Plácido Domingo and Dmitri Platanias take the title role in Daniele Abbado’s powerful production of Verdi’s epic opera. Find out more at http://www.roh.org.uk/nabucco
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todays bird
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Plácido Domingo and Dmitri Platanias take the title role in Daniele Abbado’s powerful production of Verdi’s epic opera. Find out more at http://www.roh.org.uk/nabucco
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check out the video here: https://vimeo.com/160737295
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Love to Angela Gheorghiu. Since her professional debut in 1990, she has performed in leading roles of several operas at New York's Metropolitan Opera, London's Royal Opera House, the Vienna State Opera, Milan's La Scala, and many other opera houses in Europe and the United States. She has a substantial discography primarily with EMI Classics and Decca and is especially known for her performances in the operas of Puccini.
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Lucia di Lammermoor is Donizetti's tragic masterpiece. The opera marked the beginning of his partnership with regular collaborator librettist Salvadore Cammarano – who, as was the fashion of the day, looked to Walter Scott. Cammarano’s adaptation of Scott’s novel The Bride of Lammermoor moved Donizetti greatly, and in the subsequent score he produced not only some of his most beautiful but also his most dramatically potent music. Within a few years of its premiere in Naples on 26 September 1835 Lucia had entered the international repertory. Here it has remained, despite a practice in the 19th and 20th centuries to make cuts that obscured Donizetti’s deft handling of his ensemble cast, with a consequent impact on the opera’s brilliant dramatic pacing. Lucia’s ‘Mad Scene’ is the opera’s most famous moment – but it is Donizetti’s recollection of previous motifs, such as Lucia’s Act I aria ‘Regnava nel silenzio’ and her duet with Edgardo ‘Verranno a te sull’aure’ that poignantly make manifest her distracted mind. Other highlights include the acclaimed sextet ‘Chi mi frena in tal momento’, where Edgardo interrupts the wedding party, the furious duet between Enrico and Edgardo at the start of Act III and the opera’s closing Tomb Scene, with its heartfelt and sombre depiction of Edgardo’s loss. Director Katie Mitchell (Written on Skin) sets The Royal Opera’s new production in the 1840s and focusses on how an intelligent woman, failed by the men in her life, experiences a horrifying mental breakdown. Find out more at http://www.roh.org.uk/lucia
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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from the depths
Digital Enterprise – Siemens PLM software makes sure surfers can stop looking for the perfect board and start riding the perfect wave.
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Typeface Design: BOOQ, 2015.
BOOQ type specimen, BUT NOW SPACE WAS PART OF THE OBJECT¹, published by Zyxt and Booksfromthefuture, 2015. [Buy (Lulu)] BOOQ Typeface available from request Featured in The Multiple Lives of a Blank Book, published by Booksfromthefuture, 2015. As part of a submission and response to a Blank Book.
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Hubertus Design
2-B-2 architecture’s andrey bondarenko has designed the arctic mobile unit which accommodates life support for 3 people - who are researching in the north pole and arctic - for a duration of 15 days, operating between -40 to +10C and withstanding winds of up to 85 km/h.
ART PRINTS BY FINLAY MCNEVIN
Potassium - Element Art
Helium - Element Art
Aluminum - Element Art
Calcium - Element Art
Fluorine - Element Art
Phosphorus - Element Art
Carbon - Element Art
Chlorine - Element Art
FREE WORLDWIDE SHIPPING + $5 OFF ALL PHONE CASES END TONIGHT AT MIDNIGHT PT!
“I was for years in the yellow period, you know."
-Josef Albers
Happy birthday to Josef Albers, who was born on this day in 1888.
Image: "Study for Homage to the Square: Wide Sight,” 1963. Oil on masonite. 29-¾" x 29-¾"

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AN ENCOUNTER WITH ANTICIPATION
What happens when the elegance and simplicity that define Lexus merge with the anticipation of the Lexus Design Award? Take a journey through past and upcoming Lexus Design events at Departure Lane.
Hayley Tompkins “Electric Magnetic Installation” at The Modern Institute, Glasgow, 2015