⚕ Invictus ⚓️

"The higher we soar the smaller we appear to those who cannot fly."

O'Brien and I remained in the battery with the armourer, the boat's crew being ordered down to the boat, to keep her afloat, and ready to shove off at a moment's warning. We had spiked all the guns but one, when all of a sudden a volley of musketry was poured upon us, which killed the armourer and wounded me in the leg, above the knee. I fell down by O'Brien, who cried out, "By the powers! here they are, and one gun not spiked.” He jumped down, wrenched the hammer from the armourer's hand, and seizing a nail from the bag, in a few moments he had spiked the gun.

Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.