Aaand a new close-up of my next drawing, with the small progresses my depression allow me to make, haha. #drawing #linkinpark #linkinparkfanart #braddelson #wip #lineinprogress #fanartmusic #violetbottle https://www.instagram.com/p/BxiQKLbgVbM/?igshid=1fifl69d67f0a
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Aaaand a W.I.P. Again. But itās been a long time since I did backgrounds, and Bradās hair MtM-era are a really calming thing to draw. And once again, a music video from ATS inspired me, thanks Iridescent/The Catalyst :D
Rough of aĀ āmaybe-one dayā character, made during a break at work ! I have a bunch of those roughs that Iāll probably post soonĀ (and even ink them at home, one can hope :āD)
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Quick sketch while I travel from Montpellier to Paris to spend the weekend with my boyfriend. And of course, my train has some technical problems, haha #sketch #sketchbook #train #girl #frenchtrain #musiclistening #drawing #draw #violetbottle https://www.instagram.com/p/BpaKeBdBhbW/?utm_source=ig_tumblr_share&igshid=v56qq06k3f84
Another quick doodle during a break at work. I'm doing mostly doodles at this point, but this one looks strongly inspired by my last attempts to a chara-design for a (maybe one day ?) fan-comics about A Thousand Suns... This idea got stuck in my mind for too long now ^^' #doodle #quickdrawing #linkinpark #linkinparkfanart #mikeshinoda #youngshinoda #meteora #sketch #blueink #violetbottle #fanart #portrait #fanartmusic https://www.instagram.com/p/BpPXjjLBnQp/?utm_source=ig_tumblr_share&igshid=169nh1p4d3eaa
Inktober jour 3, avec un passage par une nouvelle liste cette fois, celle de @kain.angel et les constellations. Voici donc Aquila au bras d'Aphrodite, avant qu'elle n'aille chasser Zeus... Inktober day 3, and I switch to another list, @kain.angel 's, and for the third day it's about constellations and Aquila, here with Aphrodite before she goes pursuing Zeus... #inktoberday3 #inktober #inktober2018 #constellation #aquila #aphrodite #greeklegend #mythology #eagle #woman #thunder #zeus #ink #draw #drawing #violetbottle https://www.instagram.com/p/Boe1j8mnODz/?utm_source=ig_tumblr_share&igshid=8ocjyve4cy28
Dessin rapide pendant une pause-boulot, en attendant Inktober3... Quick sketch during a break, while thinking about Inktober 3... #drawing #draw #sketch #doodle #girl #sketchbook #practicing #break #violetbottle https://www.instagram.com/p/BoeCHTpHPhq/?utm_source=ig_tumblr_share&igshid=hy4n213a6t2x
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Inktober jour 2, avec mon premier joker de sortie de liste ! Cette fois-ci, je passe sur les thĆØmes de Boulet, donc le thĆØme What lies in the dark avec un fanart de Boo de Monstres et Compagnie... Et un autre genre de monstre tapi dans l'ombre de sa porte ^^' Inktober day 2, and I'm already allowing myself to use a joker by switching to the Boulet's prompt, and draw the "What lies in the dark" theme. Here's Boo, from Monster Inc., chasing another kind of monster... #inktober #inktober2018 #inktoberday2 #bouletcorplist #whatliesinthedark #drawing #draw #fanart #monsterinc #santa #christmas #boo #violetbottle https://www.instagram.com/p/BocT9LEHHNs/?utm_source=ig_tumblr_share&igshid=131qgisn1qdfl
Rapide dessin pendant une pause au boulot. Pause finie, L'Inktober revient bientƓt ! Quick sketch during a break at work. Soon Inktober, yay ! #sketch #drawing #illustration #draw #girl #quickdraw #training #workbreak #violetbottle https://www.instagram.com/p/BoJGZHZn-CD/?utm_source=ig_tumblr_share&igshid=1xoc7eyddla5r
From visionary filmmakers James Cameron (AVATAR) and Robert Rodriguez (SIN CITY), comes ALITA: BATTLE ANGEL, an epic adventure of hope and empowerment. When ...
*watches the last Alita trailer*
*A wild Linkin Parkās New DivideĀ cover appears !*
*starts singing without even realising itās actually this song*
Well, I guess Iām too far gone into this fandom.Ā
While itās still time, I have to say that this trailer looks good so far, I canāt tell for the story or how much itās accurate to the manga (and itās not what matter the most anyway imo), but well, it has good chara and background designs.Ā
"One More Light" music video directed by Joe Hahn & Mark Fiore. "It has been incredibly emotional to work on this, and especially to watch it. I feel that by...
