I Give Up. You Win.

You’re telling me this firehouse has subs?

I believe his name is Bobby Nash

letting family members sit in for dead senators is just monarchy logic im appalled that this has even happened before

An unelected individual getting grandfathered into a real political position due to their blood or legal relationship with a deceased elected official is not pretty good actually

Castiel learning he could distance himself from god and heaven by blaspheming, that in blasphemy lies freedom. So he did just that. Saving the righteous man from hell, marking him with his brand for all to see, carving his name into his ribs. Secreting away and protecting his brothers favorite vessel and his fathers favorite toy all while playing house and raising a son with the man he loved

My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.

Looks like the thinner twin of my youngest son

its a cliche but im a slut for when a character is introduced as super chill and goofy and then you later find out theyre chill and goofy because theyre too powerful to be touched. the level 100 wizard whos already figured out everything and is just vibing now. big fan.