what am i doing here?

25 Days of Christmas with INPRNT: Kelsey Smith.

For Supersonic Art’s tenth selection in our annual 25 Days of Christmas with INPRNT, I’ve selected the peaceful, detailed illustrations of artist Kelsey Smith.  All of which are available in her INPRNT Shop.

Andrew Archer’s “Edo—Ball Season Three.”

Artist Andrew Archer is back with “Season Three” of his popular print series “Edo—Ball.”  This season brings with it 10 amazing new illustrations.  You can see all of them and the prior seasons over on his website.

Lisa Ericson’s “Border Crossing” at Thinkspace Projects.

Opening on Saturday, October 13th, at Thinkspace Projects’ Project Room in Los Angeles, California is artist Lisa Ericson’s sensational solo exhibition, “Border Crossing.”

Ericson’s meticulously rendered, hyperrealistic paintings are executed in acrylic on panel with the use of minute detailing brushes. She depicts supernatural amalgams of wild animals, everything from the surreal winged rodents she’s fondly coined ‘mouser-flies,’ to entire, parasitical ecosystems perched weightlessly upon the backs of other creatures, each dramatically set against pitch black backgrounds. Technically breathtaking, the works are optically dizzying in their depth, color, intensity, and contrast. In Ericson’s universe visual poetry abounds: a tree of monarchs emerges fantastically from the shell of a placid turtle host, while an entire miniature coral reef drags close behind on a beta’s fins.

The exhibition will be on view until November 3rd and should absolutely be sought out if you’re in the area.

So Youn Lee’s “Spectruma” at Arsham/Fieg Gallery.

Currently on view at Arsham/Fieg Gallery in New York City is artist So Youn Lee’s exhilarating solo exhibition, “Spectruma.”

From the gallery: “‘Spectruma’ is a body of work inspired by how a single idea can evolve into many different thoughts and evoke many emotions. Just like a color can change into another. Until an emotion is defined by the name, there is a sense of uncertainty and slight excitement of what it might be. It doesn’t necessarily have to be positive but to have some expectation about the discovery of what. I want to paint the feeling of soothing moments by calming the hectic spark of thoughts and describe the ambiguity and tender chaos.”

If you’re in the area, this exhibition should absolutely be sought out.