Articulations of Aspen

↠ Bucky Barnes Boreal Forest ↠ Steve Rogers Streamside ↠ Orchard of Other Marvel Characters ↠ Sebastian Stan Savanna ↠ Chris Evans Coppice

↠ I do not interact with minors. It's not safe for anyone under 18 in these woods, and I'm honestly more comfortable knowing folks are over 21 because of the nature of things around here.

↠ I do not consent to having my works translated or posted to other platforms. If I wanted to, I would.

↠ I will block at my own discretion. This is my forest, and I set the boundaries. Underage? Blocked. Pornbot pigeon? Blocked. Bigotted? Blocked. Rude? Blocked. Comments of only "more" or "part two" etc? Blocked. Serial/succession of empty likes? Blocked. Just be a reasonable human over the age of 18, and you'll be free to roam the woods.

↠ ASKS Always open. I adore asks! Send thoughts, thots, questions, gifs, pics... Asks are NEVER a bother and you can ask about anything - questions about my existing works, stuff I'm working on, fandom things, my life... I'll answer within reason (no spoilers, I'm semi-open about my life but do keep some things private, etc). FULL DISCLOSURE: I'm not rare prompt with answering. Some have inspired fic or drabble ideas, and sometimes that writing goes fast, sometimes it goes slow, and there are a few that are sitting in my box that are "future" parts of current WIPs. But the hope is to always get to everything eventually.

↠ REQUESTS Closed. Periodically I may host a request fest (as I have in the past for my 300 follower celebration or for other occasions in the future).

↠ TAGLIST As the forest of fandom is exceedingly vast, I do not maintain an official taglist. HOWEVER, you can follow @buckets-and-stories and turn on notifications to know when I post new writing. On this secondary blog, I reblog ONLY the initial posting of my stories and nothing else.

↠ THE GREAT BUCKY BAKE OFF: a Bucky x Reader episodic story with a Great British Bake Off format (coming fall 2026)

↠ FOREST NAVIGATION: field guide, masterlists, story collections ↠ AN ASPEN THING: when I post something more to do with me than anything fandom ↠ ASPEN MILESTONES: ONLY YOU CAN CREATE THESE FOREST FIRES ↠ ASKpen: responses to things from my ask box ↠ ASPEN IS WRITING: any commentary, sneak peaks, progress posts ↠ ASPEN WROTE SOMETHING: new writing post (fic, drabble, chapter) ↠ WRITER COMMENTARY: commentary either as a response to an ask or in a reblog ↠ OMG REBLOGGED THANK YOU: responding to or thanking people for reblogging my fics ↠ READING: my reblogs of other people's fics ↠ MY MOOTS: flailing about or responding to one of my mutual friends

↠ HISTORY OF ASPEN I grew up in a family that was steeped in all things stories: grandparents, aunts and uncles always telling stories at family gatherings; parents read to me before bed; watching too many movies and cartoons; staying up way past my bedtime trying to sneakily keep the light on to read and read and read; playing elaborate imagination games after school with my best friends (house, princesses, orphans, dance coaches, etc). I wrote my first story in my eighth grade English class where one day in the computer lab we were assigned to write a mystery that was at least one page. I loved it. My teacher said it was good...

That summer our family moved - mere days before I started my freshman year of high school - so that fall before I made friend friends, I read a lot and I started writing. I was desperate for the next Harry Potter book to come out, so I started writing my own... the next year I learned about fan fiction on the internet and that it was a thing. I was drawn into Lord of the Rings fanfic, then I wrote a Pirates of the Caribbean fanfic, and then I went back to Harry Potter and actively wrote in that fandom for around six years.

In college I majored in English with an emphasis in Creative Writing because while I was writing fan fiction, I was also occasionally dabbling with original fiction... the dream was to be a famous writer.

↠ WHY BUCKETS-AND-TREES Buckets because I thought I'd be writing almost exclusively Bucky and Trees because Aspen. ¯\_(ツ)_/¯ 

↠ ASPEN NOW In summer of 2022 I aggressively reclaimed HAVING hobbies in an effort to re-establish Aspen having a life outside of work. I love my career and I've worked incredibly hard to establish myself in the professional world, but... I needed to be more than just my work again.

So, again I write.

Throughout 2023 I started venturing out and participated in A LOT of challenges, which was so much fun in pushing my creative boat out into new waters. In 2024 I wrote nearly 300k and explored many tropes and themes that stretched what I thought I was capable of. So now with few to no excuses left, in 2025 I plan to DO THE DAMN THING and write a novel. I've always intended to, and I've got about five solid ideas I've been stewing on for years, but 2025 will be the year. Maybe 2026 will be the year. I maintain that writing is my hobby, so I won't force it or do it unhappily whether it's fan fiction or original fiction. ↠ MY WORK Primarily I'm writing MCU fan fiction - typically Bucky Barnes or Steve Rogers; I have written some pieces with Sam, Natasha, Matt Murdock, Namor, and Wanda; I have some ideas for Thor, Carol, and M'Baku that I may or may not ever get around to. I also routinely write for a slew of Sebastian Stan and Chris Evans characters and that's mostly where my muse lives.

