Blacks & Books

What if your sense of duty required you to betray the man you love? One woman struggles to choose between her honor and her heart in this enthralling espionage drama set against an unforgettable historical backdrop. It's 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She's brilliant but she's also a young black woman working in an old boys' club, and her career has stalled out; she's overlooked for every high profile squad, and her days are filled with monotonous paperwork. So when she's given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic, revolutionary president of Burkina Faso, whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Thomas is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she's being offered the job because of her appearance and not her talent. In the year that follows, Marie will observe Thomas, seduce him, and ultimately, have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American. Inspired by true events--Thomas Sankara is known as "Africa's Che Guevara"--this novel knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you've never seen before, and it introduces a powerful new literary voice.  

For readers of The Twelve Tribes of Hattie and The Turner House, an intimately told story about a woman living by her own rules and the rural community that struggles to understand her. Azalea “Knot” Centre is determined to live life as she pleases. Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home. Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light. Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love.

"I feel like I can't tell one story about a giant mustard penis because it's not about a mustard penis only, but about all of these incidents together, in context, and through time." So begins the title story in Renee Simms's debut short story collection, Meet Behind Mars-a revealing look at how geography, memory, ancestry, and desire influence our personal relationships. In many of her stories, Simms exposes her own interest in issues concerning time and space. For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s. The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

For one month out of the year, Sarah and Callie live across the street from each other. Yet in terms of privilege, they are worlds apart. Ten-year-old Sarah only comes to her summer home in Three Rivers, Michigan, for vacation, while Callie lives there year-round. But despite their class differences, these two African American girls are intrigued by each other, and they will eventually form a deep connection that neither will forget. A touching story about hope, courage, and defiance, The Eyesore dares to challenge notions about the haves, the have-nots, and the imagination required to bridge the gap between.

A masterful story collection—thirteen years in the making—from National Book Award winner Charles Johnson, showcasing the incredible range and resonant voice of this American treasure. This new collection of stories from National Book Award winner Charles Johnson offers an eclectic, engaging range of narratives, tied together by Buddhist themes and displaying all the grace, heart, and insight for which he has long been known. In “The Weave,” Ieesha and her boyfriend carry out a heist at the salon from which she has just been fired—coming away with thousands of dollars of merchandise in the form of hair extensions. “Night Hawks,” the titular story, draws on Johnson’s friendship with the late playwright August Wilson to construct a narrative about two writers who meet at night to talk. In “Kamadhatu,” a lonely Japanese abbot has his quiet world upended by a visit from a black American Buddhist whose presence pushes him toward the awakening he has long found elusive. “Occupying Arthur Whitfield,” about a cab driver who decides to rob the home of a wealthy passenger, reminds readers to be grateful for what they have. And “The Night Belongs to Phoenix Jones” combines the real-life story of a “superhero” in the city of Seattle with an invented narrative about an aging English professor who decides to join him. Spanning genres from science fiction to realism, these stories convey messages of tolerance, hope, and gratitude. With precise, elegant, and moving language, Johnson creates memorable characters and real, human struggles that have the power to enlighten and change us as we read.

She saved Carraigfaire—but can she save her friends? Gethsemane Brown fought off an attack by a sleazy hotel developer who wanted to turn her Irish cottage into a tourist trap. Now she must face a vengeful ghost determined to exact revenge for her murder centuries ago. This ghost’s wrath spares no one—not Gethsemane’s students, Inspector Niall O’Reilly, fellow teacher Frankie Grennan, or a group of ghost hunters descended on Dunmullach to capture proof ghosts exist. Proof Gethsemane has to quash to keep Eamon, her resident ghost and friend, from becoming an internet sensation. As if a spiteful specter wasn’t bad enough, a crooked music reviewer turns up dead in the opera house orchestra pit, a famous composer is arrested for the crime, and Gethsemane must team up with a notorious true-crime author to clear his name. If she doesn’t, friends will die, a ghost she cares about will never know peace, and she’ll star in a final act gruesome enough for any opera.

The Official Report on Human Activity by kim d. hunter, which is neither official nor a report, is a collection of long stories that are linked by reoccurring characters and their personal struggles in societies rife with bigotry, in which media technology and capitalism have run amok. These stories approach the holy trinity of gender, race, and class at a slant. They are concerned with the process and role of writing intertwined with the roles of music and sound. The four stories range from the utterly surreal-a factory worker seeking recognition for his writing gives birth to a small black elephant with a mysterious message on its hide-to the utterly real-a nerdy black teen's summer away from home takes a turn when he encounters half-white twins on the run from the police. Prominently known as a Detroit poet, hunter creates illusions and magic while pulling back the curtain to reveal humanity-the good, bad, and absurd. Readers will find their minds expanded and their conversations flowing after finishing The Official Report on Human Activity. The Official Report on Human Activity is sure to appeal to readers of literary fiction, particularly those interested in postmodernism and social justice. 

