Tokyo techno arrives on its own terms with 120h to Tokyo, Borna Libertines' eight-track LP landing July 1, 2026. Built on analog synths, modular sequences, and a kick riding 138ā140 BPM, the record maps the city as frequency ā urban motion translated into machine rhythm, uplifting without ever resolving into comfort. Jazz fragments surface through saxophone lines before the acid bass reclaims the floor. That same collision between cultures and surfaces drives Borna's collage and graffiti practice ā imagery stripped, recombined, made to carry more than its origin. Eight tracks














