Hello there! Let me introduce myself, I'm Buggy! 30s-ish. He/him and they/them pronouns please!
I'm been practicing folk magic, most commonly called granny work, hexer work, or just plain Appalachian Folk Magic for roughly 7-ish years, and have been a practicing Kemetic Pagan for roughly 12 years.
I was raised in folk magic but like a lot of kids I began to avoid it due to the stigmas attached. It was poor people stuff, it was just stupid superstitions, respectable people don't do that, etc, etc.
I was raised somewhere between upper poor and very low middle class for the area I'm in, my great grands didn't get an indoor toilet until I was about 6 or so. But having said that: I recently moved away from my family farm, wheree do beef cattle and personal amounts of chickens. Some gardening too, about an acre's worth. Now I live in the Lowlands of SC!
Now what you need to know about me and my practice:
I am aro/ace, and I work for a no-name digitizing agency. That's it. That's all I've got for a personal life besides my precious cat, Biggie. I super enjoy folklore, queer studies, Appalachian Studies, video games, and TTRPGs.
My Practice...I completely separate my religion from my work. Those are two very big different things, no working with deities here! I have in the past, but that and high magic wasn't my thing. I work with my ancestors and a select few animal spirits. I do use the Bible in my craft, if religious overtones upsets you this won't be a good blog for you I'm afraid.
I haven't quite 'earned' any titles from my community, but I learned quite a bit about water witchin' from a beloved neighbor before I had to leave home. I use a natural born 'gift' of blood-memory to help fill in blanks that my family or age has left out.
Now for the important stuff: No TERFs, SWERFs, racists, closed practice thieves, or ignorance will be tolerated here. If that's you go on and git. I won't entertain you. If you think all mountain people are inbred hicks I also won't tolerate you. Git on with your life elsewhere.
My askbox will almost always be open, I will however not tolerate trauma dumping. I am not paid for that extra stress-load, please find a resource that is.
Now that we've had a chat, welcome into the porch. Sit down for a spell and let's spin some yarn.
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Witchblr is saturated with success stories that it can sometimes create the impression that occult works hit the nail all day every day. So maybe some fun stuff
What was a general assumption, conspiracy theory or idea that you believed in at some point in your craft?
Have you ever had a spell backfire on you? Did you learn from it?
What was the pettiest reason that you've ever done a spell?
Are there any workings that you regret doing?
What is something about spell work that you want other people to know?
Have you ever had a bad experience with spirit work? How did you handle it?
If you had to go back with the knowledge that you had now, what would you tell your earlier self?
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My mum’s family aren’t witches. They’re not holders of any ancient mystical “fam-trad” lineage. (In fact, some are from staunch Scots Presbyterian stock, including the “no dancing on the Sabbath!” variety.)
However, they DID pass down a bunch of stuff - little stories, customs, all that, as any culture does. (And my gran took it and ran with it, loving and researching folklore all her life, teaching it to me and later enthusiastically joining in seasonal rituals.)
One thing in particular, which I grew up with as completely normal, was something the women of the family did: the soothing called “the fluence”. Fractious children were calmed by this combination of forehead-stroking and deliberately radiating calming feelings, often with a low humming. Obviously these things are calming anyway, but someone really good at it - like my gran, rest her - could do it from a distance.
I thought it was just one of those quirky family things. “You’ve got a headache? Come here, I’ll put the fluence on you.” “Ugh, X kid is being a monster, better put the fluence on them.”
Later on, however, I learned that this was, in fact, A Thing beyond our family - “putting the influence on someone”, which was, indeed, often abbreviated to “the fluence”. (Etymonline takes this meaning of “the influence” back to the 1500s, and says it shows up earlier in medieval Latin.) I’d done it to jasminekor when she was distressed; one time she was reading or watching something historical, and a character accused someone of having put the (negative) fluence on someone, and she sat up and said, “Oh my god, it’s actually a thing! I thought it was just your family!” just as I had.
I’m not telling this story to show what a ~magical mystical folk-craft family~ I come from. I’m telling it to show that, when we talk about folk magic, we’re not talking about some vague people long ago and far away, but just…us. (I think Pratchett had something trenchant to say about this, as usual.) It’s not all stuff gathered by Cecil Williams, it’s not all in books, it didn’t mysteriously stop at some point, it’s just…stuff we do.
