How an imprisoned playwright helped create Australia’s most iconic internet meme. This...is democracy manifest.
turns out the succulent chinese meal guy has an incredible backstory of horrific police brutality, institutional abuse, and brilliant art

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@cctinsleybaxter
How an imprisoned playwright helped create Australia’s most iconic internet meme. This...is democracy manifest.
turns out the succulent chinese meal guy has an incredible backstory of horrific police brutality, institutional abuse, and brilliant art

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This argument began with a letter by James Kochalka (American Elf) in The Comics Journal #189 (in 2005, he would expand on his theory in The
really, really, really interesting argument from 1996, published as a series of back and forth letters in the comics journal, between comic artists either dismissing the importance of "craft" in comics and those in defense of "craft". really worth reading if you want to get in some people's heads and see some timeless, heated arguments between artists lol
original url http://www.geocities.com/ResearchTriangle/System/6054/
archived on 2009-04-28 03:43:20
Veks Van Hillik Suspends Fish, Insects, and Other Objects in Surreal Murals
Betsy Morningstar, Ceramic Notebook.

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I will be real and honest and vulnerable with you Banbans I spent all of kind hearts and coronets trying to work out who Alec Guinness was and was like 'okay so I think he's playing at least 4 people.' Yeah At Least.
this to say I need Robert Pattinson in the inevitable remake YESTERDAY
I will be real and honest and vulnerable with you Banbans I spent all of kind hearts and coronets trying to work out who Alec Guinness was and was like 'okay so I think he's playing at least 4 people.' Yeah At Least.
Who wants to bet antinous has like 10 minutes of screentime
It's make a terrible comic day.

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Sweet skeleton doll 💀🌸 Would you join her on a picnic?
I love this picture too
it always bothers me, this fixation on defining what The Real Translation should be like, as if a work came into being with the Real Translation already hidden in it for the translator to uncover. but it's a fixation that, annoying as it is, makes sense as it is rooted in how the translation industry operates: unless the work is a classic, there simply won't be more than one translation as the publisher with rights to the book would create competition for their own product, and so capitalism hinders translation not just in making the One translation worse by making the translator work on a minimal budget under high pressure, but also by limiting us from thinking translation further, from viewing it as a way of engaging with a text, which can render visible different readings, different approaches, rather than how to let the reader erroneously believe translation is a neutral process in which the translator is at best tangentially involved
In addition to this, when thinking about the effect of capitalism and IP law on translation work its important to also expand it out to a wider scope and consider how it mixes with imperialism and linguistic imperialism specifically.
Not only do IP laws restrict how often a text can be translated, it also restricts where the translations can be done. Who can afford to buy the rights to a text to translate it will effect which languages it will be transmitted into. Which naturally feeds into the question of: which languages are spoken by the people who have accumulated the most capital in the last few centuries? Naturally, that leaves one at the imperial-core who have also, due to other results of imperialism, spread their languages the furthest which compounds the issue as more speakers = larger market = greater profitability = greater incentivisation for translation investment.
There are of course the odd exceptions to this rule, Dutch perhaps being the first to come to mind as a imperial culture and language that unlike English, French, or Spanish remains small and is its own victim of Anglo-linguistic imperialism internally, but i digress for it is still more provided for than other languages with a similar speaking population such as Sundanese or Nepali.
But to return to the topic of hand, Capitalism, IP law, and imperialism not only work to keep which transactions are done a low quality (as OP points out very well) but also work to restrict the very languages that an author can be made manifest in a way that ultimately reflects the last centuries of imperialism and capital accumulation within the Imperial Core.
This leopard sculpture is obvara fired! This technique involves dipping a hot piece right out of the kiln into a yeast solution, creating unpredictable and unique patterns. This sculpture will be available this Friday, June 12th at 8pm Eastern time.
Raeda Saadeh
'Who will make me real?' , 2003 Palestinian artist
Nasturcje. Stanisław Wyspiański. 1903. Pastels.

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Switzerland and Columbia playing like neither of them want to be the team the world pins its hopes on while they hatewatch Argentina in the quarter finals
The most interesting part about this game is getting to know whether or not Laetitia's going to get beeping outside her house or not
Who wants to bet antinous has like 10 minutes of screentime