ah sorry

S𝘰𝘶𝘱𝘦 𝘥𝘦 𝘣𝘰𝘶𝘵𝘴 𝘥𝘦 𝘤𝘩𝘰𝘶𝘹, 𝘨𝘙𝘜𝘈𝘜 𝘥'𝘢𝘎𝘙𝘜𝘔𝘌𝘚 - - - exhibition with 𝗔gathe Perrault 𝗔nne Bourse 𝗖amille Demirian 𝗝ulien Quentel 𝗠iMi 𝗣aint3000 𝗧raduttore 𝗧raditore (Rozenn Voyer & Clément Faydit) 𝗩incent Burger 𝗨lysse Müller 𝗕oris Détraz artwork selection, sceno (& poster) by me, organized with Dr. Ulysse-James Wilberforce Müller, at the invitation of @dernieremain ! Nantes Musique, 5 rue de Strasbourg opening party 9th of July, 18:00 - inauguration of the whole place is at the same time -- -- -- -- (thanks from the bottom of my bottom to Moman, Dadou, Ulysse, Idris, Julien, Samuel, Thomas Abbey Lou Fare Nassimo Paul Marouinj Ludo [...] for your help, & for being humans and alive at the same time !)

Things about 𝗠𝗮𝘆 𝗚𝗶𝗯𝗯𝘀' work - _the vegetation described is apparently, in spite of the ~fantasy~ setting, quite realistically portrayed. With botanical precision. I value 𝘱𝘢𝘴𝘵𝘪𝘤𝘩𝘦 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩𝘦𝘴 to dreamy aesthetics, as this seems like a good way to kick one's butt back to the real - but this other way of doing here, the inscription in a floral specificity, sounds good too. _it is THUS locally determined. The plants here are to be those of the Australian bush. Not the French bush of our ascending relatives. (Super jeu de mot) _Maybe that's why it isn't translated in French ? The only existing translation is for Snugglepot & Cuddlepie (as "Bib et Bub les Babygums"), and is from 1994. I would also appreciate seeing this smart work deployed in ways other than cowardly printed on clothing / generally merchandised _Some titles of her books are 𝘕𝘶𝘵𝘵𝘺𝘣𝘶𝘣 𝘢𝘯𝘥 𝘕𝘪𝘵𝘵𝘦𝘳𝘴𝘪𝘯𝘨 (1923) 𝘊𝘩𝘶𝘤𝘬𝘭𝘦𝘣𝘶𝘥 𝘢𝘯𝘥 𝘞𝘶𝘯𝘬𝘺𝘥𝘰𝘰 (1924) 𝘉𝘪𝘣 𝘢𝘯𝘥 𝘉𝘶𝘣: 𝘛𝘩𝘦𝘪𝘳 𝘈𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦𝘴 (1925) These words as good words. According to Jesus _Apart of that, according to the internet, May Gibbs seems to have chosen not to have children, was an active suffragette in England, married in Australia, and may have maintained strong ties there to the leader of a fascist paramilitary organization; current academic interpretations of her work seem to tend towards a valorization of its queering mechanisms [𝘚𝘯𝘶𝘨𝘨𝘭𝘦𝘴, 𝘊𝘶𝘥𝘥𝘭𝘦𝘴 𝘢𝘯𝘥 𝘚𝘦𝘹𝘶𝘢𝘭𝘪𝘵𝘺 : 𝘈𝘯(𝘰𝘵𝘩𝘦𝘳) 𝘈𝘯𝘵𝘩𝘳𝘰𝘱𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘐𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘔𝘢𝘺 𝘎𝘪𝘣𝘣𝘴'𝘴 𝘚𝘯𝘶𝘨𝘨𝘭𝘦𝘱𝘰𝘵 𝘢𝘯𝘥 𝘊𝘶𝘥𝘥𝘭𝘦𝘱𝘪𝘦] and an analysis of how this work 'reproduces a set of racial anxieties about the Other in terms of sex and sexuality' [𝘎𝘶𝘮𝘯𝘶𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘨𝘢𝘳𝘥𝘦𝘯 𝘰𝘧 𝘨𝘰𝘰𝘥 𝘢𝘯𝘥 𝘦𝘷𝘪𝘭]. Life is complexicated. Human mind is a purée de raie !

Titoeffe und Bäbärtthe, character design from 'Bronze de diamant / Blessure Magazine 8'

Vegetaline Marquise des Gens, 30x42cm character design for Blessure Mag. 7

Vegana, 30x40cm - reflective silver marker, crayon shinchan, acrylic ink, gold ink, highlighters, 'neon' markers, resin, garnished passepartout

Blessure Magazine 8 (by me - it's not curatorial this time!)

A Dööm Rööm for the destiny's child, personal version of the poster

Jean Pleyers - 2nd-hand distribution from https://les--lilas.christmas !

American cover of Blessure Magazine Eightte, Borisse Détrazze 21x30cm (8,3×11,8″) + handmade glittery additions, + many gradient glues glued in the middle of the night; when the owl calls, the fawn cries and the crow farts

Character from 𝐁𝐥𝐞𝐬𝐬𝐬sssstring poilu 𝐌𝐚𝐠𝐚𝐳𝐢𝐧𝐞 𝟴 - The Kwisatz Haderach 21x26cm

𝘔𝘰𝘪𝘴𝘦𝘭𝘭𝘦 𝘑𝘢𝘤𝘲𝘶𝘦𝘴 - 20x25cm - excerpt from THÉ D'ÉTÉ EN L'ÎLE EN L'EAU / Blessure Magazine 7, published by Eddie Fion Editions