âit would be strange if i wasnât. i generally find myself to be more well read than most, though i freely admit i have had the advantage of time.â the intricacies of language are something rafael thinks about often. though he is more concerned with the act of collection than examining texts, they often arrive hand in hand. and the woman in front of him makes him think of the word saccharine, but in a sickly way. too much sweetness, like something used to disguise the bitterness of poison. âperhaps in some regards,â he says, as evasive as most people would expect from something as old as he is. âbut i donât believe her influence is quite as wide-reaching as you think.â
in the end, his choices and their consequences are his own. he accepts this with all of the responsibility that it entails, and the fact that he is never quite alone while being self-sufficient. it is a careful dichotomy that he works within. he knows the exact boundaries of his position - has tested and studied them in the way a scientist examines slides under a microscope, and now he simply thinks of ways to escape them.
itâs just so even in this conversation: acquiesce if only to subvert. he takes care in how he maneuvers around the high council, in the way that anyone should.
younger vampyres sometimes dislike the influence of dominion. it isnât a surprise. anything that gains power will dislike the bonds that hold it. he knows that quite personally. itâs why sometimes he looks at the high council and that bitterness rises in him, slow and undeniable. going nowhere.
âpersonally, i doubt this is as simple as one rogue vampyre. we would have caught them by now if it were the case, and the murders would be less⊠complicated. less ritualistic. less purposeful, even. this isnât carnage for the sake of it. it would be a mistake to underestimate the mind behind it, whether that mind is deranged or simply unique.â heâll admit that much. of course he has put thought into it. it has been a topic of discussion. there is no need to teach the person behind this to be clever. they are already clever, or they believe themselves to be so.
he glances over as the waitress approaches. no choice. of course. that, too, is a symbol of his position. he can read the way that this dinner, too, has been constructed, just as ritualistic as the killings. everything is about the little rituals that keep things stable.
still, he laughs a little to himself as he lays the napkin across his lap. âi can enjoy them and be nervous about their loss at once.â rafaelâs fork pauses partway to the plate as he considers the question. âiâve heard rumors of this text, though i havenât seen or encountered it personally. however, i know a slovakian collector who is notoriously private about what he has in his archives, and from what i do know about his predilections, he may have had interest in such a thing. i can see if i can coax a confirmation out of him.â
   âso you do -- so we all do. a befitting use for mornings with bright sun, i suppose. but then we no doubt has different tastes, and as such any debates of the written word we have would be far more interesting.â as though the idea of any such conversations truly interests her, but pretending is no harm. heâll have to clue in sooner than later that any small talk is nothing but false niceties to draw him along as far as she wants him to go. a monster is a monster. let her be cunning and clever, so long as he goes along with it everything will be fine. have the conversations. eat the meal. stay in his position on the ladder without gunning for any thrones. Â
que sera, sera. heâs left himself up to the fates the moment he chose not to chase after his motherâs throat all those hundreds of years ago.
a good enough agony for erzsĂ©bet to take particular joys in, to swish through her mind as wine in the mouth before swallowing. slide it across the palette, she thinks. let it touch every bit of you before settling into your insides and festering to its rotting death there.Â
   âi wouldnât consider it ritualistic; at least thereâs no religious intent behind it if itâs one of our fellow fools. if one of our bastards have chosen to do such a thing then they choose this ritual out of the same reason a serial killer does. we kill,â erzsĂ©bet adds almost dreamily, a small smile tugging at her mouth, âto as they say... âget off.â rituals i believe would have more displays around them -- candles and gems or herbs. but you speak like you wish to blame a wytch for this trauma, not our own kin.â Â
she raises an eyebrow over her fork and the raw meat clinging to it. redder than her mouth, it stains her pink lipstick a darker color in splashes and shades. itâs nothing compared to the taste of prey or the freshness of it. raw, yes, but gods thereâs no heartbeat still reverberating through the muscles. just the reminiscing burn of a knifeâs cold cut from the chef who prepared their appetizers not moments ago. it reminds her of anna. so does rafael in some ways, were he more cunning and cutthroat. more likely to cut than to talk his enemies to death; anna was never quite afraid of blood. Â
whether she was hungry for it, erzsĂ©bet canât be certain. never truly gave a damn enough to ask, and has no care for it now. but she acted far more than she imagines rafael ever has in his long, ancient life. at least anna smiled when erzsĂ©bet commanded their evenings like she knew what was happening. this sweet fool, she notes, tries to hide it. Â
laughing sweetly, erzsĂ©bet dips her head.  âso you can, but i imagine you have one sensation far louder than the other within you.â unlike him, she refuses to pause or hesitate. another gentle tap of fork to plate, another removal of meat. the gentle circular shape begins to waver. egg yolk freshly burst with golden yellow rushing down the beef.  âwhy slovakians are cunning. they rarely enjoy to speak of their lives, let alone give away pieces of it... so i wonder, darling, what sort of thing you would earn from speaking to him on my behalf? that is an awfully large headache to take on for a stranger.â