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Borges
In What Is Philosophy?, José Ortega y Gasset proposes at first glance a disarmingly simple definition: philosophy is “knowledge of the universe” (p. 61). Yet this formula immediately trembles. For what is “the universe”? It is “everything there is” and precisely this is what we do not know. Thus philosophy is born not from possession but from lack. It is the discipline that dares to ask about the whole when the whole withdraws from view.
A central thread in Ortega’s meditation is historical consciousness. Variations in thinking must not be mistaken for the refutation of past truths. “It is not truths that change, but man who changes.” (p. 26) The shift is anthropological before it is epistemic. Every alteration of worldview presupposes a mutation in the prevailing type of man (p. 33). History, therefore, is not a chronicle of dead opinions but the reconstruction of living orientations: it is not properly history “unless it achieves an understanding of men and their ideas at that point of time” (p. 27).
And yet no epoch is homogeneous. “In every historical epoch does not only one generation live, but three: the young, the mature and the old” (p. 33) - three different actualities sharing one calendar. “All of us are contemporaries, we all live in the same time and the same atmosphere, but we play our part in forming them in a different time. Only the coevals coincide with one another; contemporaries are not coevals.” (p. 34) The tragic rhythm of history lies here: crises erupt when the young can no longer identify with the inherited past (p. 38). A rupture in generational continuity becomes a metaphysical disturbance.
The twentieth century, Ortega observes, discovered itself as “an anti-philosophic age.” (p. 31) Between 1860 and 1920 philosophy had largely reduced itself to a theory of knowledge (p. 49). The model of truth became physical truth: exact, rationally deduced, confirmed by the senses (p. 50). Physics appeared to offer the only legitimate access to reality. Yet this triumph concealed a fracture, a “crisis in principles” (p. 51). When the foundations of physics themselves required reform, reform could not proceed from within; it demanded a standpoint outside. Hence physicists, from Henri Poincaré and Ernst Mach to Albert Einstein and Hermann Weyl, began to philosophize about their own science. Ironically, while philosophy had exaggerated physics as the paradigm of knowledge, the physicists’ own reflection concluded that physics is an inferior, symbolic form of knowledge (p. 52). Scientific truth is exact, but incomplete and penultimate; it is embedded within another, deeper mode of truth and has in modernity almost become a myth (p. 67).
Physical reality itself is not absolute but dependent, conditional, relative to man (p. 54). Philosophy, by contrast, seeks independence from every partial standpoint. It is pure theoretic heroism (p. 62): it will never enjoy a “sure and peaceful” path, never achieve what Immanuel Kant called “der sichere Gang.” It advances without terra firma. There is no security here, only exposure. As Johann Gottlieb Fichte formulated the tension: “Philosophieren heisst eigentlich nicht leben, leben heisst eigentlich nicht philosophieren.” (p. 84) To live is to be entangled in the agreeable and disagreeable; “All living is busying oneself with another thing which is not oneself, all living is living together with one’s surroundings.” (p. 219) Philosophy interrupts this immersion; it extracts us from immediacy and forces us into solitude.
Thus philosophy is inevitable (p. 74). Man is a philotheamōn, a “friend of looking” and, as Aristotle says, “Man by nature feels the urge to know.” (p. 67ff) But man is composed equally of what he has and what he lacks. Seeking belongs to his structure. “To seek is to assume the thing sought and indeed to have it by prevision. To seek is to anticipate a reality which is still nonexistent.” (p. 171) Doubt, skepsis - opens the crack that proof may fill (p. 170). The Greeks exhausted skepticism to its limits; yet, as Johann Friedrich Herbart observed, “Every good beginner is a skeptic, but every skeptic is only a beginner.” (p. 172) Doubt expels us from Paradise (p. 178), but it also constitutes the dignity of thought.
Ortega distinguishes philosophy sharply from mysticism. The mystic submerges into the absolute and returns silent: “The mystic’s knowledge is untransferable, and in its essence silent.” (p. 109) Philosophy refuses silence. It would rather “make of the obscure the clear,” as Johann Wolfgang von Goethe declared. It brings the secret to the surface. It contemplates the universe from without, for “to contemplate a thing it is necessary to maintain oneself outside it” (p. 114). Here Ortega sides again with Aristotle: scientific conviction comes from the periphery of ourselves. Intelligence is a small thing on the surface of us, as Maurice Barrès remarked and yet it is our only instrument.
But Ortega is unsparing toward the Greek faith in the self-realizing power of the idea. “The Greeks suffered the basic error of believing that the idea, by virtue of being clear and only by this, imposed itself… that the logos… was by itself and not otherwise made flesh.” (p. 118) Outside religion, this is magical thinking. Historical reality is not magic. The idea does not incarnate itself automatically; clarity generates neither power nor efficacy. The superior is less effective than the inferior; intelligence cannot confront instinct head-on but must tame it (p. 117). Ideas are feminine, employing subtle and enduring tactics. Truth requires embodiment, struggle, institutions. In this sense Ortega moves decisively beyond rationalist optimism toward a philosophy rooted in life and circumstance.
Every philosophical thought must obey two laws: autonomy and pantonomy - it must be self-grounding and yet aspire to the universe (p. 121). It seeks universal value without borrowing authority from other sciences. It is neither utilitarian nor decorative, neither Martha nor Mary (pp. 91–93). It accepts its destiny, splendor and misery intertwined, without envy of mathematical exactness or sensory verification.
Finally, Ortega’s reflections on God and solitude deepen this existential turn. The Christian God is utterly incommensurable with the world; the incarnation is the supreme paradox (p. 173). Christianity discovers solitude as the substance of the soul (p. 174). With Augustine of Hippo: “Do not go afar; seek within thyself. Truth resides inside of man.” (p. 175) Yet Ortega warns against the suffocation of life by idealism. The self must go out of itself; otherwise thought collapses into a solipsistic “I-Soul” and forgets the “We-Soul” (p. 179). My thought is not the external world. Life demands exteriority.
Thus philosophy stands in absolute peril, without guarantee, without mythic comfort, without automatic incarnation of its ideas. And precisely here lies its nobility. It is the restless effort to know the universe while knowing that the universe resists completion. It is the courage to inhabit doubt without surrendering to it. It is, in Ortega’s sense, the most radical fidelity to human destiny: to live, and yet to step outside life in order to understand it.
The Descent from the Cross (12th c.).
Originally from Santa Maria de Taüll.
@ the National Art Museum of Catalonia, Barcelona.

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Frans Francken the Younger - Allegory on the Abdication of Emperor Charles V in Brussels. (c. 1630).
Frans Francken the Younger - Allegory on the Abdication of Emperor Charles V in Brussels. (c. 1630).
Frans Francken the Younger - The Witches’ Kitchen (1607). Detail.
Etruscan Terracotta Revetment Plaque, c. 540—520 BC
Ivan Shagin, Mass Paratrooper Landing in Kyiv, part of the Large Kyiv Maneuvers training exercises, USSR, September 12–17, 1935

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