XVIII-century Unholy Family in CMYK

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Game Changer & Make Some Noise
macklin celebrini has autism

tannertan36
noise dept.
Xuebing Du

⣠Chile in a Photography ā£
"I'm Dorothy Gale from Kansas"
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NASA
PUT YOUR BEARD IN MY MOUTH
Doug Jones
Interview Vampire Daily
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@blueteainfusion
XVIII-century Unholy Family in CMYK

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Interview with the Vampire 1.06 Like Angels Put in Hell by God
supernatural had NOOOO business saying shit like āfreedom is a length of rope. god wants you to hang yourself with it.ā where the FUCK do they get off saying something that good? on cw show supernatural????
people defending the writing of the sĆ©ance scene is so fucking funny because the writers want us to somehow both swallow that it makes perfect sense for claudia to say that she hates louis more than her rapist and abuser and the people who lynched her because she loved louis the most and was therefore the most disappointed and hurt by his neglect of her while also stating that apparently she always loved lestat more because heās her maker and theyāre cut from the same cloth. like it literally cannot be both of these things at the same time! she could have gone for either one of these low blows to intentionally hurt louis but the writers just had to double down on their nonsensical idea that louis needs to be blamed and humbled the most. and it doesnāt even add up by their own logic lol
todayās the only day you can reblog this
āThere Will Come Soft Rainsā, Ray Bradbury

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Louis studies :P I've missed drawing him
Crazy work to think youāre advocating for Jacob when he asked to have a joint interview with Sam. Youāre bitter the season didnāt go your way and youāre bitter the Louis-is-a-woman head canon you built up in your brain didnāt pan out because he is in fact a gay man.
I actually like to listen to Jacob talk about his process and his character, I like to hear him talk in general, I think he's very astute. This is why I was disappointed he didn't get a solo interview, where he got to talk at length. Imagine that.
I am very bitter that the season went like this, yes. I invested a lot of time and energy into this show, so for it to turn out this bad is extremely disappointing. I had very high expectations and faith in the creative team - finding out that that faith was misplaced was crushing. I'm still dealing with it, to be honest. You're going around looking me up, it means that you also feel like you have something to prove. Otherwise, why would you care what other people think?
Also, fun fact: I don't see Louis as a woman. Interestingly, I don't recall ever mentioning my headcanons or fic preferences anywhere online, so I'm curious where you got this idea.
The House Was a Funeral Pyre | Maker Louis/Fledgling Lestat, 74k words, rated E.
I don't really self-promo often but considering all the talk about human Lestat/vampire Louis I figure I should mention that I wrote an entire AU fic that starts out with that premise. It's more of a fledgling Lestat/maker Louis AU ultimately but I think it has some of the same elements.
Anyway, I consider this fic my best work and I'm really proud of it. So if anyone is interested, here's a link to read the full (finished!) thing.
(Art by @alexassan)
Not my tweets! Just ones that have been on my mind.
I wanna write TVL off so bad but Iām struggling not to incorporate TVL!Lestatās characterization into how I overall interpret Lestat because, unfortunately, I do see a consistent line of characterization. I can see how IWTV!Lestat would also be TVL!Lestat. Itās just not what I was expecting and Iām still trying to get my thoughts together about it.
šØ Very long post under the cut! šØ
LdPdL

