with Phainon's life strictly to push Mydei into that corner:

Yet even after all this, even knowing that Aglaea and Tribbie have just doomed him to an end in pain and misery, what does Mydei say? "I have no intention of condemning you for it." He knows the meaning of the Flame-Chase Journey and understands that his autonomy was never going to stand up to the prophecy. He just lost every hope he might have had of living the life he dreamed of--and what does he still say? "It's okay. I don't blame you." Goddamn Mydei, won't you stand up for yourself at least a little?

Then we get to watch Mydei grow desperate. His freedom and future are already bought and sold. He knows he's running out of time, and he still hasn't found a way to protect the people who are relying on him. He practically begs Krateros to help turn the Kremnoans away from their path of bloodshed, and what does he get from the closest thing he ever had to a father figure?

A extremely cutting guilt trip, and, maybe even worse, a thinly veiled threat to withhold regard:

This might as well be a father saying "You have disappointed me."

Mydei has no one to turn to in these early scenes. Again, not a shipping post, but his only genuine ally, Phainon, isn't here to be his back up, leading to scene after scene where Mydei is treated like fate's chew toy. Players get to watch every single character who is indebted Mydei for his service and who has every reason to respect his wishes instead turn on him and push him into doing things he doesn't want to do.

(Okay, I'm lying, this is a little bit of a shipping post: I can't help but laugh, because the plot of mid-3.1 is literally "Phainon comes back for one scene and almost single-handedly solves Mydei's central character conflict by sending him to talk to Chartonus." He really said "I gotchu, man." 😂)

In Mydei's final goodbye to Castorice, we even see this unhesitating self-sacrificial nature when Mydei thoughtlessly offers to let Castorice kill him just so he can help with her own goal of pursuing Thanatos. Castorice is quick to rebuke him because, unlike Mydei, who has come to view his uncountable number of lives as nothing but currency to be spent in service to others, Castorice desperately values life. She chides him for being so willing to sacrifice himself, but he basically deflects, claiming it's an aspect of all Kremnoans rather than reconciling with the fact that, by this point, he's basically given up on trying to have any regard for himself.

In the end, Mydei manages to find his way forward, making the final, devastating difficult call to dissolve the dynasty and end the history of Castrum Kremnos. This is framed as Mydei reclaiming his agency, making the choice that he knows is right over the choice everyone expects of him. This is what Mydei wants for his people.

But what is the final outcome here for Mydei? The Kremnoans staying safe in the holy city wasn't Krateros's wish, nor the detachment's wish--it wasn't even the young Kremnoan children's wishes to stay in Okhema. It was Mydei's wish to live peacefully in Okhema with those he cares about, finally free of the shadow of Kremnos's bloodstained history and the madness of the path of Strife.

The life that Mydei secured for the Kremnoans is the life he dreamed of living.

And now the only Kremnoan who doesn't get to live that dream is Mydei.

Mydei went to Castrum Kremnos knowing he would likely never return. He went knowing his own death was already signed and underlined in future records of history, either at the hands of enemies from the Black Tide or at the hands of the person he trusted his deepest secret to. He knew that he would spend the rest of his life alone, engaged in the very same endless war he wanted to stop, the strife he did everything to spare his people from.

He sacrificed his own humanity, his entire life--everything he fought to claim as his own--all to protect other people. (I.... love this character so much...)

Nikador's last virtue is sacrifice. If you want to understand Mydei's character, just remember: Mydei is the kind of person willing to sacrifice everything he has.

8. But the Fact that "Mydei" Exists Means Something

Okay, but with all of that said, the true tragedy of Mydei's story is that he wasn't completely selfless. If he genuinely had no thoughts for himself and lived only for the happiness of others, his actions in 3.1 wouldn't be framed as a sacrifice in the first place.

Mydei's decision was difficult, and his ultimate departure was saddening, because he did have some regard for his own life. Mydei had dreams that didn't involve becoming the demigod of Strife. There were things Mydei was looking for in the world that now he will never get the chance to find.

And nothing more clearly tells players this than the existence of the name "Mydei."

Unfortunately, the effect of Mydei's name change is a little bit lost from the original Chinese to English: In Chinese, while "Mydeimos" is the same as in English (Màidémósī/迈德谟斯), "Mydei" is actually "Wàndí" (万敌), functionally an entirely different name. This works in Chinese because the use of specific characters allows the meaning of the name to stay the same (the "My" in Mydeimos means "ten thousand" and so does "万") while the sound of the name changes noticeably. In English, just using an abbreviation doesn't have quite the same effect unfortunately, but obviously the English translators didn't have the same options.

