Hey, I’m Blue, and this shithole is my house. Entry, please.
minors DNI, there’s a lot of 18+ content on here. Also DNI TERFS, zionists, racists, misogynists.
I don’t use AI, I hate AI, do not fucking put my work through AI
Pronouns: She/her at the moment
About me: local evil bisexual who gets too invested in wlw ships, and has to bother her moots on tumblr about it otherwise she’ll die. Libra, lawyer, licker.
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"omg baran is so ooc in this fic she would never top shes sooo awkward"
wow! no! baran has charisma. she's not the type of dom to degrade or be rough- she seeks approval, clearly (which makes her more like a service top imo)- but i think she definitely likes to have control and know where she stands in a relationship. baran can be flirty and cocky and charismatic and also be awkward, brittle, and pushy. two things can exist at once. and in my mind, the most ooc baran (very very dom) is just acting to please her partner, like it's a consensual arrangement they have. maybe she's just like that in the bedroom!
i think the two bad points boil down to- A) people making baran a very degrading top as if that's just her personality, ignoring her softer and more realistic traits and B) people assuming that because she's disabled, she's physically unable to be flirty, cocky, confident, etc.
trinity as a mechanic working on the super hot lesbian couple’s (garshimi 😋) brand new car. putting their new plates on, adding subwoofers that yolanda insists the car needs, tinting their windows, adding custom wheel thingies, LEDs inside, all the car stuff that i definitely know what they are. one thing leads to another and after many, many days of watching trinity’s sweat covered muscles while she tightens screws, a proposition is made
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chapter 8 of her last summer below deck is out now!
Trinity set down the phone.
It didn’t surprise her that her mother wanted to know when she was moving back. Of course she would tell the boys that like it was a fact. She knew that their school was paid for by Trinity, or Trinity-adjacent, and that was enough to know that Trinity would need to move back home.
But Trinity wasn’t going home.
Even that word felt wrong in her mouth.
Home.
Where was that exactly? Was it the studio apartment she shared with her mother before the boys were born? Was it the one-bedroom that they couldn’t afford where she shared a bed with Theo while Luca screamed in a crib a couple feet away?
She knew it wasn’t the backseat of the minivan that one winter. It wasn’t the house with the green bed sheets either.
Her chest tightened and Trinity pressed her palm flat against her sternum until the feeling passed and she could cling to the numbness again.
Trinity had been moving her whole life. From an apartment to a car to a townhouse and then to a dorm when she was finally old enough to escape. Each summer, she would tell herself Sirocco was home and it felt like it. But it wasn’t hers. It belonged to an owner that was friends with Baran and Yolanda. And at the end of the season, she would have to leave it, like she left every other place that had once meant something to her.
And her mother thought that home meant her. It made her stomach turn. She thought it meant Ohio and the boys.
Her mother thought home was where Trinity felt the most trapped.
Wherever her mother thought it was, she was never going there again. She wasn’t going to the townhouse her mother lived in or going to be the person she was inside of it ever again. Trinity had shut that door when she hung up on her on that balcony and the door was staying closed. Her mother could tell the boys whatever the hell she wanted about that.
Even if med school was gone—and Trinity probably needed to stop pretending that deferred meant anything but never happening—she’d rather spend the next year living in her car by herself before going back to that place.
And she’d get a job. Jack would get her that job on the Bravado, or he would know someone who knew someone who would have something for her. Then she’s be able to start earning money again and point it towards… well, something.
Trinity picked back up her phone.
Theo’s question was still waiting for her to respond.
She could lie. She was so good at it. It’d be the same lie she was telling everyone else; she could say that she deferred for a year so she could save more money before going to medical school. She could present a version of reality that didn’t actually exist. One where she hadn’t given all of her money so that they could go to the private school, so they could get what they wanted without a weight being held over her head.
It wasn’t different than what she had done with them for years. Their entire childhoods were built off the lies that Trinity kept to keep them protected. To keep them from knowing the truth about what life actually was like.
But Trinity was so tired of lying.
She had been lying to protect people since she was old enough to speak. She had been lying to her brothers for years under the guise of protection, but it hadn’t protected anyone.
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world heritage post: avatar femslash fans on livejournal discussing the possibility of a lesbian or bi lead in the legend of korra in 2010, 2 years before the series first aired. four years later, korra and asami walked into the spirit world together holding hands.
in between trinity’s really dark terrible years and her developing better coping mechanisms during residency (collecting strays to avoid opening a scalpel), i think she may have harbored a lot of suicidal ideation
she was fully texting her friends, “my car’s got a flat. i’m gonna kms” and “if this doesn’t work out i can always just kill myself instead.” and, more seriously, repeating to herself that “killing myself is always an option” like a pep talk. because it makes her feel safer to know she’s not trapped, that she does have an out if she wants one. and then she chose to keep going anyway
“Charlotte felt very strongly that this was her character’s journey–that the reason Gail was always so uncomfortable in her own skin, the reason she never quite fit in with the other rookies, was because she was hiding who she really was.”
