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Hello tumblr. Are you working? I want to leave Twitter, so make yourself sexy.

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Subtitle of the day:
The Face of Another • 1966
Dir: Hiroshi Teshigahara
#movies #film #japanese film #the face of another #hiroshi teshigahara #sixties movies
Cornelis Cornelisz van Haarlem, The Fall of the Titans, 1596-1598
Bruno Ganz in Dans la ville blanche (Alain Tanner, 1983)
“Why do French film-makers make films about philosophy? I have to tell you something. I don’t care a damned shit! I do what I can. French people do what they want. Italian people do what they want. I am not waking up in the morning thinking: ‘Oh my God. I am a French film-maker; my film will be philosophical. No, no.’ This is not like that. We are normal people. Even though we are French.”
— Claire Denis

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The creepy things about the signs
Aries: You think about death a lot
Taurus: Your jealousy runs your life, and it can go as far as murder.
Gemini: You have two personalities and that can cause you to have a double life.
Cancer: You can’t commit and could have multiple spouses with multiple sets of kids.
Keep reading
Nénette et Boni (Claire Denis, 1996)
Snow Canon (Mati Diop, 2011)
“When not in love, what do you do?” “Nothing.”
Let the Sunshine In (2017) dir. Claire Denis
“Why do French film-makers make films about philosophy? I have to tell you something. I don’t care a damned shit! I do what I can. French people do what they want. Italian people do what they want. I am not waking up in the morning thinking: ‘Oh my God. I am a French film-maker; my film will be philosophical. No, no.’ This is not like that. We are normal people. Even though we are French.”
— Claire Denis
Vendredi soir (Claire Denis, 2002)