Anyway, the point is that in the original text, Mydei didn't just ask the Chrysos Heirs to use a nickname; he literally gave them an entirely different name--almost an entirely different identity. This distinction is reflected in his very first voice line, where he introduces himself as both "Mydeimos, the crown prince of Castrum Kremnos, and Mydei, the warrior of Okhema," as if these are two different people.

Mydei was essentially inventing a different life for himself, a life where he didn't have to be a prince but instead could be just a regular warrior, where he wasn't "of Castrum Kremnos" but "of Okhema."

At the end of 3.1, Mydei's return to Castrum Kremnos is framed as "returning home." The mission description suggests this, and when Mydei returns to Castrum Kremnos, he's greeted by his mother's voice and answers her turn.

But this is actually bittersweet, because the game tells us repeatedly that Mydei has deeply conflicted feelings over whether to think of Castrum Kremnos as his home. In 3.0, Phainon insists that Mydei must be feeling extreme homesickness while exploring the ruins of Castrum Kremnos, but Mydei's conflicting backstories make it unclear whether he ever truly lived in Castrum Kremnos as a child.

Then, in 3.1, Mydei's scene with the children is obviously meant to be an evocative parallel. The children insist that Kremnos is their home, but Mydei pauses and asks them: "Can a place you've never seen be called your home?" This scene is important, because it is clearly intended to parallel Mydei's own situation. Most characters in the story--including all the Kremnoans--view Castrum Kremnos as Mydei's home, but he was thrown into the sea from the time he was an infant. Even if he returned to Kremnos after that, it could only have been under a false name, hiding his existence from his father the king. Is he himself holding on to the notion of Kremnos less for what it is and more for what he feels it's supposed to mean to him? Merely because of tradition and history? Was Castrum Kremnos ever really his home, or has Mydei's home always been the people he loves?

When Castorice asks him if he's returning home at the end of 3.1, Mydei struggles to answer the question, making it clear that he doesn't truly believe that Castrum Kremnos is his home anymore:

But if Kremnos isn't his home, then where is? (Oh, you wandering lion...)

I'd like to point out that Mydei's "About Self" line isn't "About Self: Castrum Kremnos." It's "About Self: Holy City." In this voice line, he expresses his surprise about the new life he managed to create in Okhema, how he never would have dreamed of ending up there as their ally one day. But in the same breath, he laments that "Okhema cannot be a home for everyone," because, as he discusses later in his "Annoyances" voice line: "Castrum Kremnos and Okhema have long been at odds. A spear can pierce the enemy king, but it cannot resolve the deep grudges of the people." Mydei is vexed by the barrier between the Kremnoans and the Okhemans because he doesn't want his two nations to be at odds. He wants Okhema to be a welcoming place for the Kremnoans--himself included.

The game tells us that Mydei was a person who was looking for a home, and that he wanted Okhema to be that home.

Mydei admits to Phainon that he is (they both are) naive, always wanting the best for everyone:

What Mydei believed was "the best for everyone" was a peaceful place. A place his people could prosper, a place where they could live on without needlessly wasting their lives on the battlefield, where, like the Mountain-Dwellers pushed from their homes in Chartonus's story, there would at least be a future for the Kremnoans that wasn't just "valorous death."

But Mydei wanted all that for himself too.

In "As I've Written," the author writes that Okhema was the final gift Mydei gave to his people--but in doing so, he had to sacrifice the chance to keep Okhema as a home for himself.

Mydeimos was willing to make the ultimate sacrifice for his people without hesitating. He was willing to throw himself into danger over and over again, even when it would kill him painfully numerous times. He was willing to face his deepest fear and take on the coreflame of Strife to protect Amphoreus, despite knowing that the cost would be his personal happiness and freedom. He did so almost entirely without regard for his own life, unwavering in his sense of duty to others.

But the existence of "Mydei" meant something: a small, secret wish for a different future, to become someone who could live freely in a world without meaningless, endless violence, unchained from the evernight at last, surrounded by the people he cared for and who cared for him in turn.

Many people are worried for the numerous death flags surrounding our favorite prince... but the truth is that "Mydei" is already dead. That hoped-for life died the moment Mydeimos accepted the coreflame of Strife and surrendered his humanity, the moment he returned to the empty darkness of a fallen kingdom, where only a throne of blood was waiting, bidding farewell to any dream he ever had for a softer future.

