Karamel curvez

“Viola Davis is a deserted island as the bereaved ringleader at the center of Steve McQueen’s Widows. In certain scenes, when the character’s sorrow can no longer be contained, it spills out overpowering fits, only to be shored back up, tears wiped away and appearances kept. There is a split-second shot that occurs midway through the movie and its sheer devastation is impossible to shake: Davis’ Veronica, her eyes frozen with dread and her face inanimate, opens to door to the bedroom in which the boy she brought into the world once rested and dreamed. To linger on this expression would probably be too much to bear. In this single moment, Davis says more about the inescapability of a mother’s grief than Martin McDonough managed to do throughout the entirety of Three Billboards Outside Ebbing, Missouri. The shot lasts only a second, but Davis, that powerhouse, conveys the full weight of a woman forcing herself to stare into the void: an empty room where her child no longer sleeps but where her heart will always be buried.” — Matthew Eng

30 Memorable Moments from Great Performances of 2018

Friends isn't enough for what I feel 4 u