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J'ai pas sommeil (Claire Denis, 1994)
Films by or about people of colour directed by women*
Some notes on the list:
This list is non-exhaustive.
The movies I counted as “starring” poc of colour have at least 1 poc as lead or co-lead.
I respect the fact that some people do not want to see movies about poc as told by white women and have separated these movies accordingly.
Some of the directors who are woc who have directed the movies starring woc are not the same race as their casts.
What counts as a woc in the western world is not what is necessarily counted as a woc in the countries that those women are from. I have created my international list based on my own western perspective.
American films directed by WOC starring POC
13th (Ava DuVernay) Documentary Appropriate Behavior (Desiree Akhavan) Daughters of the Dust (Julie Dash) Eve’s Bayou (Kasi Lemmons) Everything Everything (Stella Meghie) Farah Goes Bang (Meera Menon) Girlfight (Karyn Kusama) I Like It Like That (Darnell Martin) I Will Follow (Ava DuVernay) It’s Already Tomorrow in Hong Kong (Emily Ting) Love and Basketball (Gina Prince-Blythewood) Losing Ground (Kathleen Collins) Pariah (Dee Rees) Peeples (Tina Gordon Chism) Middle of Nowhere (Ava DuVernay) Mississippi Damned (Tina Mabry) Mississippi Masala (Mira Nair) Mosquita y Mari (Aurora Guerrero) Real Women Have Curves (Patricia Cardoso) Saving Face (Alice Wu) Selma (Ava DuVernay) Something New (Sanaa Hamri) Songs My Brothers Taught Me (Chloe Zhao) Yelling to the Sky (Victoria Mahoney)
Directed by WOC starring white people The Republic of Love (Deepa Mehta) D.E.B.S. (Angela Robinson) Vanity Fair (Mira Nair) Jennifer’s Body (Karyn Kusama) Last Night (Massy Tadjedin) The Invitation (Karyn Kusama) Equity (Meera Menon) Shake It (Hella Joof)
International WOC
At Five in the Afternoon (Samira Makhmabaf) Iran Belle (Amma Asante) UK Bend it like Beckham (Gurinder Chada) UK Blackboards (Samira Makhmalbaf) Iran Bollywood/Hollywood (Deepa Mehta) Canada Dil Dhankande Do (Zoya Akhtar) India Double Happiness (Mina Schum) Canada` Earth (Deepa Mehta) Canada/India Fire (Deepa Mehta) Canada/India Heaven on Earth (Deepa Mehta) Canada Jean of the Joneses (Stella Meghie) Canada Lipstick Under my Burka (Alankrita Shrivastava) India Monsoon Wedding (Mira Nair) India Persepolis (Marjane Satrapi and Vincent Paronnaud) France The Second Mother (Anna Muylaert) Brazil Salaam Bombay! (Mira Nair) India A Simple Life (Ann Hui) Hong Kong Still the Water (Naomi Kawase) Japan Sugar Cane Alley (Euzhan Palcy) Martinique Sweet Bean (Naomi Kawase) Japan A United Kingdom (Amma Asante) (UK) Wadjda (Haifaa al-Mansour) Saudi Arabia Water (Deepa Mehta) Canada/India The Wedding Party (Kemi Adetiba) Nigeria
Directed by white women starring POC
2 Days in New York (Julie Delpy) 35 Rhums (Claire Denis) American Honey (Andrea Arnold) Ayanda (Sara Blecher) Black Panthers (Agnès Varda) documentary Brick Lane (Sarah Gavron) The Fits (Anna Rose Holmer) Frida (Julie Taymor) Girlhood (Céline Sciamma) Honeytrap (Rebecca Johnson) Itty Bitty Titty Committee (Jamie Babbit) Mi Vida Loca (Allison Anders) No Fear, No Die (Claire Denis) Paris is Burning (Jennie Livingston) documentary Portrait of Jason (Shirley Clarke) documentary Things We Lost in the Fire (Susanne Bier) The Wedding Song (Karin Albou) Whale Rider (Niki Caro) Wuthering Heights (Andrea Arnold)
*I know people will want to add onto the list and I appreciate that, but before you do please check whether a film is directed by a woman. This blog and list is in support of women directed or co-directed films. Please respect that.
18 Most Anticipated Movies of 2018: Part 1 of 2
Part 2 HERE
Bird Box dir. Susanne Bier
I just love Susanne Bier and will pretty much give a shot to anything she decides to direct. Bird Box, adapted from a novel of the same name, also had a really cool concept. It’s about one woman struggling to survive after aliens land on earth. Aliens that make humans go insane and start destroying themselves and others if they even catch a glance of these creatures. The always charming Sandra Bullock also will star in the lead role. Yay for more women directed scifi!
The Darkest Minds dir. Jennifer Yuh Nelson
Look I’ll be honest. I’m not really a fan of YA (go see my rant on To All The Boys I’ve Loved Before). But how fucking refreshing in 2018 to finally see big budget scifi films written and directed by woc. Good on Amandla Stenberg for signing up to work with mostly women directors over the last few years. I really can’t wait to see what Jennifer Yuh Nelson (making her transition from animation to live-action) does with this series about a group of teenagers with superpowers battling against an oppressive regime (timely and topical!)
Destroyer dir. Karyn Kusama
My mother was a huge fan of Nicole Kidman when I was a kid, she used to rent her movies and let me watch no matter how inappropriate they were. So I still have a soft spot for Kidman as the actress who helped introduce me to so many great directors through her work. And for people having that intro now, how lucky are they to be following Kidman now that she’s made a firm commitment to working with more women directors?
Kusama is honestly a great director and I can’t wait to see what this pair do together with the story of a cop (Kidman) who gets a second shot at taking down the cult that wrecked her life many years ago.
Fast Color dir. Julia Hart
So despite the excellent things I’ve heard about writer/director Julia Hart I’ve yet to see one of her films. I was excited right away about the concept for this film though which is about a woman with superhero abilities who has been on the run from the government for years. The film stars the always excellent Gugu Mbatha-Raw who I am dying to see break out in a major way. Her other two films of 2018 The Cloverfield Paradox and Irreplaceable You have been forgettable duds. Here’s hoping Fast Color breaks that trend.
High Life dir. Claire Denis
Any film by Claire Denis would automatically make my most anticipated list but High Life sounds extra exciting. Denis, whose films so far have mostly been quiet realist character dramas, is making her first foray into scifi with High Life. The film stars Robert Pattinson and is about a prisoner who is sent into space where experiments are performed on his body.
I Think We’re Alone Now dir. Reed Morano
More scifi! Morano is on fire right now and rightly so. The cinematographer turned director’s debut Meadowland slipped by unnoticed but she rightfully picked up accolades for her work directing the first three episodes of The Handmaid’s Tale.
I Think We’re Alone Now features Elle Fanning and Peter Dinklage as the lone survivors on earth after something (a virus? a plague?) wipes out all other life forms. I love low-key scifi like this and I love the actors. I’m in.
The Land of Steady Habits dir. Nicole Holofcener
I don’t know what this movie is about and to be honest I don’t really care. Some directors and writers are just people you connect with and after working my way through all of Holofcener’s filmography she’s just someone I trust to put out a good movie. No doubt she is once again interrogating the lives of upper middle class white Americans, but Holofcener always applies such a charming lens to her characters and digs deep into who they are in a way that make her low-key films into something unforgettable. I will say that the big shock of the movie is that Holofcener’s muse Catherine Keener will NOT have a role in the film, the first time in her 6 film career that spends over 20 years that this has happened!
Lazzaro Felice (Happy Lazzaro) dir. Alice Rohrwacher
Rohrwacher’s latest deals with a man on the fringes of society who discovers he can travel through time (so much scifi on this year’s list! I love it!) I’ve loved watching Rohrwacher grow as a filmmaker, the Italian director definitely has an eye for finding wild beauty in the most basic settings. Her last film won a big prize at Cannes, hopefully this film will debut there as well.
Leave No Trace dir. Debra Granik
Consider this: Jennifer Lawrence may feel like an established superstar at this point but she first came to prominence in Granik’s Winter’s Bone in 2010. Since then Jlaw has rocketed to stardom and earned two more Oscar noms. Granik…released a little seen documentary and finally put out her first feature film since Winter’s Bone this year. It’s tough out there for indie writer-directors!
I have deliberately not been looking too hard at promo for Leave No Trace because I am going to see it no matter what, but the film seems to see Granik returning to examine the lives of forgotten Americans, this time through the relationship of a father and daughter who have turned their back on society and live a reclusive hermitic existence.
Kim Novak in Vertigo (1958)
Titanic survivor Joseph Boxhall (Ship’s 4th Officer) watching a private screening of “A Night to Remember” (1958). This film is regarded as the most accurate depiction of the Titanic Disaster.

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Elevator to the Gallows (1958)
Dracula (Terence Fisher, 1958).