9. Deeply Affected by Okhema's Discrimination

All right, that was bad. So you know what I'm going to do now? Make it worse.

I truly believe that part of the reason Mydei did not fight harder against his fate is that, even as he made his decree telling all the other Kremnoans to stay in Okhema and adapt to their ways... He didn't know how to do that himself. Even as he wanted to make Okhema his new home, he didn't know how to make the holy city accept him. (He probably doesn't know how to make himself feel at home anywhere, really.)

"As I've Written" says that cruel rumors followed him everywhere he went in Okhema, even though he never raised a hand against anyone in the city:

His voice line "Annoyances" suggests that Mydei is frustrated that he could kill what was likely one of Okhema's greatest enemies, Eurypon, and yet still the city would not forgive the grudges of the past. In 3.0, one of Mydei's first lines to Phainon is to remind him that Okhemans and Kremnoans still don't get along, even as he also says "I'm not in a place where I'm free to change that."

In 3.1, we see that despite serving the city faithfully as frontline soldiers for years, dying for Okhema's cause, the Kremnoans are still so mistrusted that the Council orders higher ranking members like Krateros to be placed under surveillance. In 3.0, the Kremnoan NPC Aeleus basically ends up running off from Okhema (to his implied death) simply because the Okhemans would not accept his relationship with one of their own. At the very beginning of 3.0, one of Phainon's first lines is chiding Mydei for not protecting "Okhema's citizens," but the way the line is framed accidentally excludes Mydei from being counted among those citizens, something which Mydei calls Phainon out for.

In 3.1, what the Kremnoan children tell Mydei is pretty devastating: they're being ostracized so badly, they can't even think of the place where they were born as their home.

At the end of 3.1, Mydei is even shocked to see that people other than the Kremnoans have come to see him off, seeming genuinely surprised that any of the Okhemans would respect him enough to want to say goodbye.

Even more telling, Mydei's own allies, his fellow Chrysos Heirs, admit that they've completely neglected the situation of the Kremnoans, turning a blind eye to the discrimination and hardships Mydei's people have been facing for years.

But all of this really culminates in the first coreflame trial. Although I've seen lots of people talking about how Mydei's fear was losing his friends, including Phainon, I think a lot of people kind of blanked over the fact that Mydei didn't just fear losing his friends--he specifically feared that his people would become the victims of hate crimes. The entire setting of the first trial for Mydei was watching the Okhemans turn on the Kremnoans, hurling slander and literally beating Kremnoans to death in the streets.

(This last one was particularly harsh, as Mydei clearly holds Chartonus in high regard--seeing someone he cares for act frightened of him and tell him there's no place for him in Okhema clearly shook Mydei even more than seeing the shade of Perdikkas die again.)

Mydei confirms for Tribbie that in Nikador's trial, he saw his "greatest fear," something that "terrified him." But Mydei wasn't just frightened of losing his friends--if it was only losing his friends that he feared, then like Phainon was, he would have been transported to the past and relived their real deaths. Instead, we specifically see a new fear: Mydei is terrified of Okhema's xenophobia, terrified that his people (and himself) will eventually be entirely rejected, losing their last refuge in a dying world.

Part of Mydei's greatest fear is the belief that no one wants him, that there is no place in Amphoreus for the "beast spurned by all."

This, of course, makes Tribbie's comment about how she and Aglaea have sidelined the Kremnoans' concerns all the worse--while treating him as a friend and ally, the Chrysos Heirs seem to have largely failed to do anything to address the prejudice Mydei was facing. In fact, we even see this mirrored in the bath scene later; yes, it's light-hearted but also, in the broader context, it isn't the greatest of looks: Even though Phainon is obviously being dumb, everyone automatically believes Phainon when he pins the blame on Mydei, and they confront Mydei as if the whole thing were his fault.

Mydei is an incredibly resilient and enduring person. He has faced the entire world as his enemy and still come out on the side of good. He certainly would not allow the opinions of plebeians to sway him. Nothing others could say or do would force him to bow his head.