I write a range of fluff, smut, soft-dark and dark. Nearly all of my work has mature elements whether that's stronger language, sexual situations, or mature themes. HEED THE WARNINGS FOR EACH WORK AND DO NOT READ IT IF IT'S SOMETHING YOU DON'T LIKE. If I miss tagging something properly in the content warnings, please send me a message or an anonymous ask and let me know.

There are eighty-six people in attendance at the rooftop restaurant, and you are only sure you know the names of maybe a third. The rest are here because of Andy—to witness or test alliances, play in the ongoing power games, weigh old debts or new risks. It’s the rehearsal dinner for one of Boston Mafia’s elite, so the guest list was meticulously refined for Andy’s part. Yours as well, but not with the same intent or stakes to be considered.

Andy doesn’t own Contessa—the restaurant atop The Newbury Hotel—but he does own the hotel, so it was seamless for your team to arrange this part of the wedding nuptials there. While you and Andy aren’t having a full society affair wedding with all the bells and whistles and three or four days of events and traditions, you do have few significant event pieces woven into the wedding weekend, this being one of them. No one had asked you what to include, but you were part of the overall conversations, and if there had been anything you truly wanted to refuse, you think you might have been able to say so. But your team knows you well enough to create elements you appreciate.

And, annoyingly, so does Andy.

The room is a riot of velvet and silk and black wool, the exact social armor you expect at a pre-wedding gathering of this sort. And yet you can tell this doesn’t scream mafia to the people who don’t know the predators they’re intermingling with. It’s all too reminiscent of how you dismissed the barely-hushed rumors of Andy Barber’s potential connections before he revealed he was one of the kings of organized crime in the city. And for the sake of your parents, your friends, your family, you’re relieved and hope they remain ignorant.

Tonight will be a monumental tell for the future and whether or not you can pass, or rather, who you have to be while passing. You scan the clusters of guests and realize you should have always been able to spot true mafia at ten paces, even when they’re disguised as board members and development officers and venture capitalists. There’s a particular gravity, neither ostentatious nor shy. Men in Brioni suits who know how to vanish into the background, women with hair so immaculate it could have been sculpted from silk.

Andy’s hand has been heavy at the small of your back most of the evening, and it’s somehow almost comforting, an anchor. Occasionally you feel his thumb graze the bare inch of spine between velvet and skin, a touch so subtle it’s only for you.

You look across the room and spot your parents lingering near a tray of passed champagne, your mother straightening the lapels of your father’s jacket with the hopeless affection of people who have been married long enough to know that preening is just another form of devotion. Your mother’s dress is a shade of navy so dark it reads black, and your father looks as if he was born inside a suit, so naturally does this one fit him.

Suddenly Thea is in front of you, plucking a glass of champagne off a passing tray and handing it over, flanked by your other two other bridesmaids. Thea gives you a once-over, and says, “You look like a goddess, a terrifyingly pretty one.” You mutter a thank you, and Thea rolls her eyes. “Please pretend you believe it, just a little bit. You’re a gorgeous bride-to-be whether you want to be or not.”

She’s the only one who knows about your hesitations, and even then you’ve only indulged a fraction.

She winks at Andy, linking her arm through yours. “I’m stealing your fiancé.”

He smirks. “At least you're conceding she’s mine.”

“You wish,” Thea replies, and with a toss of her hair of her shoulder, she leads you away.

The entire evening is a kind of lucid dream. Greetings, handshakes, hugs, careful double-cheek kisses dispensed by those in attendance as you circulate the room. In reality there was no rehearsal for tomorrow’s ceremony, tonight it is merely a small gathering staged for … well, from what you gather, for the sake of it. For those closest to you, it’s to keep up the illusion that this is a wedding you want. For Andy’s world, it seems to be a necessary ritual to confirm the ranks of his order—his trusted soldiers and a handful of his choice allies.

You don’t register that your uncle Rob isn’t there until suddenly he is, and by then, the room has already begun the low-pressure phase transition from cocktails to dinner. The movement is organic—someone dims the lights, the waiters begin the subtle herding, and you are being gently, almost imperceptibly, shepherded toward the long, low banquet table at the far end of the room.

You are halfway to your seat, with Thea close behind and Andy once again at your side, when the double glass doors at the restaurant’s entrance hiss open and Rob strides in, in a full three-piece suit and with the off-kilter swagger of someone who seems to have truly rushed directly from the airport. He gives you a nod and a warm smile, though even at this distance you note it doesn’t quite reach his eyes.

You wave him over, ignoring the subtle tightening of Andy’s hand on your hip. Rob moves quickly across the room to you, and immediately drops a palm on your shoulder, squeezing—warmth, family, genuine affection. “Am I horrifically late or just fashionably disruptive?” he asks, and before you answer, he’s already deflecting. “You look tired but good. He treating you right?”

Your uncle’s gaze bores into yours for a half-second, searching for something reassuring. You nod and give him a smile. He softens, but only infinitesimally.

