To the crazy-assed cosmonauts

CLAIR OBSCUR: EXPEDITION 33 GAME OF THE YEAR!!!

YESSSSSSSSSS 🎉🌹

so very deserved!

ALI IMMEDIATELY LIVING UP TO THE BALLDS SUNG ABOUT HER.

2. they're going to favor their sighted side, obviously, but it doesn't always manifest in the way you think. when I walk down a hall I walk much closer to the wall on my sighted side than on my blind side. which is the opposite of how it might seem logical to do that bc it means the world at large is on your bad side, but the reason is I can't fucking See the wall if it's right next to me in the blind side and I end up knocking into it.

3. door frames and poles are my enemy. If your character is smart this will not be a problem but for me it is. I am King of walking into shit I could absolutely see but couldn't tell how far away from me it was. on this note, their blind side hand is getting bashed into every jutting out thing in a 5 mile radius.

4. having 0 depth perception is less of a big deal than you'd think it is. Especially with driving. I've become a Much safer and more wary driver because I can't tell how far the other cars are from me. however I fucking suck at parking now. because I can't tell how far the lines are from me either.

5. you know how people who lose limbs get phantom pains? that happens with eyes too but like. phantom sights. for me it's like. a lot of bugs. like every so often my brain will just put something suddenly skittering beside me there. hate that.

6. it is completely possible to "get stuck" somewhere because your ability to tell how wide a space is is just Gone. shopping isles especially where bumping something or Someone is matter of embarrassment or potentially breaking something. it can be legitimately paralyzing and also irritate everyone around you because they can tell there is Plenty of space for you to get your cart through even if you can't.

In formal situations, such as a pōwhiri (English might be something like a welcoming ceremony?), speakers always end with a haka or a waiata (song). This is exactly what she did. She spoke when it was her turn to speak, then started the Haka. It is also keeping with tradition that others joined in, including those in the public gallery. While it's the speaker's duty to lead the haka, or nominate someone to do it for them, it is then open for anyone else to join in and support it. The haka and the speech are attached, so supporting the haka is also supporting the speech.

Approaching Seymour is a little more unusual, but that's only because most formal situations like this are between peaceful groups. However, it also makes an important point. The speech and haka were not against the space, not against the mana of parliament. It was against Seymour and his supporters. So approaching him makes that clear where it's directed.

Given this, the speaker's response show utter ignorance and contempt for Maori ways. If he had any understanding of how any of this works, he could've simply waited for the Haka to conclude, then called on the next speaker. As the Māori Party were keeping with tradition, they would've had to respect that, and sit. Instead, he closed down parliament and cleared the public out. He made this contentious, and took what is traditional as in insult.

Seymour's response is no better, complaining about wanting a "reasonable debate" instead of a "dance", ignoring that the Māori party has been debating this, along with almost every other institution in the country, since the draft was released. This was the party's final word, their final push back against his racist bill.

This, in a nutshell, is what the government thinks of Māori. Ignorance and contempt. No attempt to blend traditions, or even basic understanding. Just constant demands to conform. It's hidden behind manners, but it's the same civilised vs savages racism that's justified colonialism for centuries.