TVSTRANGERTHINGS

JVL

Kiana Khansmith

titsay

shark vs the universe

izzy's playlists!
sheepfilms
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
𓃗
Keni
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com
Cosmic Funnies
Not today Justin
Sweet Seals For You, Always
Misplaced Lens Cap
he wasn't even looking at me and he found me
will byers stan first human second

blake kathryn

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from Canada

seen from Canada
seen from France
seen from United States
seen from Malaysia
seen from Ecuador
@cartoondreamer

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
...
Lauren Greenfield
1994
The Ambassadors
Hans Holbein the Younger 1533
Jeroen de Rijke/Willem de Rooij - Bouquet I (2002) (via)
flowers, vase, wooden pedestal, written description, list of flowers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Yayoi Kusama (Japanese, b. 1929), Infinity-Nets (BBT), 2005. Acrylic on canvas, 161.5 x 130.5 cm. source
via antronaut

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
«The Paris Review», No. 56, Spring 1973, New York, NY. Cover: Mel Bochner, Meditation on the Theorem of Pythagoras, 1972
/ «nietzsche once said “one writes not only to be understood, but also to be misunderstood.” the same can be said about the motivation for making works of art, but this strikes me as the moment to try to make this particular work “un-misunderstood”. when i visited the “temple of pythagoras”, in metaponte, on a cold and wet day in 1972, it was completely deserted. it isn’t much of a temple, just a few reconstructed columns, plus some ancient debris and building stones lying around. but, for whatever reason, i strongly sensed the presence of pythagoras there, and i had the urge to commemorate that feeling. what better way, i thought, than to lay out a simple demonstration, in stones, of his eponymous theorem? so, remembering my 10th grade geometry (3 squared + 4 squared = 5 squared, or 9 + 16 = 25) i picked up, from a pile of debris in the middle of the temple, 50 small stones. i laid them down and found that i still had 3 remaining. figuring a mistake had been made when i initially gathered them up, i recounted 50 stones, and laid them out again. but, again, there was a surplus of three. at first i was baffled, until it dawned on me that the surplus was due to the fact that the corners of the triangle were being counted twice, ie., they were overlapping. what i had stumbled upon was that physical entities(stones) are not equatable with conceptual entities (points). or, the real does not map onto the ideal. which is why the title of the work is “Meditation on the Theorem of Pythagoras” and not simply “Theorem of Pythagoras”. and also why art is not an illustration of ideas but a reflection upon them. i am pleased that after all these years someone was able to discover this “discrepancy” for themselves (although i have written about it elsewhere in art publications). that said, i do wonder about the unwillingness to assume that i already knew what they had just discovered (do mathematicians still think all artists are dumb?) and not take the next step and ask themselves if it might have been intended to be “confusing”…» – Mel Bochner, «360», January 30, 2009 /