“Uncle Rob, this is—”

“Andy Barber,” he supplies, and his gaze flicks to your fiancé, settling there a half-beat too long, cataloging him. You don’t know what’s transpired between them, but you sense something clearly has as there’s a palpable undercurrent, like two strong magnets meeting, neither yielding.

Uncle Rob gives Andy a stiff nod, but Andy merely meets the moment with an open hand. You sense the silent exchange—neutral ground, white flag for tonight, or maybe just a kind of mutual agreement not to detonate inside a room full of witnesses.

It feels strange, but it’s only another line on the list of things that aren’t normal for this entire affair. The exchange goes unnoticed by nearly everyone else since all in attendance are finding their seats, and Uncle Rob falls in among them and takes his assigned seat by your parents.

The food is dazzling, course after course in small, perfect compositions. You try to taste things, to remember flavors, but you are more conscious of the shifting dynamics around you. You are aware of Andy’s hand ever present—on your knee, tracing patterns on your arm, once just lightly gripping your wrist as if keeping you tethered to the table, to himself. You wonder if it’s meant to keep you under control, but the gesture genuinely feels more like reassurance than possession tonight.

Flanked by Andy on your left and Thea on your right, both seem engaged in a subtle contest to out-maneuver each other in their attempts to manage you. Sometimes it’s by steering the conversation, sometimes by way of silently passing you the better part of a shared dish, with Thea by gambling how much she can make you laugh given the current company and whether the moment is suitable for choking on your wine. You’re not sure if you resent this orchestration or if it’s a balm. Maybe both.

At intervals, you glance over at Uncle Rob. The smile he flashes the room is the same as ever, but his eyes seem to rove the room, always taking stock, never fully at rest. He watches Andy most of all, the way a hunter watches a rival predator—admiring and calculating, never blinking outright. At one point, your eyes meet and Rob lifts his glass in a toast, not quite a salute, but you feel the force of the message: he’s here, for you, and he’s not leaving until he’s sure you’re safe. He’s always been more protective of you than anyone else in the family, but this seems more intense, even for him.

Halfway through the meal, Andy excuses himself to confer with two men in dark suits who materialize at the edge of the room, and you find yourself, for the first time all evening, feeling alone at the lack of him. Thea leans in. “You doing okay?” she whispers, but with a smile on her face so it reads as idle gossip.

“It feels like someone else’s wedding,” you mutter back. “I’m just glad you’re here.”

She gives you a look that is both knowing and impossibly gentle. “If you want to run, just say the word. I have five hundred dollars in cash and a getaway Prius, and that’s enough to get us at least to New Hampshire before anyone notices.”

You snort-laugh, a little louder than you meant to, and feel lightheaded for an instant. There is some relief in naming it, even as a joke, even though you don’t question she’s serious about the Prius and the cash.

There is a moment, a half-second, a single synaptic twitch, in which you consider the offer or vanishing into an Uber for Logan Airport. But the urge passes. You already jetted away once and came back.

And that coming back was your choice.

It doesn’t make sense to escape again now.

The rest of dinner passes in a spiral of rich food and laughter that from most people seems to be unforced. Andy returns, all courteous apologies, and places his warm palm on your back again as if plugging back into a vital organ. He leans in and presses a kiss to your temple, his voice pitched only for you. “I’ll need to disappear for a bit after dessert. Business.” He says it lightly, but the tension is a wire behind each syllable. You nod, and at the same moment he gives your leg a squeeze under the table, as if to say: Don’t worry, I’ll be back. For you. Always that emphasis.

When the meal ends, the room doesn’t thin so much as it condenses. People abandon their seats in favor of looser, more volatile clusterings near the bar or moving out onto the balcony. You sense the shape of the next hours—a kind of shadow afterparty, drinks and ritual toasts and the swerve toward dysfunction that all close social gatherings eventually take. Andy fields a last volley of congratulations, then gives you a look that says thirty seconds, and moves toward a private door near the kitchen, shadowed by his men. You watch him go, feeling again the negative space at your side.

It’s at this point that your uncle finds you again.

“You sure about this?” he murmurs, like you’re trading nuclear secrets instead of making polite familial small talk at your rehearsal dinner. “Not too late to call it off.”

You set your jaw, then, because the answer is yes. Or as close to yes as you’ll ever have. If there’s a question curled up in the base of your spine, it’s quieter now—not gone, but quelled by Rob’s questioning.

You find yourself saying, “I’ve made my decision.”

Uncle Rob’s expression is unreadable, then softens just enough to let a sliver of affection through. “Your folks are damn proud. Just so you know. You do know that, right?”

You give half a shrug and a nod.

“And you know that you can always come to me, for anything.”

“Even ashes and body disposal?” you ask, letting a smirk break through the anxiety. He huffs a laugh, but you can see he’s not disarmed by it, not really.

“Especially that,” he says. But then, gentler, yet more serious, he says, “You ever want out, you just say so. Don’t matter what anyone else wants, least of all him. You come to me. You hear?”

You nod, only then realizing, “You know who he is.”

He nods and knocks his glass lightly against yours. “I’m only a phone call away. Fuck the protocols.”

