𝒊 𝒄𝒐𝒎𝒆, d̲e̲v̲o̲u̲r̲e̲r̲

BIRTHPLACE. SOUTH HEYWOOD [ now known as santo domingo ]. ETHNICITY. MIXED [ HISPANIC, ARAB AND WHITE. ] RELIGION. CATHOLIC ... ALLEGEDLY.

SPOKEN LANGUAGES. spanish, mexican dialect ( primary, fluent ); english, with a discernible accent ( secondary, fluent ).

PARENTS. DECEASED. SIBLINGS. NONE. MARITAL STATUS. DIVORCED.  CHILDREN. RIO REYES-SHIMIZU [ SON ]; AMADO REYES-SHIMIZU [ SON, DECEASED. ]

HAIR. black. naturally wavy but synthetically straightened and worn in the world's most intentional bowl-cut mullet combo. EYES. brown. kind at first glance but shrewd on the double-take. HEIGHT. 5'9", or 176cm. looks shorter than he is because his clothes do his silhouette absolutely NO favours ✋😔.

TATTOOS. old school, traditional tattoos scattered loosely across his body—notably on his arms, legs, and chest. CYBERWARE. still rocking an outdated neuralprocessor and interface plugs from the 2040s. WARDROBE. ring ring, the 1980s called—or is it the 1970s? either way, they want their fashion back. please hold; the 1990s are on line two. and ... what's this? the 1920s on line three??? what the fuck, choom. [ eclectic combination of antiquated styles and clashing colours. silk dress-shirts, shorts, wingtip shoes, and gaudy jewelry. fanny packs aren't an accessory—they're a necessity! ]

PERSONALITY TYPE. ENTJ, THE COMMANDER. DEFINING TRAITS. CALCULATING. GOOD-NATURED. CUNNING. AMBITIOUS. COMPASSIONATE. PATIENT. HARD-WORKING. HUMOROUS.

MORALITY. grey. cares about the wellbeing of others but won't hesitate to cap a gonk to get what he wants. claims to be "for the people"—and this is true! unless you're a person standing between him and his money. then it isn't :)

VERSES,

MAIN. dealer of jobs, seller of cars, and protector of the people: muamar reyes is santo domingo’s go-to fixer. you want a gig? you go through him—or don’t. your call. but don’t be surprised when some gangoon busts your leg on a street that’s suspiciously absent of ncpd patrols!

MODERN. man who is perpetually stuck in the 20th century runs a used car dealership that doubles as a blackmarket temp-agency—if you know where to look. theft, kidnappings, murder for hire … follow your dreams! anything’s possible:) [for the right price]. whether you’re an assassin in need of a mark; a wife in need of a divorce (wink wink); or just a person who doesn’t know where to go to find a reputable plumber, el capitán’s got you covered! bonus points if you're looking for a reasonably priced, low-mileage car.

EARLY HISTORY,

[ 2033–2046. ]    muamar reyes fonseca was a south heywood community project. there wasn’t a mother in so-hey who didn’t raise him. not a father who didn’t teach him how to kick a ball. not an uncle who didn’t offer him a swig of swill or an aunt who didn’t load him up on synth sweets. 

his own parents had died when he was just a few months old. “workplace accident” was the word in the news—“factory fire set by gangers on the corpo payroll” was the word on the street.

he’d always known that: that his parents were dead, and that someone else had done that to them. but he never missed them. he never felt that he was missing out on something. people offered him all kinds of condolences which he didn’t know what to do with. sometimes they gave him a few eddies, which he did know what to do with—and it was the only indication that he was any the poorer for his situation.

anyway: the community raised him. and unlike a lot of kids who grew up with their parents, he grew up in love. he grew up happy, even though times were dire and wars were being fought on every front. he grew up fulfilled, even though wallets were tight and food was scarce. he had a dozen beds across a dozen dilapidated houses, and he felt like the richest boy in all of night city—and maybe even the whole world. 

[ 2047–2054. ]    he’d always liked cars—and cars had always liked him, too. he learned to understand them. speak their language. they told him what needed fixing and he’d fix it, and the cars drove better for him than they did for anybody else. they wanted to repay him for his help and he would say hey no prob and did they need a fresh coat of paint. 

south heywood—which by now was known as santo domingo—was big on street racing. they had the taste for it. the roads for it. and, with muamar souping up cars in a backalley garage, the wheels for it. the ncpd turned a blind eye to the races because who the fuck cared. san-domo seemed to have it handled—and if people died then they’d handle that, too. but hardly anyone ever did, because muamar reyes had it fucking handled.

cars liked him—and so did people. they listened to him because he listened to them; they put trust in him because he deigned to put trust in them. he was only seventeen when he took over san-domo’s street-racing subculture, but he drove better than anyone. planned better, too. made rules that made sense to anxious mothers and ambitious fathers and convinced the community to enforce them.

