I hate the excuse that Devon is blinded by the dark side so she doesn't suspect Maul of getting Daki killed, when she already knew that Maul wanted her master dead even before she went to the dark side. She literally had to physically intervene to stop Maul from murdering Daki. I don't care how many tag-team fights you have with your kidnapper afterwards, the dark side doesnβt give you amnesia. You'd remember everything and never forgive or forget or accept anything, regardless of how dire circumstances get. If anything, Devon's anger and rage and grief should have been aimed at Maul and Vader both. Maul is the catalyst for the entire tragedy. Devon should have been smart enough to trace the domino effect: If Maul hadn't kidnapped her, Daki wouldn't have had to come out of hiding. If Maul hadn't caused absolute chaos on Janix, the Empire wouldn't have tracked them down. Even if Devon did not see Maul push Daki; she should still be blaming him for getting him killed indirectly.
Daki's death should have resulted in Devon not wanting anything to do with Maul because he is a unhinged death magnet, not her wanting to be his apprentice because she is angry. Maul isn't even a good look for a supreme teacher that can make you strong, considering that Maul was struggling and fighting for his life as much as everyone else, against basic inquisitors.
Realistically, Devonβs descent into the dark side would have been fueled by a toxic, messy cocktail of rage directed at both men. She should have been trying to slaughter Vader for the act, and trying to slaughter Maul for starting the fire. The excuse that she is blinded by the dark side is not a good excuse for her to not remember all of the horrible things Maul did to her that led to this. Devon should have zero trust in Maul in any way.
βFor Devon to just sit down, talk to Maul, and accept him as a guide requires her to completely erase her own lived experiences from the previous weeks. It is bad and lazy writing mixed into one. It turns her from a character with agency, memory, and deep love for her master into a hollow plot device that the plot can just push around wherever it needs her to go.

