You don’t know exactly what his ties to Andy’s underworld are, or how long he and Andy may have known each other, but some unexplained parts of Uncle Rob’s past make a whole lot more sense if he’s involved with the mafia. You imagine the more you trace back, the more certain absences and behaviors could ultimately be explained.

You don’t allow yourself to ask the next rush questions assembling in your mind. Instead, you clink glasses with Rob again, and when Thea reappears at your side, he makes an excuse and fades back into the crowd. You watch him go, feeling heavier and lighter at once.

“You want air?” Thea asks, as if the answer could ever be no.

Out on the balcony, you stand at the stone parapet for a while, each of your with a glass in hand, the city shining beneath you. Over the railing, half the Back Bay looks like a jewelry case, all neat squares and gold filigree light.

Thea tips her chin out into the dark. “So what’s it like standing up here, knowing you’re about to be a married woman?”

You roll your eyes, but there’s a nervous tickle in your chest. “About the same as it is being an unmarried one, only with more witnesses.”

You expect her to laugh, but instead she fixes you with a sly, assessing stare. “He scares me a little, you know,” she says, so matter-of-fact it undercuts any drama. “Not for anything he’s said or done. More in the way those security guys all treat him like he’s royalty. Which, I guess, he basically is, right? Mafia royalty?”

You hesitate, glass at your lips. Did you ever say it to her? You don’t think you did, because you went to Stockholm on the heels of signing the pre-nup which included the NDA elements… You race back through every conversation, every running-on-fumes phone call, and there’s nothing you can recall that would have spelled it out. But your silence lingers half a second too long.

Thea’s face splits in a grin that’s bright and wolfish at the edges. “I KNEW it,” she crows, as if you’ve just confirmed a conspiracy theory about the moon landing. “Oh my god. I knew it. I KNEW IT! Don’t even try to deny it.”

You gawk. “What are—how did—”

You try to look innocent, but Thea is already cackling, delighted with herself, her elbows resting on the parapet like a triumphant detective. “Please,” she says, waving her hand at the party inside, “He’s waaaaaaaaay too rich, I’ve read way too many mafia romance novels, and you had a security detail when you visited me in Stockholm using his private jet. I was 99% sure, and your hesitation there hesitation gave me the last percent.”

You consider protesting, but technically you’ve broken nothing in the contract, and the fact that your best friend knows—that anyone knows—feels like an instant balm.

You clamp a hand on Thea’s wrist. “Promise me you won’t say a word. Seriously. Not to a soul. I mean it. Not a joke, not even a whisper or a meme reference.” There’s an urgency in your voice, and Thea, reading the shift instantly, sobers.

The brightness in her eyes dims by an iota, the seriousness of your tone cutting through the fizz of her delight. She nods, solemnly, and you know that as cavalier as she can sometimes be, she doesn’t question the gravity of your insistence. “I won’t,” she vows, putting her hand over yours.

In the shared silence, you feel her searching your face for something she doesn’t want to say. You let the air prickle between you, each steadying the other just by being present, until Thea finally asks, “Does he make you happy?”

You don’t answer, not at first. You stare into the bright helix of city lights and let the question slide down your spine and settle into your gut. You want to say yes, or even no, anything definitive, but instead you just tell her, “He makes me feel alive,” and hope she hears the ambiguity for what it is.

She nods, lips pressed together. “I’m still not sure why you’re doing this, but I will admit that even though I still have questions, one of those questions is not how much that man cares for you.”

Thea fixes you with a look so curious and gentle it makes you want to squirm out of your skin. “It doesn’t look like any love story I’d picture for you,” she says. “It’s not the type people write poems about or that you see on Pinterest boards. I don’t even know that it’s love, but it’s definitely fierce, and runs deep.”

“Thea,” your voice is a little choked.

“He looks at you like you’re the last thing on earth he thinks is worth burning for.” She shrugs and takes another sip of her champagne. “I don’t know if that’s good or bad, but it’s true.”

You’re grateful, even if you can’t manage the words to say so outright. Thea is one of the few souls you trust without hesitation in this world. You study her face in the city-dark, finding closeness there that reminds you, with a pang, of who you were before all this.

“I’m glad you’re here,” you say. You mean it harder than it sounds.

Thea bumps shoulders with you. “I’d literally stand in front of a bullet for you.” She glances toward a distant rooftop bar, probably scouting for snipers. “Metaphorically, but also probably literally.”

You stay there together a little longer, the gentle thrum of summer and the humid glow from the party behind you, breathing easier for the reminder that not all loves are fairy tales, that some are knife-edges, and open secrets, and best friendships.

Shep slides out the glass door with the hush of someone practiced in not disturbing an armed perimeter. He doesn’t interrupt, just drifts into the range of your awareness and waits. When you finally realize on a conscious level that he’s there, turning your head and giving him a small, tight-lipped smile, he says, “Time to make our exit, if you’re ready.”

There’s a quiet emphasis on the word “our,” and you realize how long you must’ve been out here.

“Where’s Andy?” You look over his shoulder, expecting to see him somewhere in the glow and tangle of the party, looming, waiting for you expectantly, but he’s not there. You’re surprised at how keenly you feel his absence. Then you ask Shep, “He’s not coming back tonight, is he?”