racing was a lucrative business. there were always cars to fix. tires to sell. wagers to make. debts to collect on. it wasn’t long before he made a street-kid’s hobby into a betting man’s enterprise—real sophisticated like.

muamar didn’t take anyone’s shit—but he didn’t do anyone any harm, either … if it could be helped. ( and sometimes it couldn’t. ) racing made him lots of eddies, more than any san-domo orphan could dream of, and he used them to pay back the community that had raised him. used them, too, to get even with anyone who fucked with his crew.

el capitán, the people started calling him. it was his racing name. a moniker: the captain. but it was more than that. it was a position within the community. el capitán: the person in charge. the leader of the motherfucking team. 

CORPO HISTORY,

VERSES / PINTEREST / PLAYLIST / DEVELOPMENT

NAME. takuma ino note. most people refer to him by his given name (ino) rather than by his family name (takuma), regardless of familiarity. AGE. twenty-one+ BIRTHPLACE. yokohama, japan BIRTH DATE. may 17 ETHNICITY. mixed ( japanese-asian mother, american-caucasian father ) FAMILY. takuma mayumi ( mother ), corey walker ( father ), takuma eito ( older brother ), takuma nao ( eldest brother ) PROFESSION. jujutsu sorcerer, skate shop employee AFFILIATION. tokyo metropolitan curse technical college CLASSIFICATION. second grade—technically semi grade one ( pending promotion ) TECHNIQUE. mediumship ( spirit summoning ) + skilled martial artist

THE LACES LOOSE, THE FISTS TIGHT / I NEVER LOSE A FIST FIGHT!

HAIR COLOUR. black-brown, worn in a mid-length shag EYE COLOUR. brown HEIGHT. 5’8, or 173cm SKIN. freckles across the bridge of his nose BUILD. lean-athletic, favouring agility over brute strength PIERCINGS. nose hoop, earlobes ( three times on the left side, twice on the right ) DRESSING STYLE. streetwear: oversized, baggy, layered clothing. favours binary black or white outfits with few colours. beanies. chucks. silver chains. NOTABLE SCARS. large scar across the left side of his forehead. thin scar beneath his right eye, along the orbital bone. FACECLAIM. nico hiraga. OTHER. ino permanently lost the use of his right eye following his altercation with fushiguro tōji.

MORAL ALIGNMENT. lawful good with chaotic tendencies. not intentionally breaking any rules, but shit happens. PERSONALITY TYPE. esfj—the consul ( extroverted, observant, feeling, judging ) DEFINING TRAITS. adaptable, naive, optimistic, insecure, loyal, altruistic, persistent, curious, courageous.

BIOGRAPHY,

tba. cool mom raises cool sons. immigrant father fails to assimilate and dips out back to america</3 the whole family would’ve gone together, but SOMEONE had to manifest the legacy cursed technique. mayumi and the boys stay in japan; corey becomes a long-distance father. um. there’s more to it than that. i’ll write it out eventually xoxo

TRIVIA,

fluent english speaker. has an ambiguous, not-quite-identifiably japanese accent. initially learned the language by obsessively watching and listening to american media. he’s that annoying guy who spams english words in japanese conversation

accomplished athlete in tokyo’s skateboarding subculture

ino was the only sorcerer in his graduating class. because of this, his ties to the college proper are a looser than those of his peers

he's a legacy sorcerer on his mother’s side, but the takuma cursed technique skipped several generations before manifesting in ino

tbh he’s garnered a bit of a reputation for being a partier. this guy loves a drinking game. don’t challenge him to a round of pong—you will lose

ino has a fascination with american (rap) culture due to the lingering influence of his absent father and a subconscious desire to feel closer to him. genuinely an americaboo

he’s constantly rocking airpods, but they’re hardly ever visible beneath his hat and hair. if you say something to him and he acts like he hasn’t heard it—it’s not an act. he really can’t hear shit over the music

other than nanami, he prefers to spend his time with non-sorcerers. all of his friends are regular ass people who ( up until the aftermath of the shibuya incident ) cannot perceive curses or cursed energy. this is an intentional effort on his part. because the job is so emotionally and mentally taxing—and because the risk of losing comrades is so high—he surrounds himself with people and places unrelated to jujutsu culture

after losing the vision in his right eye, he struggles with balance and depth-perception; however, his channeling abilities have improved. due to his partial blindness, he spends several months post-shibuya remastering his martial art and skateboarding skills

ABILITIES,

by covering his face, ino becomes a spiritual medium capable of channeling the four auspicious beasts: kaichi, reiki, kirin, and ryu. in addition to this, he is a skilled (though voluntarily unranked—aka “he’s not doing all that”) jujutsu practitioner.

