Bisexual Pirate Heart

WTF OMG I AM WHAT [x]

Grzegorz Jacek Olejniczak, (Polish b.1968), Moments Before the Storm, 2026, Acrylic and oil technique

Georg Emil Libert

Monsieur Noir and the Red Teapot Elena Polishchuk

THE VAMPIRE LESTAT 3.07 'The Failures'

I've been calling to you for some time. And now here I am, and you can rest. I am the quiet you've been longing for. After all the garishness of life,the jostling, the clawing, the dull thrum of desperation in you. Will I get the fixes I need to be somebody? But, Daniel, you already know who you'll be. An ugly duplex back in Modesto. A job in an office with drab carpets and flickering lights. A woman in the mold of your mother, vacuuming on valium. A genteel drinking problem, like your father. Your wife counting down your thrusts. Your children shying away from you. All the confidence and hope of your youth replaced by a seething, boiling regret. Until one day, you're at a traffic light. The light turns green, horns honking. You don't move. Horns honking. You don't move. A comfortable chair in a room that slants to the north. An easeful death. Rest. It's okay. It's okay. It's okay. It'll feel like a bath. Rest. Like honey on your tongue. It is the comfort we all long for. The end. Rest. Come. Come. I'll hold you, you rest now. INTERVIEW WITH THE VAMPIRE AMC Episode 12 - Don't Be Afraid, Just Start The Tape

the vampire lestat - your biggest fan

EMMA D'ARCY for Entertainment Weekly.

cozy shane in 1.04

We're getting more princess and her hair flips

— directed by Vincente Minnelli; THE COBWEB (1955) MEET ME IN ST. LOUIS (1944) FATHER'S LITTLE DIVIDEND (1951) LUST FOR LIFE (1956) CABIN IN THE SKY (1943) AN AMERICAN IN PARIS (1951) THE CLOCK (1945) ON A CLEAR DAY YOU CAN SEE FOREVER (1970) ZIEGFELD FOLLIES (1945) TEA AND SYMPATHY (1956)

It's a joke, but it's also the point. They are both clearly giving themselves room to be picky and only take the roles they want. It's smart as fuck and I applaud them and their teams for it and won't ever judge the boys for their commercial gigs.