Shep shakes his head, a single, precise movement. “He wanted me to see you home. Mark’s already downstairs.” He hesitates, then softens with a half-smile, reading some of your reluctance to leave. “You can have ten more minutes if you want them.”

You take the ten.

It’s enough time for Thea to finish her glass and for you to make the rounds of the party, saying goodnight to your circles of friends and family who were invited to be part of tonight.

Your mother is waiting for you near the coat check, her dark eyes shining, twin tears perilously close to the edge. She pulls you in for a fierce, almost painful hug, her perfume sealing around you like a memory from childhood. “You’re my treasure,” she says into your ear so hard you forget to breathe for a second. She pulls away, fixing your hair with a trembling hand. “Just tell me he’s as good as he looks. That’s all I ask.” Her voice breaks on the last word, and you bob your head, not trusting yourself to say anything more.

Outside, the night air is a slab of heat. Shep guides you to the waiting Range Rover with a balanced mix of deference and I’m still your bodyguard. Mark already has the curbside door open, and you buckle yourself in, feeling the exhaustion of the night releasing through your limbs. You lean your head back against the headrest and close your eyes. As complicated as your feelings are around Andy, his absence gnaws at you in a way you didn’t expect. Especially tonight.

When you walk into the mansion, the silence is as sharp as a slap. You expected it, or something like it, and yet standing in the cavernous hush of the marble entry, clutching your tiny evening bag, you’re overtaken by an urge to slam the door hard enough to wake the dead. You don’t, though. You click it shut, toe off your heels and hook them on your fingers, and walk barefoot through the dark to your rooms upstairs.

Andy’s absence is complete and total—no jacket left half-flung on the banister, no ghost of movement or glass of half-drunk bourbon left somewhere. You resist the urge to immediately check your phone, because you want to feel the ache fully, let it sharpen until it outcompetes the dull, unanswerable questions that have circled every day since you said yes, but especially tonight.

You go to the bathroom and take a long, methodical shower. You take your time as you finish getting ready for bed, drifting through the mechanical rituals of skincare and pajamas and teeth-brushing, but you take no comfort in the delicate, orchid-scented candle you light, or the feel of the silk on your skin.

You check your phone, eventually. There’s a text from him, timestamped an hour ago.

ANDY: I’ll be late, don’t wait up.

You want to scream. You want to hurl the phone at the wall or at least send an angry string of messages to force some reaction from him, but you don’t. You sit at the end of the bed with your phone in your palm, glaring at the glow as if it can blink first. Don’t wait up, as if this is remotely normal. You know he’s got business, but he’s never missed an evening with you, never let you go to sleep without him there, touching you, fucking you, just being with you. And now he’s gone the night before your wedding?

You thumb your phone off, toss it face-down onto the bed, and stand for a moment in the hush. You are lit by moonlight coming by moonlight coming in a narrow spill through the vast window, alone with the hum and pop of baseboard heat, a ghost in your own life. You want to be sated by this, to have the sudden expanse and absence feel like relief, but instead it gathers pressure inside your chest. Under the thin silk of your robe, your skin feels hypersensitive, almost electrical, and the wet ends of your hair drip cold water down your spine.

You don’t want to admit how badly you want him here—how quickly your anger at his text has curdled into a more woeful, sticky missing. It chafes to need him.

You try to zone out streaming something on TV, but nothing cuts through to capture enough of your attention in the absence. You’re so used to the energy of Andy’s presence—the kinetic hum of him near you, whether he’s angry or amused or simply radiating power from the next room—that the void he leaves behind is almost audible.

Eventually you are able to at least focus on reading, legs tucked up under you on the settee.

You must have fallen asleep, because the next sensation is not the passage of time but abrupt displacement.

You’re in mid-dream when you sense the shift, the weightless suck of gravity before the realization: someone is lifting you. You twist, half-awake, to find Andy’s arms locked under your knees and back, carrying you with the unthinking efficiency of someone who has probably hauled bodies at some point. You mutter something into his shirt, a syllable heavy with sleep and protest, and he just keeps moving, your head lolling against his chest, too groggy to fight him off at first.

Then you thrash, not gently. You elbow at his chest, catch his ribs with a knee, and hiss, “Put me down.” You mean it. You’re not just startled—you’re still feeling that lingering anger—and Andy, to his credit, sets you down with more care than you expected. You sway and nearly lose your balance, but he catches your wrist, keeping you upright.

“Easy,” he murmurs, voice absurdly gentle, and that somehow pricks worse for all its reasonableness.

You rip your hand away. “Don’t do that. Don’t just—pick me up.”

He studies you, searching your face with an unreadable patience. “You were sleeping,” he says.

You steady yourself and glare up at him, refusing to let your fatigue soften the edge of your voice. “You missed the whole rest of the night, Andy. Where were you?”

Although his expression remains the same, the tension around his eyes tightens. “You know I’m not going to tell you that.”

You scoff. “How do I know that?”