Using the fluence to calm a kid down, for their sake and the sake of everyone in the room who’s having to listen to the screeching - that’s folk magic. Pointing out a single crow to the person you’re with because it’s bad luck to be the only one who sees a single crow, to turn the bad luck - that’s folk magic. (I’m told this is a specifically Kentish thing, and I grew up doing it without even really knowing what it was, but to this day I still have the urge to point and say “Crow!” when I see one XD)
Ditto saluting/touching your hat/spitting at/etc magpies. (For me: flick your fingers three times, spit three times with your thumb between your forefingers, and if you’re being hardcore, “Away with you evil, away with you ill!” Tricky when you’re driving XD) Any ill-luck-turning ‘superstition’ is folk magic. (Broken something? Quick, run out and smash a couple of jam-jars, cos these things come in threes!) Cross your fingers to avoid bad luck (or render a promise powerless). Rub your wedding ring on your stye to cure it. Throw salt over your shoulder. “See a pin and pick it up, all that day you’ll have good luck. See a pin and let it lie, that day you’ll see your luck go by.” Hang up a horseshoe. Keep a lock of your baby’s first hair to protect them. Throw coins in the wishing well.
We do so many of these things without even thinking, and call them “superstition”, while looking for obscure lore from tucked-away corners of the country, poring over accounts of cunningmen and executed witches, and never look at what was done by everyone - what *we still do* - every day,
This too is folk magic, and we are (still) the folk.
the laughing man house publishing is putting together a charity anthology to benefit orgs assisting in western NC. guidelines:
THEME: Folk horror and ghost stories, it doesn't have to be specific to Appalachia (although that is a bonus).
WORD COUNT: >8k loosely, but if you have something that goes over, that's totally fine!
ART: We welcome art!
POEMS: Absolutely!
deadline is october 11th. thought i’d share here if anyone is interested in contributing, you can find the interest form at their linktree:
Publisher of dark fantasy, gothic horror, and speculative fiction, EST. 2022
In Judaism she is a demon which kills babies. Sids, sudden infant death syndrome, was attributed to her before any scientific discovery was made regarding it.
Neo pagans love to act as if she's some girl boss diety and not a baby killing demon from jewish texts
Yeah no, you're just an a liar. Lilith was never a goddess. There is no evidence that she was ever a goddess and the claim that she was one and her worship was suppressed draws upon 1. the controversial-at-best "Great Goddess hypothesis", and 2. the antisemitic trope of depicting Judaism as the ur-patriarchy
Her name is cognate with the Akkadian word "līlītu" but A. this isn't the name of a goddess, it's the name of a type of demon, and B. the name "Lilith" literally just means "nocturnal creature"/"owl". And Lilith as an individual supernatural entity is first attested in Jewish traditions from the Second Temple Period... as a demon that children need to be protected from.
Anyway, shoutout to everyone who manages to be a neopagan without lying about history or about marginalized communities. Keep on showing that it can be done
Also that person's blog is absolutely infested with transphobia, which... yeah, I mean that's about what I'd expect from an antisemite who worships the infanticide demon
I usually do not answer Anons.
I hardly, in fact, get any Asks.
I will say first off, you are ignorant.
Aphrodite in my experiences, and UPG, is welcoming to Transfolk and others whom approach Her, and act with sincerity.
~~~~~~~~~~~~~~~~~~~
I welcome honest, openminded, civil discourse.
Not trolls and idjits who seek to provoke, and whom do so cloaked in cowardly anonymity.
If, IF this is the anons attempt at sacrasm.
Note please, I DO NOT do sarcasm.
All terfs can get the feck off my page(s). DNI.
I found this post also regarding Byron Ballard and her "questioning the validity of trans identity and experience." Thought it might be of interest to you. https://celestinenox.wordpress.com/2017/07/27/i-support-my-trans-siblings/
Thank you very much! It is definitely of interest and shows my vetting process failed with this one sadly. I appreciate you sending this my way.
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Hello Tumblr. Especially my little corner of Tumblr. I do unfortunately come with bad news. On this and every other platform I actively use I have been singing the praises of one H. Byron Ballard, thanks to a friend doing a very big deep dive a certain...aspect of her character has come to light which is in my opinion:
Unacceptable.