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The Prompts are here! I hope everyone takes creative liberty for these prompts and truly makes it their own, interpretation is in the eye of the beholder. If you have any questions regarding anything, my question box is open, and I will be answering any and all questions all the way until the fest is upon us.
we can talk around it a lot, but the reality right now is that tvl writers have chosen abuser-centric narrative as the most important/true/interesting one. and this is not a watsonian critique.
iwtv is the story told from the povs of victims. and it was amazing and well-written, but looking back at it now we can highlight some very important things: 1) the story is put under scrutiny of the in-universe journalist 2) the narrative constantly emphasizes the idea that victims weren't "perfect", that they fought back and there were a lot of complexity in the relationship dynamics 3) the narrative focuses on accountability of the victims, making them acknowledge moments where they made mistakes and did things they later regretted.
which sounds fine on paper, right? this is gothic fiction, that's what we do here, we look at uncomfortable things and recognize that abusers are not one-note caricatures, that things are complex and humanity is kinda fucked up.
except then they wrote tvl. and things are not looking good from the doylist pov.
here the writers made another set of decisions that played into very specific narrative. now that the season is told from pov of someone who abused main characters from the previous seasons, we see some interesting changes: 1) the story is not questioned or challenged by anyone in the narrative 2) the accountability is downplayed, the abuser suddenly has a lot of reasons "to act like that" framed in sympathetic light 3) people who abused the abuser are depicted as one-note caricatures 4) the victims of the main character are framed as selfish liars, cruel and shallow in their actions.
and here you could say "wait, maybe they're going full meta..." but we have another surprise: the writers didn't waste any time to confirm that their intention was indeed to punish the victims from iwtv, that these characters played their "victim cards" and that they were assholes for not being loving and caring enough to their abusers too.
all this paint not-so-great picture. this is not complexity, this is abuser-centric storytelling, and the writers think it's far more interesting and "brave" than anything else. generally speaking, i believe that fiction can be anything, but it's important to be careful with the message the story provides, especially in the context of current-day culture and politics. we all need to be smarter etc etc. fiction can be and has been very harmful in the past. but going beyond that and saying things rolin and hannah said behind the screen... well, it's not even about fiction anymore.
Emphasizing Louis's Beauty
I've talked previously about how Louis in the 2nd half of the season is rarely seen in suits anymore but what about the earlier episodes when he wears a wide array of colorful suits while he is still performing his role in human society? What stands out is how many vibrant colors and patterns we see him in vs. Lestat who is always in some kind of tan, gray or navy. A lot of this is simply historical record as vibrant colors were more typical of black male dress of the era and we see that Louis is trying to maintain appearances, but on the show his bright costuming always stands out from other background male characters black OR white (confirmed by the costume designer that his colors are like a flame drawing Lestat in) and the tailoring and color choices often stands in contrast to Lestat on screen next to him in a more traditional masculine (aka duller) color. I mean compare this to how romantic period dramas typically style the men and women.
Beyond the historical nods, which most tv viewers don't have detailed references to as there aren't many color images we have from that era, I think the show does a great job of connecting cultural references everyone can immediately pick up on (the Leydecker outfits were obvious examples). For example, if you think of a white stripey suit from the 1910s, the image that came to mind was probably Rose in Titanic. So even as Louis is projecting what was period standard masculinity, what the modern viewer is likely thinking of is a tailored suit worn by the female protagonist in one of the biggest movies of all time. These looks screams high fashion latest designs from Paris, decked out pampered princess of the ship ("prince of your district").
In the same vein, when you imagine an iconic green period costume you're probably thinking of Keira Knightley in Atonement. In fact if you google "green suit in period film" all the results are of women. Rarely are men put in these colors in period romances particularly. I mean I think they put Keira in that green dress simply because she looks incredibly beautiful in that color and that's also how I feel about Louis in his green outfit.
I've talked before about the use of red on Louis but looking at the actual context of when Louis wears red they are specifically scenes of lust (w/ Jonah), shame (the slutshamig w/ the soliders) or anger/revenge (killing the Alderman) and hello look at these!!
And this is really an exclusively female character trope where vivid color costuming is used to convey mood or emotion! When a man is angry or lustful in a film, he's never wearing red, he's just wearing a boring color like black or grey. Evil and goodness are conveyed by black vs. white costuming with men (i.e Lestat's evil black darth vader get up) but rarely any colors not on that b&w scale.
Also speaking of cultural references in costuming here's this again.
Another ldpdl fan fest is here! And itās in honor of Louisā birthday, this upcoming October. I am once again so excited to host another event centered around Louis de Pointe du Lac, and I hope everyone that participated this May comes back again with friends:)
I will post the prompts soon, so be on the lookout for that! So happy to see what everyone has in store for our favorite vampire this coming Autumn:)))
Art credit for this flyer: the talented and wonderful @fruitgravies
Shelter (Peter Macon, 2020s)
2.08 āAnd Thatās the End of It. Thereās Nothing Elseā

