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Noise in and out of the BProd room. Public program running during the Sandberg Instituut Graduation Show 2016 at Burgerweeshuis, Amsterdam.
Mattin joined me for two sessions of intense conversations about noise, on June 17th and 18th, which resulted into a manifesto, titled
“In-Tension against Sugar Candy Noise”
High on noise.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Do you have a permit for a solo demonstration at the Malieveld?
Karoke for a Golden Record sent to the atmosphere.
Never stop dreaming of shooting your voice the highest you can!
Always train yourself to stay untrained.
Karaoke practices around Europe. A personal exercise.
Karaoke campaign.
It’s never too late to join the singing side.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The demonstration at the Malieveld, Den Haag, on May 9th, was a success. As you can see.
Unquestionable success.
Test launch accomplished.
Golden record in the atmosphere.
Csepel Industrial Music Label is still active, even if silently. We’ll be back soon, folks.
Keep the Noise alive!
B-Prod is preparing to go public!
We’ll get all the voice(s) we can. We’ll make all the noise(s), we will.
The schedule includes:
- open studio and discussions at 4Bid Gallery, OT301, Amsterdam, on May 4th, (with the aim of writing a demonstration permit request for a karaoke action in Amsterdam and planning the launch of the demo of a new Golden Record to space); - public demonstration at the Malieveld, Den Haag, on May 9th; - the launch of the Golden Record demo (date tbc); - the preparation of a collaboration with Noise artist Mattin, to be performed on June 17-18, at Burgerweeshuis, Amsterdam.
So much for being the last institutional weeks of work, right?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Martina Raponi, aka B-Prod, on Sandberg Instituut’s website. Take a peek!
B-Prod is producing voices
Texturhythmical awareness will unleash undisciplined bodies and undisciplined voices, launching them from the realm of fiction to the real world, inserting them into an environmentality of affects, of disruption of continua of connections among themselves.
The enhanced rhythm awareness will result in a record, recorded with a marching karaoke station.
B-Prod is looking for a space cruiser/space walker/astronaut/satellite builder-ambassador to launch the undisciplined voices to space. Bring them back to the field of vision and representation that they deserve, due to their unlimited potentiality.
Is sky the limit?
[...] the lure of the pulpit. It is a very strong lure to a science fiction writer, who deals more directly than most novelists with ideas, whose metaphors are shaped by or embody ideas, and who therefore is always in danger of inextricably confusing ideas with opinions.
Ursula K. Le Guin
B-Prod is inspired!
Envisioning ways for narrating the story lines of a Sci-Fi novel plot using the fewest possible words.
Shapes.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Techno will be the medicine. Western medicine looks at that as b*llshit. You can't fix somebody from singing a f*ckin' song. That song carries an emotion through tonal communication. If that person feels that communication, it might trigger something in him that will repair whatever the f*ck is wrong with him
Mike Banks
Science fiction doesn't predict the future, it determines it, colonizes it, preprograms it in the image of the present.
William Gibson