She holds TERF views and as an Appalachian, and a queer one at that? I cannot and will not support anyone like that. My copies of her work are being tossed, and all of my support of her on this blog will be edited with clarification that I no longer support said work.
And per usual for proof I do have screenshots from her Facebook, of which no apology or acknowledgement has been made that I can find. I imagine since this is roughly when she began working with a major publisher she might have been advised to dropping the topic online? There is apparently some mentions of this in her 'irl' interactions as well but I am digging for internet proof of such. If anyone finds anything further please let me know.
Proof from her own Facebook is below. And if asked I will provide direct links to ensure that they are not doctored in any way.
Appalachia is a welcoming place, TERF beliefs are not welcoming and therefore not Appalachian by extent.
My heart was already hurting for my home, now it also rages.
Hello Tumblr. Especially my little corner of Tumblr. I do unfortunately come with bad news. On this and every other platform I actively use I have been singing the praises of one H. Byron Ballard, thanks to a friend doing a very big deep dive a certain...aspect of her character has come to light which is in my opinion:
Unacceptable.
She holds TERF views and as an Appalachian, and a queer one at that? I cannot and will not support anyone like that. My copies of her work are being tossed, and all of my support of her on this blog will be edited with clarification that I no longer support said work.
And per usual for proof I do have screenshots from her Facebook, of which no apology or acknowledgement has been made that I can find. I imagine since this is roughly when she began working with a major publisher she might have been advised to dropping the topic online? There is apparently some mentions of this in her 'irl' interactions as well but I am digging for internet proof of such. If anyone finds anything further please let me know.
Proof from her own Facebook is below. And if asked I will provide direct links to ensure that they are not doctored in any way.
Appalachia is a welcoming place, TERF beliefs are not welcoming and therefore not Appalachian by extent.
My heart was already hurting for my home, now it also rages.
So I haven’t really been seeing folks talk much here at all about what’s been going on with Hurricane Helene recovery- but I thought I might share something I thought was cool and important.
Because of how roads have been washed out making homes and towns inaccessible to vehicles, the Cajun Navy (organizations that performs search, rescue, and assistance during disasters) has partnered with Mountain Mule Packer Ranch to use the mules to get medications, food, and water to people in need.
I just think it’s incredible. Despite all the technology you’d think is accessible to help people out, mules are still the most reliable form of transport to save people’s lives
Often the idea of divine feminine in spiritual contexts is based entirely on reducing AFAB people to their reproductive organs.
The mother, maiden crone archetype or the “life cycle” of a female revolves around reproduction and whether or not it is being done. Ones “divine feminine” and spiritual wellness is judged on reproductive factors being “in sync with your cycle” and the like.
I think it is time we move on from this. We are not defined by our ability to reproduce, witchcraft and paganism claims to be a freedom for women free from the misogyny that plagues all other faiths. Yet just like these other religions spirituality, paganism and witchcraft reduces AFAB people to breeders.
People with children are first and foremost people. Their spiritual purpose is not just child bearing and should not be forced into a lifestyle where they are treated as nothing but a mother.
A person who chooses to not have children is not “out of touch with the divine feminine” one does not need to have children to “spiritually level up”.
People who do not have sex or are perhaps on the asexual spectrum are still divine. Getting your tubes typed or going on birth control doesn’t make you of less value. Those who can have children are not any more divinely feminine then those who cannot
AFAB people who have periods and female anatomy but do not associate them with femininity should be respected. Reproductive organs do not define a person.
Trans women who cannot have periods are not any less divinely feminine. A trans woman who never got to be a maiden in the outdated, traditional sense should not be considered any less.
If the language you’re using to describe AFAB people is the same way that a dog breeder describes a breeding dog, you’re doing something wrong.
the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!
my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.
nerd shit under the cut, and it's long. y'all been warned
so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).
they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!
as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.
the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.
they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.
naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.
so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.
305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.
while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.
perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).
but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.
(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)
so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.
it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.
but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.
a few decades after, women started saying fuck you and writing their own murder ballads.
in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.
men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.
her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.
as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.
meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.
but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting
i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.
(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)
in short: it continues to evolve, and i continue to eat that shit up.
anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.
it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.
but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."
in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.
how's that for genuinely spooky-scary appalachia, y'all?
