I can't remember where I first saw this information, but apparently Rocky's aim was to make the wall to the tunnel out of many different materials to find out which one Grace is able to see through easiest, not based on opacity - like a human or something that evolved to see light does - but based on acoustic impedance. For anyone who doesn't know what that is, it's a way of measuring how easily sound passes through a material - usually used in ultrasound scans. Therefore, for a species who uses echo-location, he's working out which material is easiest for Grace to see through - and from what I can tell he just got lucky with the clear Xenonite. I'm also fairly sure that he was completely unaware about species that see through light waves rather than echo-location, based on his reactions to Grace in the movie.

Basically, Rocky wanted to make things as accessible as he could for any alien that he could come across with the limited knowledge that he had of how different species see things. He is essentially setting himself up to be as accessible as he can for anyone he could possible meet out there. Whether its due to desperation for connection, or just because he's Like That, that's why I think he's so neat. His first interaction with Grace is just him trying to make Grace as comfortable as possible.

LeoSoggy 😏

He did it. He drenched them. Prank successful

You have a big work project?

the "I ♥️ NY” shirt is a paid actor

Blooper improv scene of Grace, Rocky, and Mary

Posted 22/05/2026 by Cameo (official account) on TikTok

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For a while now I have observed that a lot of people, even people who read a lot, struggle to talk about what they read on anything except the content level. This includes students in my undergraduate lit studies classes! They can tell me what happens in a story and maybe how it made them feel, but if I ask them why they feel a certain way, they can't point to it. It blows their minds when I go through a couple of examples of how words make you feel things (like the difference between "red drops" and "crimson spatters"). They are not paying attention to conventions or formats or narrative techniques and they struggle to comprehend the function of those things.

The extension of this is that most people don't know what "good writing" is. They just don't. This has always been the case to some degree because most people only care about whether or not they like a book they're reading, although of course "good writing" usually makes a book more enjoyable to read. But it also appears that a lot of people "read" without really taking in or paying attention to the actual words on the page beyond what they need to imagine the scenes. This is why some of the most popular/successful published writers out there have incredibly dull prose: people prefer straightforward writing that doesn't distract or confuse you with complexity of language.

The unfortunate consequence of the increasing literacy crisis is that the standards for what is considered "enjoyable" keeps dropping. Readers have lower standards for what they will rate 5 stars on Goodreads and that's all publishers care about, so they can get away with putting less effort into their output, so the overall quality keeps dropping too.

There's this idea in literary studies called "the affect" which bluntly put just refers to the physical and emotional reaction like when you watch a scary movie and your body reacts as if you really are being hunted by an axe murderer. The affect is a huge factor for why most people engage with media: they want to feel something and the more intense the feeling, the better. The thing is that the human mind and body are not that complicated and the buttons to make you feel Sad or Happy or Horny are very big and easily pushed, which is why there are cute puppies in commercials and why some writers try to make every single sentence some kind of climax. Increasingly, people appear to mean "it made me feel things" when they say "it's so well-written."

So the best way to make people respond positively to your writing is to make them Feel Things and you don't need to be subtle or clever about it. In fact, it's better if you aren't. If you can make them Feel Things strongly and also repeatedly, even better. In a fanfiction context, that means readers as a demographic prefer frequent updates with a high density of humour, sex, or intense emotional scenes and they don't really know whether it's well-written or not.

Mock poster for a fake post-PHM cartoon