Maybe it’s the sleep, maybe it’s the hunger you’ve been stifling, but it lands with a new kind of sharpness, how Andy answers a question only by hollowing out the possibility you’ll ever ask again. But you refuse to fold into that silence tonight.

“I want you to tell me,” you say.

Andy closes the gap between you with a slow step, his gaze not leaving your face. “Tomorrow’s our wedding,” he says, low and thick in his throat, a softness that isn’t practice so much as exhaustion. His hand goes to your shoulder, thumb pressing the knot between bone and tendon, and you flinch at the intimacy of it, at how easily he can make you want to forgive him. You step back, and he lets you, his arms falling to his sides in a slow, theatrical surrender.

“Don’t do that,” you say again, voice thin this time. You hate the tremor more than you hated his absence.

He tilts his head, studying you in the low light. “You’re angry.”

He smiles, weary but pleased. “You’re angry because you missed me.” He says it not as an accusation, but a simple, delighted observation, like he’s just solved a riddle in your presence. “You care.”

You make a sound, a cross between a snort and a huff, and turn your head before he can get a better look at your face. “I’m angry because you’ve insisted on all of this—me, the wedding, pulling me into your life—and then you desert me the night before we’re supposed to get married? Leave me during the rehearsal dinner? And all I get is a ‘don’t wait up’ text?”

You hate that your voice rises, hate the heat behind your eyes. Andy comes closer, and you want to slap him and also want him to hold you. You flex your jaw, force your gaze to stay away.

He listens. He lets you say it all, and when it’s out of your mouth, tumbling and ugly, he says, “I know. But there are things I can’t and won’t tell you. I can’t ever expose you to certain things. I won’t allow them near you.” His voice is all iron and velvet. “I’m protecting you, even if it doesn’t look or feel like it.”

He lets the pause hang, then takes a slight step closer—close enough that you nearly shiver at the radius of his heat.

There are things I won’t shield you from, either. You told me to never lie, so I won’t pretend I’m made another way. But I will always come back.” He says it softly, neither a threat nor a comfort.

After a lengthy moment of silence, you tell him, “I don’t want another night like this. I don’t want to ever be stranded in the dark.”

He considers it. Not with a smirk or a challenge, but real intent, a resolution hardening. “I’ll do my best.”

“That’s not good enough.”

“I’m not good enough,” he says, and it is the flattest, most relentless admission. “But I am what you’re marrying.”

You should laugh. You almost do, at the incredulity, the audacity, the unfairness of his answer, of this entire situation, but then he reaches out, just a single knuckle under your chin, and you’re suddenly taking in a shaky breath.

You hold his eyes for a full count, your body picking up the stutter of your pulse, anger and want running convergent through your system. You want to turn away, to break the connection, but you can’t.

“Then show me. Make it better,” you say, and your voice is a command, not a plea.

You let him guide your face up. His thumb travels a gentle path down your jaw. He leans in, pressing his words, and his mouth, against your skin. “You want more than this? I will never give you less.” The last of it is a murmur, not a vow, but it lives in the hollow between you, nudging the edge of promise.

He kisses you behind the ear, slow and intentional, and your whole body contracts around the point of contact. You hate how even this controlled display of contrition draws you in. Were you less tired, were it not the night before your wedding, you may have pushed him away. But he knows exactly how to pull on the string that unravels you, and you can’t leave it at that, so you cup his face and press your mouth against his, not sweet or apologetic but with a frustrated need to bite, to mark. He lets you, opens willingly, tongue flicking yours, and the pressure he uses to guide you toward the bed is insistent. You pull him with you, backwards, the two of you bumping knees, bumping hips, his hands already finding the tie at your robe and making short work of it.

He pulls it from your shoulders, lets it float to the carpet with exaggerated gentleness that’s belied by the urgency of his mouth and hands. You take brief satisfaction in yanking at his shirt buttons, two of them tumbling somewhere onto the bedding, but Andy just shrugs out of the rest and lets it fall to the floor.

He is, as you’ve come to expect, taller and heavier than you in the moments that matter. He pins you beneath him, stretching your arms above your head, taking his time as if you both aren’t aching with a violent need. He kisses you with a patience that does not match the tension in his body, hands working down your ribs, touching and teasing the places he’s learned draw your responses.

You let him press you down, let him grind against you, clothed below the waist but with a bare chest and a punishing grip as he presses one of your thighs up and open for him. Your silk nightgown is tangled above your hips, ruined for decency, and the sheets under you bunch as you wrap your leg around him.

You are not even sure when you stop resisting—the anger, the loneliness—maybe when he murmurs, “I’m here,” into the shell of your ear, or maybe it’s before that, at the familiar drag of his teeth across your shoulder. You want to snarl at him, but you can only gasp and tear one of your hands away so you can grab for his waistband, the zipper, too impatient for finesse.

The button resists for half a second before you hear the pop. Andy’s hips cant, the gesture half involuntary. He is, unlike you, a master at not showing his hunger—unless he wants you to see it, and tonight he must, because the restraint rubs your skin raw in a way that’s almost a dare. You dig your heel into the mattress, lift your pelvis to grind into the urgency that’s thickening between your bodies. He lets you, but barely; his hand catches your thigh, squeezes, and you wonder if there will be marks tomorrow. You hope so.