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One of the examples of Louis's character assassination this season is his reaction after the sƩance.
Claudia tells him that she hates him more than her rapist and the vampires who killed her. She essentially tells him (and Lestat) that she is damned to wander alone in nothingness for eternity. And Louis just... shrugs it off. The daughter he spent 77+ years mourning tells him that she hates him and that she will be miserable forever, and his reaction is essentially a shrug.
And honestly, it all leads back to the Bruce's storyline earlier this season. I remember watching an interview with Jacob where he mentioned that he was uncomfortable with the whole "Louis is avenging Claudia by killing Bruce" storyline because he didn't feel like it was something Louis would do. He said there was a lot of back and forth between him and Rolin about it, and Rolin told him it was necessary for Louis's character arc this season. Like I said in one of my previous posts, the Bruce storyline was a trap.
The Bruce arc served three narrative purposes. First, it gave Louis a reason to read Claudia's diary entries describing her assault. This reflects poorly on Louis, especially when combined with the fact that Claudia herself never wanted him to kill Bruce in the first place. As a result, Louis comes across as self-serving to the audience. Second, it provided another opportunity to push the "Lesdaughter" narrative by drawing a parallel between Claudia's assault and Lestat's, reinforcing the idea that Lestat understands Claudia in ways Louis supposedly never could. Third, it gave Louis the opportunity to throw in Claudia's face that she should be grateful he killed her rapist, provoking shocked reactions from both Claudia and Lestat. That's another shared moment between them, another way to fuel the "Lesdaughter" narrative, and an opportunity to show that Louis's love for Claudia and the grief he carried over her death were more about himself than about her. For Rolin, Hannah, and co. , killing Bruce becomes the perfect vehicle for elevating the supposedly "bond" between Claudia and Lestat while casting Louis in the worst possible light.
The problem is that this only works if you're willing to disregard not only the events of seasons 1 and 2, but also the events that took place earlier this season. Louis is still grieving Claudia. Her loss continues to define him throughout this season. He becomes fixated on Regina because she reminds him of Claudia. He can't let go. He can't move on. As a last ditch attempt to find closure, he even arranges a sƩance. And what does he get in return? He learns that the daughter he has been mourning for decades hates him more than she hates her rapist and the vampires who killed her. On top of that, he finds out that she has not found peace and probably never will. That should devastate him. It should completely shatter him. This is the same Louis whose grief over Claudia defined entire chapters of his life. The same Louis who tried to end his life because of his grief over her. Yet after the sƩance, he basically shrugs it off. Minutes later, he's discussing his future with Lestat. And I'm supposed to take this as confirmation that it was never really about Claudia, rather than blatant and shameless character assassination?
Can we be serious for a moment? How does that even make any sense? Even if you argue that Louis's grief was primarily rooted in guilt and self-serving, hearing that his daughter has not found peace and probably never will should still send him into a spiral. It should wreck him emotionally because it confirms his worst fears. It means there is no forgiveness, no redemption, no closure, and no possibility that Claudia's suffering will ever end. The sƩance doesn't ease his guilt; it validates it. So whether you view Louis's grief as genuine love for Claudia or as guilt over failing her, the end result should be the same: he should be emotionally shattered by what he hears. Instead, the narrative barely pauses before moving on to Lestat and him discussing their future together. That's why I can't take the sƩance as some insightful revelation about Louis. The emotional consequences simply don't match the scale of what he's being told. The daughter whose death has haunted him for decades tells him she hates him more than her rapist, tells him she's suffering, tells him she'll never find peace, and somehow all Louis takes away from that is that he needs to work on himself.
This feels like a deliberate attempt by the writers to sabotage his characterization. And to add insult to injury, they're not even being subtle about it. It's painfully obvious if you've paid enough attention to Louis's character arc up to this point and have even a basic level of critical thinking. The way he reacts after the sƩance is completely at odds with everything we've been shown about him for the past two seasons. Hell, even this season.
codependent š°š¦
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