Calling to mind the best works of Paul Beatty and Junot Díaz, this collection of moving, timely, and darkly funny stories examines the concept of black identity in this so-called post-racial era. A stunning new talent in literary fiction, Nafissa Thompson-Spires grapples with black identity and the contemporary middle class in these compelling, boundary-pushing vignettes. Each captivating story plunges headfirst into the lives of new, utterly original characters. Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture. Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

In the vein of Jojo Moyes’ After You, Whiskey & Ribbons explores the life that continues beyond loss, with a complicated brotherly dynamic reminiscent of Elizabeth Strout’s The Burgess Boys. It’s a meditation on grief, hope, motherhood, brotherhood and surrogate fatherhood. Above all, it’s a novel about what it means—and whether it’s possible—to heal.

Named an Oprah’s Book Club Selection. Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.

From the poet, novelist, and cultural icon behind the award-winning and celebrated Broadway play, for colored girls who have considered suicide/when the rainbow is enuf, comes an evocative and moving bilingual collection of new and beloved poems. In this stirring collection of more than sixty original and selected poems in both English and Spanish, Ntozake Shange shares her utterly unique, unapologetic, and deeply emotional writing that has made her one of the most iconic literary figures of our time. With a clear, raw, and affecting voice, Shange draws from her experience as a feminist black woman in American to craft groundbreaking poetry about pain, beauty, and color. In the bestselling tradition of Rupi Kaur’s Milk and Honey, Wild Beauty is more than a poetry collection; it is an exquisite call to action for a new generation of women, people of color, feminists, and activists to follow in the author’s footsteps in the pursuit of equality and understanding. As The New York Times raves, “Ntozake Shange writes with such exquisite care and beauty that anyone can relate to her message.”

In this vivid re-imagining of the French classic Les Liaisons Dangereuses, it’s the summer when Jackie Robinson breaks Major League Baseball’s color barrier and a sweltering stretch has Harlem’s elite fleeing the city for Westchester County’s breezier climes. But there two predators stalking amidst the manicured gardens and fine old homes. Heiress Mae Malveaux rules society with an angel’s smile and a heart of stone. She made up her mind long ago that nobody would decide her fate. To have the pleasure she craves, control is paramount, especially control of the men Mae attracts like moths to a flame. Valiant Jackson always gets what he wants—and he’s wanted Mae for years. The door finally opens for him when Mae strikes a bargain: seduce her virginal young cousin, Cecily, who is engaged to Frank Washington. Frank values her innocence above all else. If successful, Val’s reward will be a night with Mae. But Val secretly seeks another prize. Elizabeth Townsend is fiercely loyal to her church and her civil rights attorney husband. Certain there is something redeemable in Mr. Jackson. Little does she know that her most unforgivable mistake will be Val’s greatest triumph.

“Tough talk for tough times. Silencer is both lyrical and merciless–Wicker’s mind hums in overdrive, but with the calm and clarity of a marksman. You have to read these poems.”   —Tim Seibles, author of One Turn Around the Sun and finalist for the National Book Award A suburban park, church, a good job, a cocktail party for the literati: to many, these sound like safe places, but for a young black man these insular spaces don’t keep out the news—and the actual threat—of gun violence and police brutality, or the biases that keeps body, property, and hope in the crosshairs. Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.” Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques. “There is not a moment in this book when you are allowed to forget the complexities of a black man's life in America. These poems evoke so much—strength, beauty, passion, fear. There is the quiet, ironic pleasure of life on a cul-de-sac juxtaposed with the tensions of always wondering when a police officer's gun or fists might get in the way of the black body. The stylistic range of these poems, the wit, and the intelligence of them offers so much to be admired. There is nothing silent about Silencer. What an outstanding second book from Marcus Wicker.” —Roxane Gay “Marcus Wicker’s masterful and hard-hitting second collection Silencer is exactly the book we need in this time of malfeasance, systemic violence, and the double talk that obfuscates it all. Wicker’s poems have the wit and rhythmic muscle to push back against the institutional flim-flam. He writes the kinds of vital, clear-eyed poems we can turn to when codeswitching slogans and online power fists no longer get the job done. These are poems whose ink is made from anger and quarter notes. They remind us that to remain silent in the face of aggression is to be complicit and to be complicit is not an option for any of us.” —Adrian Matejka, author of The Big Smoke and finalist for the National Book Award and Pulitzer Prize “Silencer is an important book of American poetry: wonderfully subtle, wholly original, and subversive. Politics and social realities aside, this is foremost a book that delights in language, how it sounds to the ear and plays to the mind.  We have suburban complacency played against hip-hop resistance, Christian prayers uttered in the face of dread violence, real meaning pitted against materialism, and love, in its largest measure, set against ignorance.  To say Silencer is a tour de force would be an understatement. What a work of true art this is, and what a gift Marcus Wicker has given to us.” —Maurice Manning, author of One Man’s Dark and finalist for the Pulitzer Prize "Silencer disarms and dazzles with its wisdom and full-throated wit. Wicker’s highly-anticipated second collection snaps to attention with a soundtrack full of salty swagger and a most skillful use of formal inventions that’ll surely knock you out. Here in these pages, sailfish and hummingbirds assert their frenetic movements on a planet simmering with racial tensions, which in turn forms its own kind of bopping and buoyant religion. What a thrill to read these poems that provoke and beg for beauty and song-calling into the darkest of nights." —Aimee Nezhukumatathil, author of Lucky Fish and poetry editor at Orion Magazine “With Silencer, Marcus Wicker writes a country, and that country is this country, these United States, right now, and that country is also black. In poem after poem, and with one of the best ears in the game, Wicker demonstrates the simple and difficult truth that we, as Americans, make each other, inescapably—Wicker’s America is a black America because it is America. But Silencer isn’t, for all that, a place of congratulatory hugs and campfire songs. How could it be? It is a place where we are seen: ‘Black squirrels, / they fit in, get along. Know no one. / They see other black squirrels & run.’” —Shane McCrae, author of In the Language of My Captor and The Animal Too Big to Kill