He pulls back, and you make a desperate, wordless noise—appalled at the empty space, the abrupt loss of him. Andy grins, a glint of teeth in the dark, and then he’s dropping to his knees at the edge of the bed, eyes black and bottomless. “Patience,” he says, voice low and hoarse. “I want you naked for me. Completely.”

You’re tempted to resist him, to force him to earn the reveal, but you want the heat and the gaze and—more than anything—the feeling of him unraveling for you. So you tug the nightgown up and off, shimmying as best you can.

Andy reaches out to assist, dragging your panties off in a single, practiced movement, leaving you splayed open and vulnerable in the spill of moonlight, the air cold and sharp against your skin.

He stands, shucking his pants and boxers with ease. His cock is already hard, and he takes himself in hand, stroking slow, almost lazy, but you can see the tension in his jaw, the way his forearm tightens, every line of his body at the edge of restraint. He stands there for a moment, head tipped, just watching you with that focus, just this side of feral. It should alarm you. It should, maybe, make you recoil, the ferocity in him, so unlike the men you’ve known before. It’s a look that should have scared you from the beginning—but no one has wanted you the way he wants you, and you’ve grown addicted to how Andy’s hunger works.

You want to wipe that look of composure from his face, and you know exactly how to do it. You arch your back, knees falling apart, and bring your fingers to your cunt—slow, deliberate. Andy’s mouth parts the barest inch, but he doesn’t move to stop you. You circle your clit with two fingers, the slide easy and slick, and moan just loud enough that you know he’ll hear it for days. He watches, lips parted, and the tension in his neck sings.

“Is this what you want?” you ask.

You don’t wait for an answer. You drag a slick, purposeful circle with your fingertip, then roll your hips up again, forcing his attention onto the precise spot you want it. Your other hand moves to your breast, pinching a nipple until the ache flashes through your belly. You moan again, longer, keeping your eyes pinned to his as though you can draw out his release through sheer insistence.

Andy comes closer, his hand sliding up your calf, kneading the inside of your knee with enough pressure to make you gasp and lose the rhythm of your own touch. He takes your wrist in his, slows your movements, and brings your fingers to his mouth. He licks them, savoring your taste, then sucks the tips into the heat of him, eyes trained on yours the whole time. “You want to make me lose control?” he murmurs. “You’re close, sweetheart.”

You shudder, half from his voice and half from the pleasure needling up your legs. “Then what are you waiting for?”

“Flip over,” he says, and you obey. Not because you care to perform for him, but because this is the only language you speak fluently with each other.

You turn, face pillowed in moonlight, the curve of your ass arched and on display. The sheets are cool under your cheek. Andy’s hands find your hips, not rough but absolute, his palms broad and braced. He kneads you for a long moment, a brief, silent exhibition of ownership, before running his thumb down the seam of you, spreading you open with the same clinical certainty he uses to carve out secrets.

He fucks you in one smooth, relentless motion, every inch filling you until your body feels engineered for the shape of him. You groan from the fullness, and he groans being sheathed inside your cunt. He leans forward, curling over you, and presses a kiss into your neck.

He holds you there, pressed hard against the mattress, your knees bracing apart as his cock drives into you with a steadiness that’s almost brutal but never crosses over into pain. You have only ever known men in this position to get greedy, to lose their pacing almost immediately, but Andy’s rhythm is a ruthless metronome, each thrust a little deeper, a little harder, calibrated to keep you right at the edge.

His weight is a gravity you loathe and crave; you let him press you into the bed and hold you there. You’re still angry, still trembling, but everything is blurred with your arousal, your hunger, the lines so tangled you can barely see the difference.

You try to deny him your pleasure out of spite, but it’s a losing proposition—Andy finds the angle he wants, rocks into you so that you choke on a half-sob, and holds there until you scratch at the sheets, half-crazed. The sound you make is ugly and desperate, and the only thing worse is how much you want him to hear it, to be stoked by it, to see what he does to you. He seems to sense this, his voice a gravel scrape against your shoulder blade. “Take it, sweetheart. Let me hear how much you want it.”

His thumb finds your clit, presses in tight, and for a few strokes you somehow resist, but then your hips buck and your vision splotches out, and you do let him hear how much you want him. It’s exquisite. He continues to fuck into you, working your clit, every nerve burning, every muscle tightening in a white, brutal wave. He fucks you through it, groaning, not letting up until a second, sharper quake rips through your body. Then and only then does Andy let himself go—slamming into you, his hand a vise around your hip as he spends himself, jaw pressed to your spine. The shudder of him fully inside you is shocking, almost convulsive, and he bucks in you until the last aftershocks fade and the only sound in the room is two desperate people fighting for air.

He doesn’t pull out right away. He just stays there, draped over your body, letting you catch your breath, his weight an absolute. When he does finally move, he’s slow and careful, laying beside you and rolling you into his arms, not a word spoken. You’re still too fogged by want and exhaustion to move, content to let him hold you close, the press of his cheek against your hair. Neither of you speak for a very long time.