Dear Chester,Ā
One year. Wow. Would I be crazy to say I didnāt think this day would come ? One year seemed to be a very, very long time if grief came into the picture. And it was going to be.
I donāt remember much of the 20th of July 2017, you know. I just saw your name everywhere on Twitter and thoughtĀ āOh, is it a new song ?ā. It could have been so, since Talking to myself had its music video the same day (or the day before). Then there was the news. First thought was :Ā āI wait until the guys confirmā, hoping they wouldnāt.
Damn it, I didnāt even knew you personally, but it felt like a Hell I hoped I would never go back in again. I was really, really devastated. For you. I couldnāt help but imagine how your last day felt like, I couldnāt stop the aching feeling that created the images in my mind. I remembered when suicide, years ago, nearly took me. Itās something I donātĀ wish to anyone. And the fact that youāve been convinced by it haunted me for days. You seemed like a genuinely kind and generous spirit, how did you said one day ?Ā āMost passionate beast of the wildā ? Well, you, among other people and influences, ignited passion of creation and art in my heart. It seemed so unfair.
October looked like a hope to heal. Dedicating Inktober to you and LP was an evidence. I met people suffering like me, uplifting each other, and some of them are really nice people, you know ! And the tribute to you... Intense, really. Everybody was so brave...Ā
But in the end, Chester, all I did was breaking myself apart. Quickly after, all the good October brought to me had fallen to ashes. I looked at my life, far from being satisfied, knowing that my vow to make you proud was sincere when I adressed it to others, but not to myself. My demons were back, harder this time, so hard I couldnāt even think of listening to your songs anymore, the way I used to. I had to tear apart the life I had, get away from a relationship that were eating me alive, to learn to trust people again and to accept their help. Iām still working on it, you know. And you know what made me think ? Bingo, you.
One day. YouTube played Powerless. It hit me right in the guts. I donāt know if I was picturing myself being on the giving or receiving end of the song, but it knocked me out anyway.Ā I knew it by heart, you know, but in the light of what was my life at this moment... It was as if I discovered it again. As if I listened to you voice for the first time in my life.Ā
You were there. You stopped being a ghost. You started becoming a light.Ā
So, yeah. One year has passed. One year to truly see what itās like to change direction. And to really want to. I know Iām talking a lot about myself, and maybe Iām finally just stealing a little of your eternity to just rant about my poor little soul, but today, I realize Iām not feeling like talking to a stone or a broken clock. Iām talking to a friend through his music. Iām talking to a shade of pink in the sky, to a little pin I turned to a medal for a wristband, to the same glim of light Mike has in his eyes now and that I see in everybody healing a learning to live again...
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yo hereās a useful tip from your fellow art ho cynellis⦠use google sketchup to create a model of the room/building/town youāre trying to draw⦠then take a screenshot & use it as a reference! Itās simple & fun!
This is an incomplete tutorial, and it drives me crazy every time I see it come around.
We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldnāt even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.
Hereās the missing part of this tutorial:
How do you populate your backgrounds?
Well, hereās the answer:
If the focus is the environment, you must show a person in relation to that environment.
The examples above are great because they show how to use the software itself, but each one just kind of āplopsā the character in front of their finished product with no regard of the personās relation to their environment.
How do you fix this?
Well, hereās the simplest solution:
This is a popular trick used by professional storyboard and comic artists alike when theyāre quickly planning compositions. Itās simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.
From Blacksad (artist: Juanjo Guarnido)
From Hellboy (Mike Mignola)
Even if your draftsmanship isnāt that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside ā not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as any other member of the cast. Make it as believable as they are.
Iām a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!
Sketchup is very useful for environment references, and I assume itās reasonably easy to learn. If youāre interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!
Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple āCATāĀ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)
The armature can also be posed incredibly easily. I know programs exist for stuff like this - Manga Studio, Design Doll - but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.
By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!
Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.
We can even quickly and easily expand this scene to include more characters!
Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!
Dammit Boris (I would love to tell you thay I'm sorry for this, but it would be a lie) (And yeah, now I'm half-expecting that Boris could be a part of Mike' shows)