KAICHI. the ability to create and control a homing projectile that can pierce clothes and flesh. allows ino to fight at a distance—though it’s usually used in conjunction with close-quarters martial combat.

REIKI. transmutes ino’s spiritual energy into water. telepathically manipulated defensive technique used to cushion his body against blows. it also allows him to glide across surfaces, increasing mobility.

KIRIN. intracerebral neuro-doping that negates ino’s own physical, mental, and emotional pain. this allows him to fight tirelessly and endure torture.

RYU. the ability to summon a serpentine, dragon-like creature that deals damage to targets of ino’s choice. basically a manifest of ino’s spiritual energy.

WEAKNESSES,

ino has to cover his face in order to channel. removing the mask severs his connection to the auspicious beasts immediately, rendering him powerless. to use his abilities, he essentially has to be a faceless vessel without any discernible identity.

negating his pain through kirin depletes his stamina; once he runs out, he is rendered temporarily immobile due to exertion. despite being exhausted, he is unable to sleep for up to 48 hours. kirin wreaks absolute havoc on his nervous system.

DOSSIER.

NAME. mahito (meaning: true human) SPECIES. cursed spirit MANIFESTATION OF human fear and hatred for other humans. AGE. simultaneously ageless and ~1 year old; curses are immortal, but mahito was manifested into being only recently. assumes a physical form that appears to be in its 20s. GENDER. agender ( he / they / she / it ); tends toward masculine non-binary expression. HEIGHT. 5’11 HAIR COLOUR. blue-gray EYE COLOUR. heterochromia ( gray left eye, blue right eye ) SCARS. patchwork scars across the face and body, giving him the appearance of one who has been stitched together.

PERSONALITY.

ALIGNMENT. chaotic evil. NOTE. mahito is amoral, not immoral. they do not believe in the concept of morality as it pertains to good or bad; consequently, he does not consider himself evil. he simply lives and acts in accordance with his true nature — which cannot be immoral, insofar as morality has nothing to do with truth (and vice versa). DEFINING TRAITS. playful, sadistic, curious, intelligent, manipulative, philosophical, callous, immature.

ABILITIES OVERVIEW.

TRANSFIGURATION. can alter his form at will, limited only by the scope of his own imagination. this includes the basics of appearance, such as height and gender, and more drastic transformations into both organic or inorganic forms. can transfigure their entire body or just selected parts of it. he is also capable of creating multiple, perfect clones of himself. 

SOUL MANIPULATION. including both his own (allowing him to heal and alter his physical form) and others. the ability to transfigure humans into monstrous abominations, as well as combine multiple human souls together into a single, subservient creature. the ability to touch one’s soul and kill them in an instant.

ENHANCED SPEED, STRENGTH, AND DURABILITY. mahito’s physical feats far surpass human capabilities. it is not possible to beat him in raw physical combat without the aid of (jujutsu) magic or supernatural powers.

VERSES.

CANON (JJK). adheres to canon events. mahito strives for the eradication of humanity and the domination of cursed spirits. believing that the reincarnation of sukuna is the best way to achieve this goal, they ally themselves with a group of special grade cursed spirits intent on restoring the king of curses to power.

GENERAL. this verse deals away with the limitations of jjk lore. cursed spirits are manifestations of human fear, hatred, sadness, and other negative emotions. they are visible to the naked human eye and prey upon humanity in varying ways (killing, consumption, etc). mahito is a cursed spirit with a distinctly humanoid appearance and mannerisms, making them a far more insidious presence than some of their overtly monstrous counterparts. his ability to live among and navigate the mortal world allows him to interact with humans — generally in sadistic and malevolent ways. they manipulate, encourage, and prey on negative emotion as a way to sow further fear and discontent. they kill indiscriminately, seeing humans as an imperfect species that will, inevitably, die out to make way for the curses that they themselves brought into existence. mahito uses humans as pawns and as tools, experimenting on them in order to gain more knowledge on the concept of the soul.

THE WITCHER. a particularly malevolent spirit, far exceeding the abilities of a common wraith. unlike other cursed apparitions of his ilk, mahito was not created from the negative emotions of his own, mortal form prior to death — rather, he came into being from the collective fears and hatred that humanity experiences toward itself. they were never human; rather, they are a manifestation born of mortal malevolence. unbound by geographical restraints, mahito wanders the continent and its islands at will, seeking to learn from — and ultimately discard — humanity. they are drawn to places ripe with negative emotions, where they prey on mankind’s hatred for its fellow man. although mahito has been known to kill and experiment on non-humans (such as elves, gnomes, and dryads), he tends his focus toward victimizing the same imperfect, hateful race that brought him into being.