THIS IS THE WAY THE WORLD ENDS... FOR THE LAST TIME. The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed. The remarkable conclusion to the post-apocalyptic and highly acclaimed trilogy that began with the multi-award-nominated The Fifth Season. The Broken Earth The Fifth Season The Obelisk Gate The Stone Sky

“A violent, funny, shockingly addictive debut…” Once upon a time, Laura Park was a normal college sophomore with her best friend at her side. A year later, Laura was on a deserted road on the outskirts of Las Vegas killing a man. She didn’t expect to get away with it but she did with the help of a stranger named Simon who took her in, liquored her up, and broke her down. Soon the ambitious Simon introduces her to Frank Joyce, a man who would teach her how to become a stone-cold professional killer. Laura learns her deadly trade and earns her money. Twenty-six years old and she thinks she’s found her happily ever after. Sadly it all falls apart when Simon leaves her for another. Now some other woman, blonde and polished, all shiny and new, is living Laura’s happy life. Heartbroken, but knife always at the ready, Laura waits for any opportunity to get Simon back. The question is, when she gets her chance, will she take it? In Laura’s world anyone can become a target, loyalties can shift in a blink of an eye, and when everyone is homicidal, people are definitely going to die.

Evelyn is a Creole woman who comes of age in New Orleans at the height of World War Two. Her family inhabits the upper echelon of Black society and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn’s daughter, Jackie, is a frazzled single mother grappling with her absent husband’s drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life. Jackie must decide if the promise of her husband is worth the near certainty he’ll leave again. Jackie’s son, T.C., loves the creative process of growing marijuana more than the weed itself. He finds something hypnotic about training the seedlings, testing the levels, trimming the leaves, drying the buds. He was a square before Hurricane Katrina, but the New Orleans he knew didn’t survive the storm, and in its wake he was changed too. Now, fresh out of a four-month stint for possession with the intent to distribute, he decides to start over—until an old friend convinces him to stake his new beginning on one last deal. For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. A Kind of Freedom is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

A paranormal thriller from a master storyteller: A broken family struggles to hold itself together against a plot to unleash global genocide Around the world, leaders and notorious criminals alike are mysteriously dying. A terrorist group promises a series of deaths within two months. And against the backdrop of the apocalypse, the lives of a small shattered family and a broken soldier are transformed in the bustling city of Atlanta. Olympia Dorsey is a journalist and mother, with a cynical teenage daughter and an autistic son named Hannibal, all trying to heal from a personal tragedy. Across the street, Ex–Special Forces soldier Terry Nicolas and his wartime unit have reunited Stateside to carry out a risky heist that will not only right a terrible injustice, but also set them up for life—at the cost of their honor. Terry and the family's visit to an unusual martial arts exhibition brings them into contact with Madame Gupta, a teacher of singular skill who offers not just a way for Terry to tap into mastery beyond his dreams, but also for Hannibal to transcend the limits of his condition. But to see these promises realized, Terry will need to betray those with whom he fought and bled. Meanwhile, as the death toll gains momentum and society itself teeters on the edge of collapse, Olympia's fragile clan is placed in jeopardy, and Terry comes to understand the terrible price he must pay to prevent catastrophe.