Early development art by Ralph Hulett for Disneyâs THE ARISTOCATS. Circa 1969.
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Today's Document
AnasAbdin
noise dept.
Xuebing Du
RMH
wallacepolsom
tumblr dot com
let's talk about Bridgerton tea, my ask is open
Mike Driver
cherry valley forever
Cosimo Galluzzi
todays bird

PR's Tumblrdome

Origami Around
trying on a metaphor
styofa doing anything
sheepfilms
I'd rather be in outer space đ¸

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@celinespiration
Early development art by Ralph Hulett for Disneyâs THE ARISTOCATS. Circa 1969.

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-SPIDEY- color ver.
Hereâs a preview of my #mermay piece for @gallerynucleus show will go live on May 16th midnight! #celinekim
Visual development for Tarzan by Paul FelixÂ
Music from the Swing Era: album covers by David Stone Martin (1913-1992).

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The online sales of the book âUKIYOâ has started with Spoon & Tamago. Available worldwide.
Also includes all the out of print [100 views of Tokyo]. It also summarizes the process of making ukiyo-e prints.
Thank you!
[Introduction Article] http://www.spoon-tamago.com/âŚ/âŚ/03/ukiyo-shinji-tsuchimochi/
[Online Shop ] https://shop.spoon-tamago.com/âŚ/shinji-tsuchimochis-art-booâŚ
ăšăăźăłďźăżăă´ăăă§ćć°çťéă澎ăä¸ăăŽăŞăłăŠă¤ăłč˛Šĺٞăĺ§ăžăăžăăăä¸çĺĺ˝ă§čłźĺ Ľă§ăăžăăçľśçă¨ăŞăŁăăćąäşŹä¸çşçžćŻăăĺé˛ăăăăăă澎ä¸çľľć°ççťăĺśä˝ăăăžă§ăŽéăŽăăăžă¨ăăŚăžăă ăŠăăăăăăăéĄăăăžăďź
Animation Effects: How They Created the Snowflakes in Fantasia
Herman Schultheis was an effects animator who worked on Fantasia. He kept a tight record of the effects they were creating from 1938-1941, and a photo display of how they were done.
Schultheis disappeared in 1954 while trekking through Central America, and the notebook was forgotten until his wifeâs death in the early 1990s, after which it was discovered behind the coupleâs bedroom wall. In 2014, Disney released this hallowed tome, this book of magic spells for aspiring animators as The Lost Notebook: Herman Schultheis & the Secrets of Walt Disneyâs Movie Magic. It is AWESOME.
Shown above are a few of the steps Disneyâs animation effects artists used to create those hypnotic spinning snowflakes.
Pics 1 + 2: The Ink and Paint Department traced scientific diagrams of real snowflakes onto a material slightly heavier that regular animation cels, then used a translucent white paint to fill them in.
Pic 3: The snowflakes were then cut out and attached to spinning gears.
Pic 4: The gears were affixed to wire âguide tracksâ (almost like toy train tracks) that mapped the snowflakesâ path of action.
Pic 5: Sheets of black velvet were used to hide the tracks from the animation camera.
Pic 6: The snowflakes were then filmed one frame at a time â stop-motion style â as they spun on their gears, âdescendingâ down the wire guide tracks.
Pics 7-9: The film footage of the snowflakes was then âburnedâ over the multiplane background, where it was matched with the 2D animated fairies.
VoilĂ â movie magic!
Special thanks to MichaelSpornAnimation.com and D23.com for some of the pics and text.
NeZha | âYou are my only friend.â
NeZha (2019)
Scenic concept paintings by Paul Lasaine for the LORD OF THE RINGS trilogy.

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The Lion King ââââââ visual development by Vance KovacsÂ
Rosenborg Castle, Copenhagen
Strasbourg | France (by Federica Gentile)
Ensembles from the Itâs Only a Game Collection
Alexander McQueen
Spring/Summer 2005
McQueen designed the 2005 collection Itâs Only a Game around the idea of a chess match between America and Japan. Each ensemble corresponded to a particular chess piece.
The queen wears a short, thigh-high dress, which is wide at the hips, a silhouette based on the eighteenth century. A kimono collar, obi sash, and an undershirt beautifully embroidered to look like tattooing are all drawn from Japanese culture. Next to her, the king appears as an American football player, with shoulder pads and a helmet covered in Japanese tattooing.
   -Andrew Bolton
The MET

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yeehaw
Concept art for Disneyâs Jungle Cruise attraction by Harper Goff and Marc Davis.