Blog summary - Blue sky thinking and MOSI
As this is my second year of participating in unit X I knew from the beginning that the next few weeks would be unpredictable and I did not know what I would end up producing.
As a Fine Art painting student I thoroughly enjoy this prospect as it allows me a brief time to work within a group and explore different media. I find it refreshing to clean the slate of the previous work I've engaged with in the past year and engage with different practitioners.Â
This year's unit X has not disappointed. I have had the opportunity to work with a very diverse range of artists from throughout the art school with the brief to rejuvenate the under-five's space and the yard of the MOSI site.
We instantly threw ourselves into the brief but found ourselves branching out the possibilities of regenerating aspects of MOSI.
As I had been previously interested in artists that revolve around making sensory installation spaces and revolved my own work around producing images with childlike humour and aesthetics I aligned myself with the under five's group. I quickly found myself collaborating with Chris Woodcock having found common ground on wanting to produce a soft sensory space.Â
By looking at artists Pipilotti Rist, Peter Fischli and David Weiss, and Yayoi Kusama I decided I wanted to create a light/sound installation projected within a space. Further inspiration came from the idea of 'Wunderkammer' and work by artist Mark Dion, leading me to create projection 'peepboxes'. With these I wish to engage children with sights and sounds of the MOSI sight whilst providing a whimsical experience with the aim to inspire wonderment and play towards child-like curiosity.
I connected this with my previous practice as I have frequently used matchbox pinhole cameras as an analogue photography method. I felt these would be appropriate as it combines old media with new digital media; incorporating modern technology whilst in-keeping with MOSI's industrial and historical context. I took images of various buildings and exhibits around the site and combined them with field recordings to make a visual/audio film, with the idea to project this within the peepboxes.
I demonstrated this is the Blue Sky Thinking exhibition, collaborating once more with Chris to create a projection peepbox.
Given more time I would like to explore the possibility of the sensory installation on a greater scale, and work with alternative imagery to create different atmospheres within the box projections.Â