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@byler-endgame
smallville: clark and lana
bones: bones and booth
stranger things: umm no they're not romantic
it's casual

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Though nothing will keep us together
The way the Wheeler's basement door got the Truman Show treatment, blue sky, This is it. This is where I woke up. and all, only for it to be the last shot of the show??
every universe except this one, i guess.

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the last shared look that mike gives to will is the most romantic look that mike has ever given to him or anyone in the whole show. that includes the van scene, that includes the sorcerer scene.
It’s always gotta be some fuckass painting,
that godamn swing set,
a traumatised gay boy
and finn fucking wolfhard at the crime scene
I quit.
this is insanee
he is so in love with him i need to be locked up
Watching this video and him getting more and more disappointed as the episode goes on is chilling me ngl. This is the version of the script that didn't even have the tower scene in it btw, so this is him as a queer actor realising that they gave his character absolutely no closure and a shitty arc where he "realises" that the love of his life was just a crush to get over in a day without anything from said crush to determine if he's fine with that. He's been the *gay consultant* for the show since the beginning and he was so excited to read the script for episode 4 when he had powers, he probably was excited to see where his characters' powers took the character arc but no, they really just gave him nothing in this episode and the fact he was terrified to go up to the Duffers and ask for a little scene change speaks volumes.
i'm still here in case you were wondering
an eyebrow scrunch.....a lip stare.......a smile.........he is sooooo crazy

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i think about byler in a way that’s less “shipping discourse” and more the quiet grief of watching a genuinely groundbreaking narrative slip through the cracks. it’s that particular ache you only get when you understand the craft, when you can see the scaffolding, the emotional architecture, the cinematographic cues, all pointing toward a story that was ready to mean something. not just to fans, but to the medium.
finn and noah had the kind of chemistry you don’t teach. it’s the sort of on screen connection that directors build entire seasons around, the kind that lets you hold a shot a beat longer because the actors can carry the silence. their scenes already had that charged stillness, that soft, trembling intimacy that cinematographers dream of capturing. the camera loved them, not in a flashy way, but in that quiet, instinctive way where the frame leans in because it knows something is happening.
and maybe that’s why it hurts so much. because from a craft perspective, they were positioned to break boundaries in a genre that desperately needed it. they could have shifted the emotional centre of the story, not through shock value, but through honesty. through the kind of queer tenderness that rarely gets to exist in mainstream sci‑fi without being coded, sidelined, or softened into metaphor.
there was magic there, real, cinematic magic. the kind you recognise instantly when you’ve studied this stuff, when you’ve spent years analysing how performance, blocking, colour, and subtext braid together to create meaning. it was all right there, humming under the surface, waiting for someone in the writers’ room to trust what the camera was already telling us.
and the saddest part is knowing that potential doesn’t disappear just because it went unused. it lingers. it becomes a ghost of the story we could have had. a reminder of how rare it is to see chemistry like that, and how easily it can be left on the cutting room floor.
do they know they didn't do any of this
"you're just mad at the duffers because byler didn't happen"the writers and directors of the show needed maya hawke to remind them while filming that lucas didn't know robin is a lesbian in the 80's who is dating vickie, so they should whisper about their date at enzo's and their relationship instead of talking loudly about it. yeah, they totally handled very well queer representation.
sigh.
it's almost like they're all gay.
At least we know who’s gonna have a panic attack watching Dead Poets Society in theaters in 1989.

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The way. That he looks. Like. He’s still in a fucking closet.
Big inhale
He is still wearing blue. He is framed. To still be “inside” a closet.
Will’s book is creating a box that he’s trapped inside of. Closet. In it. Michael Wheeler.
Wearing blue.
fuck them fuck everything fuck fuck fuck
Dustin sobbing and begging Steve not to go because he's terrified of losing him too. Being shot would hurt less than this.