1993


blake kathryn
we're not kids anymore.

titsay

⁂
taylor price

dirt enthusiast
i don't do bad sauce passes
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ

Product Placement
d e v o n

@theartofmadeline

Andulka
Show & Tell
Cosimo Galluzzi
TVSTRANGERTHINGS
trying on a metaphor
seen from Türkiye

seen from United Kingdom

seen from United States

seen from United States
seen from Germany

seen from Czechia
seen from France
seen from Russia
seen from United States
seen from Mexico
seen from Germany
seen from United States
seen from Indonesia

seen from United States

seen from United Kingdom

seen from Italy

seen from Malaysia

seen from United States

seen from Türkiye

seen from Malaysia
@catastronauta
1993

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Richard Harrington
Inuit family in an igloo, 1949
Child, woman or man, family life is based on complementarity. The male/female gender distinction does not exist in most Indigenous languages.
Seventeen-year-old Inuk Helen Konek walking into her igloo in Arviat, Nunavut, in 1949.
Photographer: Richard Harrington
girlkaramazov mentioned looking up Konek who was born as Helen Agaaqtuq in May 1932 in a tupiq on the eastern shore of Henik Lake. Helen's father was Piqqanaaq Agaaqtuq and her mother was Paalak Agaaqtuq. She had three brothers: Nanauq, Pukiluk, and Kinaalik As a child she accompanied her brothers and father on caribou hunting trips, including to Ennadai Lake in the Ahiarmiut's territory.
Helen was photographed in 1949, aged 17, by Richard Harrington as part of a series taken while he was travelling around the Arctic. The photograph was taken in ᑭᖓᕐᔪᐊᓕᒃ (English: of big hill).
By 1952, the Agaaqtuq family were living close to the Padlei trading post. In 1953, Helen started living as a couple with James Konek, the son of a storekeeper in Arviat. They both lived in Arviat in winter and Barren Lands area in the summer. The 1950 Caribou Inuit famine caused Helen's mother Paalak to die in 1957, the rest of the family survived on fish, rabbit, and ptarmigan. The Royal Canadian Mounted Police forcibly displaced the Konek family in 1960 from Padlei to Arviat.
One of Harrington's photographs of Konek entering her igloo was widely shared online in 2019 after her journalist grandson Jordan Konek tweeted it. Konek is an elder, and lives in Arviat, Nunavut
4K remaster of 'The Devils' is FINALLY being released.
The Evil Dead (1981)
Evil Dead II (1987)
Army of Darkness (1992)
Evil Dead (2013)
Evil Dead Rise (2023)

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Yma Sumac
(Peter Stackpole. 1950)
Borderline (UK-USA 1930, dir. Kenneth Macpherson)
was researching the work and life of peter hujar (1934-1987) this week for a rare instance of my job coalescing with my hobby. here is a very pared down selection of some of my favorites:
Nude Self-Portrait Series #1 Avedon Master Class - 1967
Orgasmic Man - 1969
Backstage Portrait, Life and Times of Joseph Stalin - 1973
Candy Darling on Her Deathbed III - 1973
Palermo Catacombs #8 (Skull in Window) - 1963
Beauregard Under Plastic (I) - 1983
David Wojnarowicz With Hand Touching Eye - 1981
Gaby, Fire Island - 1973
Canal Street Piers: Window Paintings - 1983

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IGOR STRAVINSKY in a picture with Russian dancer VASLAV NIJINSKY, who acted as the titular character in the premiere of his new Ballets Russes production, PETRUSHKA, Paris, June 1911.
The text is from Cosey's autobiography, and it refers to the meeting to record the song "Afraid." It doesn't say anything more about what they talked about, but in my imaginative mind, Cosey claims that emasculating caused a scandal when she recorded it, but that it's been overused, with her making it fashionable. Grey replies that the same thing has happened with (very physical) lovemaking with teddy bears, which she also popularized (just ask Belle Delphine, hahaha).
Dejemos de mandar a la gente a terapia
Jorge Donn (1947-1992) Festival d’Avignon 1968, chorégraphies de Maurice Béjart
The Ugly Stepsister (2025 🇳🇴), dir. Emilie Blichfeldt

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Jean Genet, patron saint of sailors, outlaws, and outsiders everywhere and one of the first “queers for Palestine,” was born today in 1910. He spent his life in and out of prison and at odds with straight society, but after May 1968, he dedicated his life to defending marginalized people.
Jean visited Palestinian refugee camps in 1982 after the Sabra and Shatila massacres and travelled in Palestine repeatedly, by his own accounts existing there safely and happily as an open homosexual. His experiences formed the basis of his last book, “Prisoner of Love.”
Hanoi Hannah (radio personality)
During the Vietnam War, Ngọ became famous among US soldiers for her broadcasts on Radio Hanoi. Ngọ wrote the scripts alongside the People's Army of Vietnam, then translated them into English. They were intended to frighten and shame the soldiers into leaving their posts. She made three broadcasts a day, reading a list of newly killed or imprisoned Americans, and playing popular US anti-war songs in an effort to incite feelings of nostalgia and homesickness, attempting to persuade US GIs that the US involvement in the Vietnam War was unjust and immoral.[1] US Navy ships and personnel were also targeted in her broadcasts, with Ngọ reading out the names of crew members and saying that they were all going to die.[5] She also received and played recorded messages from Americans who were against the war, saying later that she thought these messages were the most effective of all as "Americans will believe their own people rather than the adversary".[6]
A January 1966 Newspaper Enterprise Association article by Tom Tiede described the program:
Hannah's shows are invariably the same. After the news is an editorial denouncing U.S. escalation of the war. Then a recording by an Asian soprano who sounds as if she's having her ears pierced. Then, Mailbag Time ('write us for the truth, friends').[7]
One of her typical broadcasts began as follows:
How are you, GI Joe? It seems to me that most of you are poorly informed about the going of the war, to say nothing about a correct explanation of your presence over here. Nothing is more confused than to be ordered into a war to die or to be maimed for life without the faintest idea of what's going on.[8]
Few if any desertions are thought to have happened because of her work[9] and the soldiers "hooted at her scare tactics".[3] They were sometimes impressed, however, when she mentioned the correct location of their unit (when they would "give a toast to her and throw beer cans at the radio"), named US casualties and welcomed Navy ships into port with their correct arrival details and crew members' names.[5][9] There were exaggerated legends of her omniscience, with rumors that she would give clues about everything from specific future PAVN attacks to soldiers' girlfriends cheating on them at home.[9] In reality, most of her information came from publications such as the US military newspaper, Stars and Stripes.[3][9]
It has been claimed that US forces in Vietnam distrusted the U.S. Armed Forces Radio bulletins, and listened to Ngọ's bulletins for information from the U.S.[10] According to war correspondent Don North:
By zapping the truth through an ostrich-like policy of censorship, deletions, and exaggerations U.S. Armed Forces Radio lost the trust of many GIs when they were most isolated and vulnerable to enemy propaganda. It wasn't that Hanoi Hannah always told the truth - she didn't. But she was most effective when she did tell the truth and US Armed Forces Radio was fudging it.[9]
Ngọ's broadcasts ran for a total of eight years, with her final broadcasts airing in 1973, when most of the American forces were leaving.[11] In interviews in later years, she consistently stated that she agreed with the purpose of the scripts and never deviated from them; she believed that the United States should not have sent troops to Vietnam and should have allowed the country to resolve its situation itself.[4][11]