As a fellow lover of folk in general, and murder ballads specifically, I would love to offer some other recommendations for woman-friendly murder ballads. Most of these are very modern, but they are in the spirit of the ballads I grew up loving.
The River Knows-Molly Tuttle (A woman who knows she's in a murder ballad turns things around)
Caleb Meyer- Gillian Welch (A woman gets assaulted and kills the man who attacked her)
Old Time Angels- Po Ramblin Boys (The women killed in murder ballads get vengeance)
Griesly Bride- McKain Lakey (A man who thought he'd married a sweet young girl has an unexpected wedding night)
And a selection of more classic ones (plus one modern) that are less happy for their female characters, but no less beautiful. I am sticking to female singers here, because OP is right that their versions usually hit better.
Well Below the Valley- Saya Novinger (This one is dark. Incest, child murder, and guilt abound)
Darlin Corey- Meredith Moon (The life and death of a moonshiner named Corey)
The Highwayman- Loreena McKennitt (A woman and her outlaw lover are killed by British soldiers)
The Cruel Brother- Maeve Mackinnon (A woman is murdered by her slighted brother on her wedding day)
Banks of the Ohio- Dolly Parton (A man recounts how he murdered his lover)
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Of the 24 spells contained in the 'spells' chapter of Arin Murphy-Hiscock's "Spellcrafting" (original publication 2005, republished under a new title in 2020)...
13 of them appear nearly copy-pasted exactly as is, with only a few minor word changes in Skye Alexander's "The Modern Witchcraft Spell Book" (published in 2015).
And yes I did borrow Skye's book out of the library e-catalog again just to check.
Skye wrote a Kitchen Witch book and Arin wrote the foreward for it. I feel like I need to check this one out of the library now, but my library doesn't have it.
I'm?? wondering who wrote the spells? If they're both pulling from a common spell pool at the publisher??? If the publisher asked Skye to put the spells into one book as a way to sell more of them 10 years after their original book home? Legitimately, I googled both Skye and Arin to see if they're the same person???
I *have* caught publishers reusing ritual images across books. Especially if it's a publisher who bought out another publisher, to which I emailed them AND the author and let them know there might be some copyright infringement going on between two books. To have someone turn around and be like
... no ... that's us... we just... reused it .... owo''''''''
So, it's possible.
Also I have caught spells from the Modern Witch's Spellbook (NOT TO BE CONFUSED WITH THE OTHER TITLE ABOVE -^ It's a different book) in the 5K spellbook (but the 5K spellbook is a like collection horse where people were spending in spells so who knows?).
All I'm saying is both. Is possible. One person writing the same book, publisher copying, or... something more gross and because spells are essentially recipes and can't be copyrighted (we discussed this when I found that 5K copy originally) - /shrug.
helloo!! I've been practicing a while, north georgia mountains born and raised. when people ask my religion, I'm not exactly sure what to tell them. appalachian folk witch? christian? (due to the christian roots and other factors) there's just a lot and I always wonder if there's a specific name or way to explain it. "witch" has a lot of bad connotations, here especially, and even moreso when I mention my belief in God. I hope your day went exactly how you wanted, and tomorrow is even better! 💕
Hello there anon neighbor! I was raised right across the TN/GA border so I get where you're coming from!
As for religion...that is a tough one! Practice doesn't always equal beliefs, so if they are asking for your religion, then the answer would be whatever you feel is the closest answer to that. Belief in the Christian God would make you Christian in that case.
As for explaining what you DO, that can be a whole other monster and it really depends on your personal 'wording'. For example: When talking to someone from Appalachia I tend to just call it 'The Work', and most understand that terminology and will also use it. Using the term 'work' also helps when in witchy spaces within Appalachia because it does separate you out from the more heavily wiccan sects of the witchcraft community here.
But sometimes with Appalachians you gotta be specific like when describing what I can do I will use the term, "Blood memory" which is super specific or "gift" which is less specific but more in line with the ways the old folks would describe their natural born inclinations.
Worse comes to worse I have used 'folk practice' within witchy spaces and work' when just around fellow Appalachians and that has helped me settle into both spaces fairly well!
And thank you so much! I hope you are prosperous and filled with the contentment of life.