notice how the people with some of the worst er opinions admit they dislike the earlier seasons or straight up haven’t even watched them… right
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@carcyism
notice how the people with some of the worst er opinions admit they dislike the earlier seasons or straight up haven’t even watched them… right

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eepy and cozy
i rewatched carter's intervention and i can’t stop thinking about how much work the blocking is doing, so here’s a very brief summary of some of my favorite details.
first: benton
the second carter walks into the room, the camera cuts to benton. he's probably the most important person in the room to him, the one he respects and loves likes the most, and he's almost completely removed from the confrontation. he's standing on the other side of the room, out of scrubs, head down. he barely even looks at carter, and i don’t think he says a single word until they’re alone. everyone else is participating in the intervention, but benton really doesn’t need to say anything, because his mere presence is enough for carter.
this very short silent exchange is so amazing, you can feel how betrayed carter feels:
then, as the intervention goes on, he gets up and starts looking more directly at carter and becomes harder to ignore. i don't know if "denial" is exactly the right word, but there's a shift. at the beginning he seems unwilling to engage with what everyone is there to say, and by the end he's forced to confront it along with everyone else. notice how he goes from trying to stay low and far away to fully getting higher, bigger, and eventually running after carter. obviously his words and his physical presence ended up making the most impact. there’s something so fucking devastating to me about seeing your mentee that you love and care for so much, who almost died in your arms, in a situation like this. the choice to keep him silent and distance until they’re outside is brilliant imo
kerry:
she spends the entire scene by the door. every time carter tries to leave, she's the person who stops him. what stands out to me is how little force is actually involved. and objectively, if carter had really wanted to leave, he could have. he is bigger than her, stronger than her, and kerry is physically the smallest person in that room. he probably would’ve knocked out anyone else guarding the door (just two mins later he punches benton). but she’s somebody that he likes and respects (and fears) enough to not make it physical. she opened her door to him one year ago and now she’s keeping another door closed to help him.
after carter storms out, kerry turns toward the door and away from the room. it's a tiny blink and you’ll miss it moment, but i've always noticed how she doesn't want anyone to see her face. maybe i'm reading too much into it, but just like in the stabbing, she once again seems much more affected than she's willing to show in front of everyone else. she spends the whole scene holding her ground, even raising her voice at carter, and the second he’s gone she turns away.
carter:
and then there's carter himself. the scene keeps literally backing him into dark corners, so whenever he moves, he's running into another obstacle. when you watch carefully, you’ll notice that in almost every shot in this scene you’ll see the edge of someone’s head or shoulder or arm, all meant to make it feel like he’s trapped.
later, when he turns on jing-mei, he immediately starts using his height and physical presence. he gets into her space and tries to intimidate her, and he’s so desperate that something she did six years ago is the only leverage he has against her. god knows how many mistakes he made while she was away
and again, after kerry asks him about his wrists, instead of moving her out of the way, he walks to the other side of the room through all his mentors, all the people who care about him, who’ve been there from him since day one, and storms out.
so yeah i just love how carefully staged this whole scene is. each character has a very specific job in every frame, and you can learn a lot about their relationships just by watching where they're standing, their body language, everything. 10/10 scene.
Carcy | Mondays - Ethel Cain
shes so cute here :(((

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do they know it’s legal now
one of the evilest men to ever walk the halls of county general but happy birthday carter ❤️ ❤️
happy birthday sweater paws Gemini 🧁
he wants that baldy boinked so effing bad

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ER (1994-2009) 2x02 What Life.
Author’s Note: This article is heavily adapted from a tumblr post I wrote on the same topic in November 2025. I was encouraged to crosspost to substack to improve accessibility in light of recent conversations about the exits of Tracy Ifeachor and Supriya Ganesh from The Pitt, and have rewritten and expanded on some points from the original post.
I spent some time soul-searching last year about what my particular interest is in this topic considering that events in question all took place decades ago, do not involve me, and are likely very typical in the television industry. In the end I decided that I primarily wanted to collect together what sources exist on what happened to dispel some frustrating fandom myths and, although I found it difficult to be objective, I wanted to correct the record about those things at least.
» Read more on substack.
i love that scene of elizabeth, anna & carol drinking cocktails, waiting for pizza delivery, and just relaxing in lizzie’s apartment. them wanting to hear about carol’s sex life! them all talking about their family!! er needed more girl’s nights like that :(
my personal top 5 er side plots so far:
kerry and carter’s roommates era
del amico tamagotchi parent
kerry’s in-universe rpf erotica book
the great crash carts heist
carol and the worms in radiology

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Endless List of Platonic Relationships I Love - Carol Hathaway and John Carter
"I don't know. Somebody call a doctor!" "You are the doctor."
Hellooooo, Nurse!