But... I don't think Mydei was as immune to Okhema's discrimination as he liked to seem. The fact that he created an entire new name for himself, that he swore his loyalty to Aglaea and kept every promise he made to Okhema and the Chrysos Heirs, and yet still couldn't find a way to make Okhema his home... The fact that dream he had for his people's future was essentially for them to be able to live the exact same lives the Okhemans already do, in peace and prosperity, and yet even while living among them for years, the Kremnoans hadn't been able to reach that level of comfort... The fact that his last wish to Phainon was for him to be the bridge to finally help the Kremnoans adapt to life in their new nation...

Phainon's comments about what happened to the Mountain-Dwellers after they left their homes almost seemed to suggest that he fully understood the dangers of the action Mydei had just taken--like the Mountain-Dwellers, committing the Kremnoans to a future in Okhema does mean exposing them to further prejudice and mistreatment. Mydei accepts this as fact, suggesting that he knows just how much his people might suffer from the choice forcing them adapt to a foreign culture's expectations. And yet Mydei excluded himself from that need, and now will likely never--in this life at least--have the opportunity to grow to fit the place he expects his people to one day call home.

The fact that so much of Mydei's story revolves around this conflict between the two halves of his life, his two nations, suggests that this issue did affect him significantly, likely for years. I think it is actually one of the key reasons Mydei struggled so severely with his decision over the Kremnoans' future--and over his own future. If Okhema had accepted Mydei with open arms, treated him with respect and affection, if the holy city had given him a real home for possibly the first time... I don't think the story would be where it is now. Mydei was so willing to give up his own life and freedom at least in part because he felt like he had no other options, and some of that feeling certainly comes from believing he had no place in Okhema. Mydei was convinced that the other Kremnoans would eventually adapt and be accepted by the Okhemans, but I don't believe he ever thought that acceptance would apply to him.

It wasn't just the prophecy that drove Mydei away to Castrum Kremnos.

I think Mydei's character should be best understood as someone who, even while refusing to ever give in to the hurtful comments and behavior of others, was at least very much aware of, and shaped by, a lifetime of discrimination for beliefs he didn't even hold.

10. Stranger Danger/"I Won't Say I'm in Love~"

All right, with those wonderfully depressing points out of the way, why don't I end with some comedic relief? There's one last thing I want to say about Mydei's characterization:

He's kind of shy.

😂😂😂Okay, okay, I'm kidding. Mydei isn't actually shy by the average definition of shy folks (nervous, struggling to assert themselves, cracking under the slightest scrutiny). Mydei isn't going to ever make himself smaller or run away when someone tries to approach him, of course not.

But Mydei is reserved. It seems that he does not usually befriend people easily, is slow to trust, and keeps himself aloof, particularly among those he doesn't know well. It's easy to see this in the flashback from early on in Phainon and Mydei's acquaintance, where his responses to the conversation are exceptionally stand-offish, devolving into just one-word answers to try to free himself from the awkward small talk with a stranger.

One of the places people are most likely to find Mydei in Okhema is withdrawn, keeping to himself all the way up on the farthest corner of the roof. He even flat out asks why the Trailblazer would ignore his obvious wish for alone time. Even in 3.1, when taking a photo with the Trailblazer, Mydei is pretty awkward about it, saying that he doesn't take photos often, which suggests that he doesn't put himself out there much, even on Okhema's World Wound Web. (Maybe he's just hiding behind his cute chimera tiktoks instead; I am a Fig Stew truther lol.)

But I think perhaps the funniest indicator of Mydei's reserved nature are the scenes in Castrum Kremnos in 3.0. Although the Trailblazer is obviously not the most talkative character in Star Rail, Mydei goes almost that entire sequence without speaking more than a single sentence directly to the Trailblazer. Literally, the only line of cutscene dialogue he says to the Trailblazer for an entire two hour sequence of the patch is "Think what you want." Every other line in the entire Castrum Kremnos sequence is instead spoken to Phainon; sometimes he even speaks about the Trailblazer but goes right over Trailblazer's head to talk to them through the medium of Phainon.

Even Mydei's voice lines start with bare bones, one-word answers; his greeting to the Trailblazer is just "Mhm," despite clearly having no issues speaking full sentences to people he knows better.

Mydei really said "I don't talk to strangers."

Which, honestly? Totally fair of him. When you're an exile from your homeland which is ruled by a king who tried to kill you and every single other surviving nation on the planet hates your guts, it's not like a lot of the strangers you meet are going to end up being friendly. Mydei has obvious reasons to be aloof and to withhold his thoughts from people until he's certain he can trust them. He even has reasons to not be that well adjusted; the first nine years of his life were spent with virtually no human contact, and then even after that, he was taken in by the Kremnoan exiles who were already predisposed to support him no matter what his ability to connect with others was like. It's perfectly understandable for Mydei to not be the most talented social speaker and to tend to keep to himself.

