Sunrise: A Song of Two Humans | F.W. Murnau | 1927

Kiana Khansmith
noise dept.
d e v o n

if i look back, i am lost
we're not kids anymore.
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
DEAR READER

⁂
Alisa U Zemlji Chuda

Origami Around

JVL
will byers stan first human second
occasionally subtle

Andulka

★
Cosmic Funnies

seen from Germany
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seen from United States
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seen from Kazakhstan
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Sunrise: A Song of Two Humans | F.W. Murnau | 1927

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Ministry of Fear | Fritz Lang | 1944
Hillary Brooke, Ray Milland
El espíritu de la colmena (The Spirit of the Beehive) by Víctor Erice, 1973
He had a rare, enormous gift of concentration. In art, in general, concentration is a very serious thing. True concentration…when your comprehension is very deep. Very few people can do it. Only great artists.
Footage of Andrei Tarkovsky in 1972, from an interview with Eduard Artemyev. (x)
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The day after-Geu-hu (Hong Sang-soo, 2016)
Like Someone in Love (Abba Kiarostami, 2012)
That Day, On the Beach- Hai tan de yi tian - (Edward Yang, 1983)

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La niña santa (a.k.a. The Holy Girl) (Lucrecia Martel, 2004)
Chungking Express
I never knew what he wanted, and I don’t think he ever knew. He fought so hard for what he’d been taught to want, and when he got it, he just grew more and more confused.
Porto, 2016, by Gabe Klinger
to Anton
Abbas Kiarostami’s last film “24 Frames”
“I absolutely don’t like the films in which the filmmakers take their viewers hostage and provoke them,” he famously said in an interview. “I prefer the films that put their audience to sleep in the theater … Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks. Those are the kind of films I like.”

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Penda’s Fen (1974) Directed by Alan Clarke
Irma Vep (Olivier Assayas, 1996).
Vinterbrødre (2017) dir. Hlynur Pálmason
Element of Crime
“Bells from the Deep”
by Werner Herzog

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Ugetsu monogatari | dir. Kenji Mizoguchi (1953)
“Akkor volt érdemes élni, mikor titokzatosan lehetett megjelenni éjjel a kertek alatt. Megkopogtatni az ablakot. Gyönyörű szavakat mondani várakozó nőknek. Amikor lángolni lehetett, elhervadni, és boldogan nevetni.”
Szindbád (1971) Rendezte: Huszárik Zoltán