just think he's neat~

Lyonel Baratheon. The Laughing Storm, they call him.

[ID: tags from @transguyhawkeye that read, "#having a panic attack over whether you just broke magnetos hip meanwhile he just separated wolverine into recycling and organics for the #third time this week" /end ID]

For every man in your camp, there are thousands somewhere in the West Indies living under the same yoke, chained in fields, pressed on ships, sold into indenture. When they see a sitting governor protected by His Majesty’s Navy, deposed by an alliance of pirates and slaves, how many consider joining that fight? How many thousands of men will flock to Nassau, join your ranks, and help you defend it?

BEYONCÉ at the 2026 Met Gala

Lena Mahfouf at the 2026 Met Gala

Gustav Magnar Witzoe at the 2026 Met Gala

Jessica Kayll at the 2026 Met Gala

SUDHA REDDY attends the 2026 Met Gala celebrating "Costume Art"

Isha M. Ambani at the 2026 Met Gala

Sabrina Harrison attends the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Photo by Julian Hamilton/Getty Images) pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com

MET GALA "Costume Art" Exhibition 2026 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com The idea, curator Andrew Bolton said, is “to reflect on your own lived experience, hopefully to create a connection, empathy, compassion towards each other.” Not only does this interactive element transform a visit to the museum into a small voyage of self discovery, but it is a bodily experience that cannot be replicated digitally. This at a time when humans are being replaced by machines and AI anxiety is pervasive. “The whole show is structured around a typology of bodies, and these are bodies that you see across the museum when you encounter artworks,” Bolton explained. “The simple thesis for the show really is the fact that the dressed body is the connecting thread throughout the entire museum.” What you won’t see anywhere else at the Met are mannequins of diverse body types modeled after named individuals, like those commissioned for “Costume Art.” And this is transformative in many ways. As the scholar Llewellyn Negrin notes in her catalog introduction, not only do mannequins project a beauty standard, but their “dimensions often dictate the sizes of the garments shown, and the garments’ sizes correspond to the idealized proportions of the preferred mannequins, resulting in a mutually reinforcing process that perpetuates the privileging of culturally esteemed body types.”

Oh I fucking love this. There's definitely a reference to Naomi Osaka's Japanese heritage, but blended with a Parisian "New Look" silhouette & tailoring.

Naomi's look has a second layer under it, phenomenal!

Yu-Chi Lyra Kuo in Jean Paul Gaultier.