positive image: a portrait of gay america (1985) by stephen stewart
hello vonnie

gracie abrams
YOU ARE THE REASON
Stranger Things
Lint Roller? I Barely Know Her

Origami Around

oozey mess
RMH


@theartofmadeline
Xuebing Du

shark vs the universe

pixel skylines
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
NASA

PR's Tumblrdome
seen from Venezuela

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seen from United States
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@butchblood
positive image: a portrait of gay america (1985) by stephen stewart

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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end of a long day
kwn for Notion Magazine, December 2024.
“What you see is what you get with me,” KWN
“Butches who desire other butches are difficult to theorize in accordance with traditional lesbian imagery for writers like Rubin, Brown, and others, because the numerous social restrictions on acceptable forms of desire make it hard to come to grips with something as multiply transgressive as the butch who desires other butches. Two female bodies having sex violates the myth of “natural” heterosexuality, female bodies in men’s clothing violates gender restrictions, and female bodies in (or out of) men’s clothing having sex with each other constitutes a triple whammy. The butch-butch couple confounds all of these conventions, which is why butch-butch makes even some lesbians uncomfortable. Trish Thomas describes what can happen when a butch pursues another butch: “She wonders if I’ve mistaken her for femme…. She becomes concerned that she’s throwing off femme vibes without even knowing it…. And suddenly she gets this overwhelming urge to arm wrestle” (22). Butch-butch sexuality is constantly being assimilated back into familiar categories, as with the butch who worries Thomas must be picking up “femme vibes” or Brown’s description of butches having sex with other butches as “faggots.” Despite such overwhelming conceptual resistance, butches, unconcerned with theoretical disputes, continue to desire other butches. Look down Castro Street any Saturday evening, and you are likely to notice a number of butch couples strolling by. Visit a chic lesbian bar in San Francisco, and you are apt to see two leather-jacketed, buzz-cut young women clinging to each other on the dance floor-and they will be far from alone”
— Inness, Sherrie A., and Michele Lloyd. “‘G.I. Joes in Barbie Land’: Recontextualizing Butch in Twentieth-Century Lesbian Culture.”
Androgynous Swedish model and actress Erika Linder. She is known for exploring gender fluidity - having modelled for both men's and women's collections.

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Butch Sightings: A Social Interaction
"Butch Sightings is a social interaction art project that was inspired by interest and appreciation for butches & studs (females and/or women who appear masculine, queer, old school, dyke, bulldagger, aggressive [AG] and other terms to be added as I come across them)."
butchsightings.com
“Playbutch” November, March, June
Intaglio with Chine Cólle
life drawing
That's My Jam parties organized by DJ Tikka Masala, Brooklyn, 2009

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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It's All Butch Calendar (2016) by Debbie Boud
Butch & Butch Bait, Manchester, 2026
ivan coyote with a fan, 2010 [x]
She asked for B’s contact info by the end and they were so buddy-ish, it was cute. (I can hear B right now, telling me that being butch buddies isn’t cute!) And then, because I’m obsessed with pictures and such, I asked them to pose together for me. And so they did.
Hot, right?
Stormé DeLarverie (1969)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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PJ surprised Switch with an afternoon at a fireside haven. Their passionate, romantic, and spicy play kept their fire going long after the hearth had cooled.
PJ and Switch in On Our Backs shot by Phyllis Christopher
King Kellz for Ikons Magazine, 2010