now this is perfect halloween content
galwednesday: #the real horror was the awkward social situation we found along the way

tannertan36
ojovivo
Sade Olutola

★
will byers stan first human second
Not today Justin

Kiana Khansmith
$LAYYYTER
taylor price
YOU ARE THE REASON

izzy's playlists!

Kaledo Art
hello vonnie
art blog(derogatory)
🪼

Origami Around

titsay

if i look back, i am lost
Alisa U Zemlji Chuda
seen from Argentina
seen from India
seen from United States
seen from Malaysia

seen from Italy
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Germany

seen from United States

seen from United Kingdom

seen from United States
seen from Brazil
seen from South Korea
@caldwell333
now this is perfect halloween content
galwednesday: #the real horror was the awkward social situation we found along the way

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Eye Inlay (doubled) -Â Sumerian or Elamite - lapis lazuli, marble - c.2nd half of the 3rd Millennium BCE
Eye inlay - lapis lazuli, limestone and black stone - Syrian, Early Dynastic Mesopotamian - c.2550-2250 BCE
Child’s left eye inlay - glass - Late Period, Egypt - c.664-332 BCEÂ
 A pair of child’s eye inlays - glass - Late Period, Egypt - c.664-332 BCE
A pair of eye inlays - glass - Late Period, Egypt - c.664-332 BCE
Histoire de l'art chez les anciens, 1801Â
The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s through the 1970s. See more of these amazing photos here.
Go ahead, make my millennium.
Beetlejuice (1988) dir. Tim Burton

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Interior of the Great Temple of Khnum at Esna
Illustration for souvenir booklet entitled 36 Nice Artistic Views of Upper Egypt (Cairo Postcard Trust, c 1905). Gravure-printed.
Roman fresco, Flora, Pompeii, 1st Century A.D., National Archaeological Museum, Naples, source
Pair of gold earrings with pendant Erotes, Metropolitan Museum of Art: Greek and Roman Art
Gift of Mr. and Mrs. Stephen Kellen, 1999 Metropolitan Museum of Art, New York, NY Medium: Gold
http://www.metmuseum.org/art/collection/search/257388
Four Bracelets from Tomb of King Djer
These four bracelets were discovered at Abydos in the tomb of King Djer of the First Dynasty. They were fastened onto a linen-wrapped forearm of a woman, who might have been King Djer’s queen or a member of the royal family.
The bracelets were held in place by linen bandages, which made it possible to recover them in their original order of stringing. Three of the bracelets are composed of various types of beads: gold, turquoise, lapis lazuli, and amethyst. The fourth one consists of 27 plaques representing the palace facade topped by the falcon god Horus.
The bracelets are of exquisite workmanship, demonstrating the skill of the ancient artists in this early period of Egyptian history.
Lapis lazuli, turquoise, amethyst and gold. Early Dynastic Period, 1st Dynasty, ca. 3150-2890 BC. Now in the Egyptian Museum, Cairo. JE 35054
Tetrapylon of Aphrodisias
Aphrodisias, Asia minor (Turkey)
2nd century CE
The Tetrapylon was the monumental columnar entrance to the sanctuary of Aphrodite. It has sixteen columns (4 X 4) supporting elaborate pediments on each side. A complete stone-for-stone reconstruction or anastylosis of the structure, using 85% original blocks, was completed in 1991. It is a richly ornamented prestige building in the style of the Antonine period (mid-later second century CE). One entered on the east side, from a major north-south street, and passed through the gate into a large open forecourt before the sanctuary proper. Looking back from the inside at the west façade of the gate, the visitor would see an even richer elaboration of the architecture that marked this as the interior. One moved through the gate from the public space of the street to the space of Aphrodite. The broken-recessed west pediment is decorated with high-quality relief work of Erotes hunting in acanthus foliage and with deeply carved architectural ornament in an encrusted imperial style that represented majesty and grandeur. A figure of Aphrodite framed in an acanthus calyx in the central lunette was erased in the Christian period and replaced with a crudely engraved cross.
Sources: 1, 2, 3, 4, 5

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Graveyard quilt
Elizabeth Roseberry [Mitchell] and her family were natives of Pennsylvania. She married Shadrach Mitchell on November 20, 1817 in Green County, Pa. In 1834, the family moved to Antioch, Ohio. They had the first seven of their 11 children with them during the move. In 1836, Elizabeth's young son, John Vanetta, died. At that time Elizabeth started a mourning quilt (different from this one, currently in the collection of the Kentucky Highlands Museum) and put a coffin with John's name on it in the graveyard at the center. The family moved again about 1840 to Lewis County, Ky. Brothers Roseberry and Mathias (called Bub) soon returned to Ohio. In January 1843, Matthias died at age 19; how or why is no longer known. Elizabeth added his name to the quilt that was still only in the quilt-top phase. Batting and backing had not been added and the quilting had not been started. Apparently Elizabeth was dissatisfied with that quilt and started a new one around Matthias' 1843 death. It is this second, finished quilt that is in the Kentucky Historical Society collections. Some fabrics are used in both quilts.
Each paper casket on the periphery bears a relative's name. All of Elizabeth and Shadrach Mitchell's children have a marked casket. The empty coffin space in the lower left corner once held the coffin labeled "Mother," which is now in the graveyard area. Some other family members were added. As each relative died, the year would be added to the tag and moved to the cemetery at the center. First Elizabeth Roseberry Mitchell then her daughters Sarah (Sis) and Elizabeth (Lib) cared for the mourning quilt. After Elizabeth's death in 1867, Sarah continued to alter the quilt until about 1870. Clearly she stopped making alterations before her father's death in 1875 although she lived until 1911. This quilt is an excellent example of nineteenth century mourning customs as well as an illustration of the emotions and experiences that were often expressed by women through their quilts.
source
One-handled Cup (modiolus), Roman, 1st century BC–1st century AD, Saint Louis Art Museum: Ancient Art
https://www.slam.org/collection/objects/30253/
‘Useless Magic’ by Florence Welch
Ancient Greek terracotta incense burner in the form of a female head, possibly Kore/Persephone. Artist unknown; 3rd cent. BCE. Now in the Walters Art Museum, Baltimore.
Two dancers in costume stand between the columns of Poseidon’s Temple, Greece, 1930. Photograph by Maynard Owen Williams, National Geographic Creative

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Pendant with Venus and Cupid on a Dolphin by Reinhold Vasters, Robert Lehman Collection
Robert Lehman Collection, 1975 Metropolitan Museum of Art, New York, NY Medium: enameled gold, rubies, and pearls
http://www.metmuseum.org/art/collection/search/460800