Locally beaned candy jelly

congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!

Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?

An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.

A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.

This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.

And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!

Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.

And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.

You do not understand

Most modern Ag operations don’t even have a proper A-Horizon. They’re too busy turning the earth every time they replant. The A-horizon is the Black Gold that makes Soil Soil. It’s a structurally complex soil horizon that must be built in place by the interactions of Plants and Fungi and Insects. It is The Thing that soaks up rain and holds onto it for plants. The A-Horizon is The Thing that builds up when you let a field sit fallow. The act of tilling creates fecundity by breaking up the A-horizon. On a really good Organic no-till farm you might find an A-horizon between 3-6 inches.

His A-horizon was 4 feet deep. 50 inches.

I-

I have no context. His farm was covered in a living skin thick enough for a child to stand in.

Gives me hope for what we could accomplish if we got our collective heads on straight, you know? Like. This was one guy. A brilliant man, who knew what he was up to, but. The thing about brilliant ideas is they can be shared.

Humus, or Humic Compounds, are a cryptic and poorly understood set of organic substances. As the final metabolic result of once-living things being digested first by macroscopic organisms, and then by microorganisms, they resist most forms of analysis, and have cryptic structures. A few that we have managed to isolate and study are the Humic & Fulvic Acids.

Humus has a number of remarkable tendencies. It is capable of retaining water far better than any raw mineral clay; it also retains electrically charged clay granules, which themselves retain mineral ions, all of which is essential to make a soil a high-quality resource for Plants to grow in.

A composter is a box that contains an environment that is conducive to the production of Humus, but the best way to produce it is in-place, by laying layers of organic material down over an unbroken earth and growing things out of that. The interaction of the plants rooting, the fungus weaving itself through everything, the bacteria and archaea metabolizing as they do, and inorganic weathering forces all combine to gradually build up the microscopic equivalent of a complex megastructure capable of retaining far more water, and containing far more nutrients, than any inorganic substrate.

This stuff is black gold. This is the stuff that determines whether or not a plot of land is going to be “productive.” The knowledge of how to make it, how to care for it, is an essential piece of wisdom that our civilization needs to remember.

Fortunately, folks seem to have the right response:

Farmers are more important to the continuity of civilization than administrators, no matter what the elitists say. This knowledge is important.

Killua and his Gon plushie😛

I did not bother her. I felt so bad for her, I just gave her all the space and time she needed to feel safe. I had a litter box at the foot of the bed, I never saw her use it, but it needed cleaning each morning. I put her food and water on a tray and quietly slid them under the bed to her. After quite some time, I would feel her get up into the bed with me as I slept and curl up gingerly by my feet. I just pretended to remain asleep.

if you lose hope they win so we’re not losing hope.

if you lose hope they win so we’re not losing hope.

if you lose hope they win so we’re not losing hope.

if you lose hope they win so we’re not losing hope.

if you lose hope they win so we’re not losing hope.

you don’t have much of a choice but you can choose to have hope.

you don’t have much of a choice but you can choose to have hope.

you don’t have much of a choice but you can choose to have hope.

you don’t have much of a choice but you can choose to have hope.