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Beth Carter

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thatsbutterbaby

Wooden Horse Head Frame (possibly a bridle making form), 19th. Century.

weavingcloth

laurent le denuff…

nobrashfestivity

Francis Bacon, Blood on the Floor, 1986 Oil and pastel on canvas

moishe-pipick

Tooth Trade Sign Artist unidentified Probably New England c. 1850–1880

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joeinct

Last Self-Portrait, Photo by Saul Steinberg, 1999

semioticapocalypse

Inge Morath. The painter Hedda Sterne (from the series ‘Saul Steinberg Masks’). New York. 1959

Follow my new AI-related project «Collective memories»

caveofthemorbid

Slavic Pagan Masks in Russia -

Svyatka Masks From Ancient Novgorod

granstromjulius

Hurvin Anderson

thefoxisblack

‘Back’ by Hurvin Anderson

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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nyctaeus

Hurvin Anderson, ‘Afrosheen’, oil on canvas, 2009

pwlanier

Plaster statue depicting a cadaver escorting the cardinal, representing the Dance of Death, probably English, early to mid 19th century

Representing the dance in which death summons reluctant mortal revellers to join his dance. The story of Death Calling the Dance is reputedly of German origin. The imagery arose in the 1400s when Europe was ravaged by the Black Death and other outbreaks of plague. It was made famous throughout Europe by copperplate engravings, particularly during the 1600s when plague returned in force.

Science Museum

archivedeathdrive

Quentin Crisp as Queen Elizabeth I in Orlando, 1993

thinkingimages

Kiki Smith | Mother, 2013, bronzo|bronze, 15,2 x 50,8 x 7,6 cm, Courtesy the artist and Galleria Continua, San Gimignano / Beijing / Les Moulins

palerthanmauve

•18+ Adults Only

Watch Anya Live on Cam

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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moishe-pipick

thinkingimages

Ken Domon, Left Hand of the Sitting Image of Buddha Shakyamuini in the Hall of Miroku, Muro-Ji, Nara, 1942–43, gelatin silver print, 32.7 × 24.2 cm. © The Estate of Ken Domon (photo courtesy of Ken Domon Foundation).

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