But it's also just so humorous in practice--an undying prince of a conquering nation, one of the lead warriors of Okhema, rife with the pride of Castrum Kremnos, refined in both body and manner... And he's just awkward with people he doesn't know well. As much as it might be influenced by a tragic past, it's also a charm point.

Hell, Mydei's a little bit awkward even with people he does know well, at least when it comes to trying to express himself. Of course, the bath scene is the best example of this. Mydei comes up with literally five different options for things to say to Phainon and then ultimately scraps them all because "None of those sound right." (What he goes with in the end honestly isn't any better lol.)

Mydei was clearly trying his best to find the correct words, and the fact that he hesitated over picking the "right" answer tells us that he's not always as confident in communicating with others as he might initially come across. He's not just trying to come up with the first thing possible--he's trying to find the right thing to say because he is considerate and invested in in being understood by those he actually cares about. Krateros accuses Mydei of using words alone to try to end the Kremnoan dynasty, but the truth is that if Mydei were better at expressing himself--more eloquent and more persuasive--he likely would have faced less opposition for his beliefs.

When characterizing Mydei, I think he reads very much as the kind of person who can say the exact right thing in the exact right moment when it comes to, say, earth-shattering duels with the gods--the kind of person who can speak with poise if there's a challenging political or martial situation afoot. But in closer settings? In those personal conversations where he can't assume a distant, military commander stance and fall back on the expected answers of a warrior prince? The places where what he says really matters, emotionally, to the person on the other side? A lot tougher battlefield.

I think Mydei really is someone who comes across as distinctly reserved--not always because he's aloof or untrusting, but because sometimes he just doesn't know what to say or how to say the things he's feeling and thinking. It's cute, okay?

And you know what else is cute?

It's true that Mydei isn't classically shy, but his marketing has shown us that there is one scenario that he absolutely can't handle: Mydei can't even hear the word "romance" without getting flustered. (The gap moe is so, so real; I am not immune to your propaganda, Hoyo...)

In the 3.1 special program, just the rumor that Nikador once had amorous feelings is enough to leave Mydei stuttering, and in his weibo animation, when the "princess" demands that Mydei act charming, he completely falls apart, so much that he can't even get the sentences out straight and blurs them into a nonsensical mess.

Mydei, fistfighting a god: For me, it was Tuesday.

Mydei, being asked on a date: This is how it ends.

I know it's popular to make jokes about Mydei having his harem, but honestly, if just hearing the word "pretty" makes him panic, I'm not sure how he would ever have managed it. 🤣

Of course, this gets even funnier when we remember that Mydei is also the male character who most consistently brings up talks about emotions and the importance of recognizing and embracing them, who chides Phainon for trying to hide his sadness during their goodbye, and who casually drops half of Amphoreus's most romantic lines. Mr. "If there's chance in the next life, you should come visit my library" can't handle "Do you wanna dance together?"

Make of all this what you will; I don't have a deeper meta analysis of this that wouldn't be better put in a ship post, but in terms of characterization, I think the way Mydei communicates, struggles to communicate, and the places where his communication completely breaks down are all great indicators of the overall person the dev team was trying to convey:

Someone who cares for other people, even more than he cares for himself, but who still, and perhaps always, longed to find a place to belong, loved ones to come home to, and those who will listen to both the words he says and the ones he can't quite get out.

Mydei isn't a brawn over brains brute whose temper pops off every single time he gets mildly annoyed, or someone who lives his whole life in the training arena and takes every chance he can to start petty arguments. He isn't especially grumpy, machismo, or repressing his feelings, even when he's not always capable of realizing just how justified those feelings are. He's not unnecessarily aggressive or particularly rash, and he's definitely not dumb muscle. He is self-sacrificial to a fault...

But he is also a character of true extremes, combining an incredible capacity for violence with a longing for peace, a desire to do his duty to others while still wanting to keep something for himself, a pragmatist who understood the futility of fighting fate while still, deep down, harboring the idealized dream of a kinder future. He is the one who always asks to talk, but also struggles to find the right words; the one who embodies every tenet of his people's faith, only to reject everything that faith stood for.

Mydeimos, the crown prince of Castrum Kremnos, and Mydei, just the warrior of Okhema.

The man that you are. ❤️