Summary of my answer to the text fragment
Dear visitor,
this post presents my reinterpretation of a text fragment that I found a couple of weeks ago. The text fragment has no date, but it is safe to say that it is from the first century CE. The content of the text is about the first stage of a feast. Sacrifices are made to an eagle, Bacchus, and Jupiter. The person who did research on this text thought that the eagle represented Jupiter, but I came to a different conclusion.
I present the text fragment sentence by sentence and add my interpretation.
“The eagle opens its beacon and smacks with its tongue to drink red honey. The bacchanal is perfect.”
The initial idea was wrong. The eagle does not represent the Roman pantheon, but the Batavian gods. The Batavi were a Germanic tribe living in this region. Later, they became important auxiliary troops. Little is known about their religion and even less about the tensions between Batavi and Roman culture and religion. Identifying the eagle as Batavian helps to draw a picture that is in favor of an integration of Batavi gods by the Roman settlers. A Roman settler is the author of the text and the one organizing the feast (bacchanal).
The picture below shows a detail on a door I have found in the Grote Gracht street in Maastricht.
“To join this table, my uncles and sisters came all the way from Cologne (Colonia Claudia Ara Agrippinensium).”
Maastricht has always been important to people living in this region, because it is possible to cross the river Meuse (or Maas). The Roman built the first known and permanent bridge, erected a castellum, and named the place “trajectum ad mosam”. The name became Maastricht.
By controlling the bridge, the Romans connected their settlements in the East and West, such as Cologne. The text is evidence for the importance of Maastricht, because of the visitors from distant Cologne.Â
The pictures below show: 1, a lion marking the site where the Roman bridge stood (see also the banner of this blog); 2, two stones with the words “Porta” and “Regia” leading to the lion.
“Bacchus, look at their offerings and be appeased.”
The second sacrifice is for Bacchus, known as the god of agriculture and wine. Bacchus as a god is more complicated, but in the context of this text, it is safe to say that he is the patron of the feast, the bacchanal.Â
The picture below shows one of the Bacchus depictions on Maastricht buildings, in this case it is the theatre at the Vrijthof.
“Jupiter, behold and bestow. These are the words between you, Jupiter Stator, and me.”
The third sacrifice is for Jupiter, known as the king of the gods. The epithet (addition) Stator means that the author of the text addresses Jupiter in his function as god of the soldiers. Jupiter Stator makes people stand firm and fast. This epithet is in favor of establishing order.
The picture below shows archeological findings below the Hotel Derlon. At the place of the hotel stood a Roman villa. It is possible that it was the location for the feast in the text. Archeologists think that the statue fragments show Jupiter. There is a drawing that reconstructs the fragments.
After talking to the archeologist myself, I have a different interpretation of this statue. As it was revealed to me, the statue fragments have shown lines that formed scales and feathers. The lines cannot be seen now, because they have been removed violently.
It might be possible that the Jupiter statue was slightly different. Instead of a naked man, the man’s skin might have been covered with scales and feathers. If the statue mixed Jupiter with animal skins, it might be possible to argue that the statue is another example for the integration of the pre Roman culture.
If the text tells us about a sacrifice to a Batavian god (eagle), and the statue shows a hybrid of Jupiter and a bird (feathers), we have two elements, text and statue, that tell us more about the people living here.Â
The last sentence in the text fragment remains a riddle:
“Another child wishes to speak to the sea of stars beyond your celestial majesty.“
For this sentence, I need more context, but this is how the text fragment ends. There are loose relations between the text and images of stars, such as the Onze Lieve Vrouwe basilica with the Gothic chapel of The Lady of the Stars, or the coat of arms of Maastricht that bears a star. These relations do not make sense, because the text predates them, but who knows, maybe I will stumble upon some further clues in the future.Â
To sum up, I argue that the text fragment tells about a feast that begins with sacrifices to the old Batavian gods (represented by the eagle) and the Roman gods (Bacchus and Jupiter). A joint sacrifice tells us that there was at least one time in the history of Maastricht, when the Batavi religion was respected by the Roman settlers. The hybrid statue provides further evidence to this interpretation.
The text is interesting, because it shows that the pre Roman heritage did not dissappear. The Roman soldiers and settlers integrated the former cult and paid respect (honey sacrifice). We can assume tensions and uprisings, but the the texts helps us to understand that the Batavi and Romans built a bridge across their cultures, religions, and worlds.
Now, it is time to close this blog. There are too many memories attached to this page. If you want to see more of Maastricht, I will put the link to my new blog here soon.
Best wishes, Paul    Â














