ohhh once i figure out what the fuck is going on it’s over for all of you

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@bookish-bimbo
ohhh once i figure out what the fuck is going on it’s over for all of you

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Claudio Bravo, 1965
Obsession 2026, dir. Curry Barker
reading backrooms discussion like "we need a house of leaves movie" "this feels like what house of leaves could have been if it got a movie" "please make house of leaves next"
and it's very clear to me that this is being said by people who have only heard of house of leaves and never actually read it, at least not past a surface level
house of leaves is a series of letters written by a schizophrenic institutionalized woman written to her possibly dead son who kept his own schizo-journal that contained obsessive thoughts about a thesis paper written by a blind man which notated and commentated on a series of home videos and audio tapes that were about the exploration of an impossible house with infinite dimensions
the point and irony of house of leaves is that, like the house itself, the story refuses to be contained within the restrictive walls of any containable finite artistic medium and so to suggest that it should or even COULD be adapted into a single hollywood film ironically makes you sound as insane and ignorant as will navidson
DON'T YOU BRING PIRANESI INTO THIS
YOU'RE ABSOLUTELY RIGHT BUT DON'T GIVE THEM ANY IDEAS

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its so amazing that we get to exist in this world. im looking at you and i love you. isnt that so amazing
acrylic, canvas 40*50 cm «Lighthouse of the Northern Sunset» 2025
Yevgeny Charushin, Snow Leopard
Absolute Wonder Woman by Ivan Talavera.
piss poor reading comprehension???? simply drink water and you will have an abundance of piss
piss rich reading comprehension
I'm flattered you say we piss on the rich

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your boyfriend isn't thematically significant
If your world is to survive, I must light the way. Because I am the Shield of the People. I am Rhaenyra the Chosen. I am the Prince That Was Promised.
Emma D'Arcy as Rhaenyra Targaryen HOUSE OF THE DRAGON S03E08 | "The Treasons at Tumbleton"
Ms. Marvel by Tran Nguyen

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Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
*a breathtakingly powerful statement even today, three quarters of a century later
someday you will ache like i ache