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Hey can I ask what do u like about Yolanda and do you think we going get more background story in s3 for her ? 🥰.
absolutely, you can! i love getting to love on yolanda garcia.
a few things i like about everyone’s favorite trauma surgery fellow:
1) her competence and her confidence
yolanda garcia is skilled and aware of it. she makes others aware of it, makes even her superiors respect and revere her. as she should!!
even when she turns out to be wrong—which season 2 leaned somewhat heavily into for all other disciplines, as if to prove the supposed superiority of emergency medicine—she retains that confidence. she doesn’t doubt, doesn’t let it delay or affect patient care.
2) her regard for her patients
say what you want about her ribbing with other doctors and flirting with santos as she works—yolanda garcia puts her patients first. she introduces herself to conscious patients, seeks to reassure them when appropriate, advocates for pain management, and acts. i think she is very procedure-oriented, going by the book, and sometimes that approach is limiting, but it is what is proven. she only wants what she thinks—and what evidence suggests—is best for those she treats.
3) that she knows what she wants and stands by it
yolanda garcia wants what she considers the best course of action or treatment, and she doesn’t back down from it. she keeps advocating for it, even as the ER cowboys advocate for what are often riskier or less supported alternatives.
she also seemingly wants to stay out of workplace drama. she maintains this across seasons with santos and langdon, only really engaging with it when—as far as she understands, as she did not know the validity of santos’ suspicions—patient safety and comfort are on the line.
of course, yolanda garcia also wants trinity santos. even after scalpelgate. even after many months of a situationship.
4) her boundary setting
yolanda garcia sets boundaries in an environment where boundaries are not welcome. does she set and emphasize these boundaries in the kindest, most productive way? no, absolutely not. we all watched stairwellgate. but i do think choosing to set a boundary and sticking to it, even when faced with repeated resistance, is admirable. and incredibly important in a profession where boundaries hardly exist and one already takes on immense responsibility for others’ well-being.
5) her care for santos
whether her and trinity’s arrangement is truly just casual sex or there’s some conflict of undiscussed or unrealized feelings, yolanda garcia cares for trinity santos. as a person, personally—not just as a body for sex or as a coworker. throughout season 2, she repeatedly brings up trinity unprompted, addresses her in an uncharacteristically soft voice, and immediately answers when trinity addresses her (though she might continue to avoid eye contact while doing so). subtext suggests that yolanda has perhaps tried to show such care directly and been rejected— “you know, you can call me just to say hi sometimes,” “we’re just keeping it casual, right?”, etc.
and, when trinity shares some of her troubles with whitaker, his first counterargument is “garcia likes you.” season 2 episode 1 suggests that man has witnessed more than his fair share of garsantos interactions, so this isn’t an unfounded claim. it also does not fit his character to simply offer garcia’s name up for the sake of it.
the stairwell scene is painful. to watch and for trinity to hear. nonetheless, i do not think it is evidence of yolanda not caring. i think her very procedure-based, evidence-based, solution-seeking approach leads her to automatically dismiss feelings in favor of what she believes to be facts (trinity being a pariah because she reported langdon vs. because she doesn’t “play well with others”). trinity putting on her “big girl panties” and “call[ing] a therapist” are then yolanda’s proposed solutions—ones that are delivered poorly but still indicate a degree of care for trinity’s personal and professional success and well-being—when she cannot offer trinity the support she seeks.
6) that she is a little bit of an asshole, sometimes
it’s attractive and entertaining, and yolanda garcia has earned the right to be a little bit of an asshole, sometimes. undergrad, med school, three to seven years of residency, securing a fellowship, being damn good at her job… she deserves to be an asshole. i love women in male dominated fields!!!
7) her use of nicknames
“ER ken,” “odds,” “noob,” “farm boy,” “white chocolate,” “rabbit-bitch,” “dr. wishful thinking,” “sadness,” the list goes on and on… all iconic. even “nepo baby” was funny, though the context may have rendered it somewhat cruel.
the nicknames also reveal commonality with trinity. yolanda also seeks connection through teasing and banter, perhaps not knowing how to otherwise do so.
8) her little quips and general nerd status
yolanda garcia walks into a room with the express purpose of delivering an iconic one-liner. “what’s up, party people?” “and i might have a three-way with madonna” and so on. her patterns of speech and the metaphors she employs are nerdy, too. a non-nerd doesn’t regularly address their coworkers—medical professionals, mind you—as “party people,” make references to macgyver, and say “still bleeding like a stuck pig.” nerd. yolanda garcia is a nerd, despite whatever air of superiority she assumes.
9) that she is inconsistent and flawed
consistency is boring. perfection is impossible to achieve. yolanda garcia is neither, and so she is human. real.
(i do chalk many of these inconsistencies and flaws up to season 2’s writing, which itself was inconsistent and flawed and reflected many biases—so i do not agree with or appreciate all of them individually, nor do i think they were all intentional. yolanda garcia deserved more care and better writing, but that is a belief that can coexist with appreciation for the fact that she is flawed.)
there is much more i love about her character, but these are some of the main things. thank you for the excuse to talk about my favorite.
as for whether or not we’ll get more of her backstory in season 3, i do not think so. yolanda garcia exists on the periphery of the show and that doesn’t lend itself to revealing her history, her feelings, her intentions, etc. maybe we’ll get a line or two with a new fun fact, like the implied knife collection, but i doubt there will be anything more.