But there are thoughts you still need him to hear.

You find your voice in the hush, not loud or demanding but plain, with the rough edge of sleep and aftershock. “I don’t want more nights like this,” you say, and you can feel the way Andy’s chest stills under your hand. “I didn’t want to be coerced into your bed, I didn’t want to be forced into an engagement, I didn’t want to get married like this. You exploited the attraction, you’ve made me weak for you, but please,” your voice breaks, “please don’t make me the wife who has to wait up alone for you.”

Andy doesn’t speak, not at first, and the silence unsettles you, but you make yourself hold it—make yourself show that it matters. You refuse to shrink or swallow the need. If he’s going to be the kind of man who pulls you into his orbit, he’s damn well going to know he can’t just leave you in the dark. Not without a fight. He’s made slow but small shifts in some areas you’ve pressed with him. Maybe you can have resonance here, too.

He smooths a hand from your shoulder, down your back, each pass gentler than the last. He’s thinking, you know. Not just brushing off what you said, but actually holding it up to the light, inspecting the seams. When he finally speaks, his voice is low and soft, but firm.

“I meant it when I said I’d do my best,” he says. “I don’t want you to be her—the wife who waits at the window. But I also can’t give up what I am.” His hand lingers at your waist, a heavy presence.

You sigh, too thoroughly boneless to summon the right words, so you simply roll over, and it’s too natural how your body melds against him as he curls his arm around you and pulls your back flush against his chest. All you can do now is hope your sentiments will start to seep into him through osmosis.

You let the silence ride a little longer, curled together as if this is some and listen to the slowing cadence of his breath, to the metallic taste of words you didn’t say, and you wonder if this is what love might be—the willingness to be furious and still stay.

And you wonder if this is love—not because it’s gentle or clean or what you imagined, but because it has weight, because it has teeth, because it sits in your chest like a stone you keep reaching for. Because you are angry and ruined and held, and somehow all three of those things are the same thing. Because no one has seen you the way he does. Because no one has made you feel so wanted, even if it’s infused with possession. But even through the moments you know there are things he isn’t telling you, you know he’s never lied to you. Even when he says things you don’t want to hear, he speaks to you openly. Even when his actions are incendiary and disagreeable, they’re still somehow for you now.

He says your name. It’s a quiet thing, a soft push through the dark, but it lands with a rattle in your chest.

“I want to tell you something,” Andy says. “Not because you asked, but because if you’re going to be my wife, you will need to know.”

You swallow, knowing instinctively that to interrupt is to lose the tiny, trembling momentum inside him. He never initiates these confessions. He’s all action, never exposition. You hold your body still, afraid any breath will snap the thread.

“They brought me in tonight to consult on a sit-down. Not a war, but something close. One of the families in Jersey—Lupo’s people—made a move on Levinson’s properties—of one of our allies—along the North River. Not a huge play, but enough to draw blood. No one got shot. But next time, someone will.” Andy’s hand flexes at your hip, tightening like a vise. “If that happens, everything changes. This life, the way we can have it, ends. The only thing that keeps us—keeps you—safe, is the order.” He breathes out, a single tight exhale. “If the peace goes, I can’t guarantee anything. Not for you, not for me. And that’s not something I’m willing to risk.”

You lie there, staring at the ceiling, sheets cooling under your legs, and you realize what he’s giving you is not reassurance, but the truth of his world, knife-sharp and blood-warm. It should terrify you. It does, to a degree, but you’ve had a security detail, you know there are six loaded guns hidden here in the master suite. There is nothing normal about any of this, but the fact of Andy’s world is that it remains obsessively ordered only so long as no one has reason to start a war.

“When I have to go, I have to go, and I’ll never apologize for that,” he adds when you don’t say anything more.

Thea joked about reading mafia romance novels, but this is not a genre, this is your life now. When you let the reality land, it isn’t just gravity, but something like inheritance: no matter what you wanted or didn’t, you’re marrying into all of this.

And yet, as you lie there, taken apart and held tightly yet again, you find a calm in yourself you didn’t realize you could access. Maybe it’s the spill of adrenaline draining away, or the simple fact that Andy—your future husband, in a matter of hours—has finally handed you the truest thing he’s ever said. Everything is always at risk.

But if the world really is this dangerous, you’ve no doubt you’re held by the most powerful man you’ve ever met, and since he stopped at nothing to secure you, he will stop at nothing to keep you secure.

Uncle Rob! Thea! Andy! A Levinson name drop?!

There are so many things here that I've been plotting for ages, and so I think it's half the reason it took me so long to finish this chapter. Back in May I had written what I thought was about 3k to make up the first half of the chapter, but something about it just wasn't working, so I pulled it apart, kept a few of the scraps, and went back to the drawin board. I'm pleased where it finally ended up, and even though I know parts of this story are frustrating (coughSOMEOFANDY'SBEHAVIORcough), I do hope you all like the chapter.

And I know this is at the verrrrrry tail end of Monday for the first of what I'm hoping will be I'm Your Man Monday, but we made it! So we'll see if I can make this happen and get you another update next week!

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