when hands touch..

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Love Begins

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@bodyoftext
when hands touch..

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my bedside table: Rachika Nayar's Heaven Come Crashing vinyl signed in pink marker [the record of the year for me b y f a r I've written so much to Rachika without her there would be no body of text] a small clear bottle
[on occasion
somewhere hovering above incense smoke] flowers from my friends Chris & Victoria's garden [they're as beautiful to me now as they were when they were first picked this summer] a [ ]
Luminous Kid / @olofgrind's photobook At the End of the Dream [ of you spilling over]
NIGHT DRIVE
in the movie In the Mood for Love
Chow Mo-Wan & Su Li-Zhen fall in love
after role playing as their spouses who are having an affair together
In the Mood for Love is about
how there is no escape for us
[in ]
in pretending to be a secret they actually become one
accidentally finding something of their own
to guard & to lose
in All Too Well (10 minute version) Taylor Swift sings
you kept me like a secret but I kept you like an oath
these turns of phrases suggest that what we keep is always in relation to
[in service of]
what we have to lose
[both what is in our possession & what we necessarily will lose]
perhaps
even-especially
what
[who]
we’ve already lost
anyone living trulyliving is a beautiful loser
because we’re all holding on to something
maybe even more than one thing
we’ve already lost
what’s not a secret is how often I notice hands
a while ago
possibly in October because in my mind everything happened in October
I ask –
do you think the way we touch others is the way we wish to be touched
often it takes us well into a scene to realize that Mo-Wan & Li-Zhen are acting
[as their spouses
who of course quickly become a stand-in for
]
forgetting that because it’s a movie
they are of course always acting
all this eventually adds up to a total confusion over the definition of acting
over when they are secretly serious when they are acting like they’re acting
over when they are secretly acting when they are acting like they’re serious
In the Mood for Love takes a long time
to e n d
I mean that Wong Kar-Wai gives us so many scenes after their parting
but I also mean that maybe the whole film is an end
because it’s about something that was already ended
something that never stood a chance
at beginning
towards the end of the end
the end in terms of run-time
we see Mo-Wan whispering something into a hole in a wall
it’s inaudible
but not silent
we are denied this speech
loss too gets interpellated as a gesture that is inaudible
but not silent
loss is held in our palms cupped around our mouths
& it’s even on the backs of our hands
covering our
eyes teeth
feeling
[for] something out of physical reach
loss is brought on
beaten back preserved calcified by words
loss haunts
every word we speak
what would Mo-Wan & Li-Zhen lose if they told someone else
how would that even go
what is there even to tell
all this is to say that there is a place for me
a physical place
where I can go
& if I looked out the window now
years later
my heart would still drop
I would
see someone
[who may or ]
there
looking back at me
with the same expression I’m wearing
when I had tumblr the first time around
[2010]
I probably listened to broken social scene more than any other band I heard this song by accident the other day
I couldn't decide if it was old or new [b-sides & rarities i.e. archives
released in 2022] I guess it's both anthems for a seventeen year old girl will forever be burned into my memory
the lyrics are not even like words anymore they're more like a perfume

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In the Mood for Love 2000, dir. Wong Kar-wai
"I'm so bad"
Polaroids of Tony Leung and Maggie Cheung in Wong Kar-wai’s ‘In The Mood For Love’ (2000)
Tony Leung and Maggie Cheung in a deleted dance from In the Mood for Love (Cantonese, 2000)
body of text is a radio show combining music & original poetry
airing every second Sunday
@ noon [PST]
on moonglowradio.net versos [images texts recordings the behind-the-scenes ]
will be posted on
bodyoftext.tumblr.com & on occasion @xiao_xuan_huang on IG
the first episode will premiere
in between my two favourite holidays –
Lunar New Year & Valentine’s day
on February 12th
body of text
is an ongoing epistolary effort
very queer & brimming with desire
because I’m always tapping the receiver
wondering is this thing working
so I’ll write [to] you & I’ll read [to] you
longing so
to be read by you
I want to believe that
some calls some letters some [ ]
will be answered
even when it seems unlikely
yours forever,
xiao