my dead wife. the ad free internet
𓃗

pixel skylines
Xuebing Du

roma★
untitled

Origami Around
noise dept.
Aqua Utopia|海の底で記憶を紡ぐ
RMH
Cosimo Galluzzi
Keni

Love Begins
🪼
"I'm Dorothy Gale from Kansas"
taylor price
TVSTRANGERTHINGS
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
seen from Bangladesh
seen from Belarus
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seen from United States

seen from United States
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seen from United States
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seen from Cambodia
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@bigbakerystudentpurse
my dead wife. the ad free internet

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when her military husband didn't make it
lets get the circulating for the fourth of garbage
this has been my worst nightmare for years this is gta6’s fault omg someone DO SOMETHING
reblogs were off
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
if you want to experience life more deeply you have to find more beauty. stop training yourself to dismiss, to mock, to assume the worst all the time — when you do this you build walls between yourself and the world. and after a while you stop feeling the warmth of it entirely.
beauty requires openness. it asks you to let things reach you, to soften enough to be moved. it’s not naive to see beauty everywhere—it’s a skill, a form of intelligence, a kind of quiet bravery. because it is so much easier to critique than to create, to detach than to engage, to dismiss than to love.
let yourself be affected. let yourself find things beautiful and let that be enough. life is not asking you to be cool, sitting on the sidelines and nitpicking everything. it’s asking you to see life and experience it fully.
You really start to understand that the “angry black woman” and “mean lesbian” stereotype only exists to shame us for the fact we get reasonably upset about people wanting to horrifically abuse us indiscriminately. Let’s get meaner !
sometimes I imagine the block button as me placing you in a cup and transporting you outside. this is not the environment for you
other times I am reaching for the slipper
Just came home from a dinner party with the friendgroup at which several people kept saying "Ask Pedro" or "Pedro will know" and I was terrified that they were referring to an AI like Claude but no, thank fuck, they were referring to a cardboard cutout of Pedro Pascal that someone left upstairs and who has been designated a kind of patron saint status in the household.

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the substance sisters
> turns on my computer
> disables a new AI feature that was turned on by default
> opens my email
> disables a new AI feature that was turned on by default
> launches a software
> disables a new AI fea
what people dont get about divorces is the Whole Thing About Dogs
i have written custody plans for labrador retrievers more complex than i have for children. i went to four years of undergrad, three years of law school, and sat for the bar exam to write up custody exchange provisions for dogs with hyphonated last names
my clients are paying $295 an hour for me to go to court and litigate who makes veterinary decisions for Chuckles the Goldfish and theres literally nothing i can do to stop them
framing these tags and hanging them up in my office to remind me that it can always be worse
scrapped painting,, thought i might as well post it
i want to put my thoughts behind this: this was supposed to be a piece for pride month, titled "you were loved". the sky is the color of the aroace flag (just upside down)!
basically, i wanted to show an aroace person — an old aroace person, to be precise. being aroace myself, i am always told that i will forever be lonely and miserable if i don't get a partner. so showing grace, who is aroace to me, as old and happy and fulfilled and oh so loved by his best friend, was really important to me <3

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Guys, queers. Specifically my fellow queers.
I work at a library. We do this thing where, every so often, we weed the collection. It hurts to see books go, but it's necessary to make sure there's room in the library for new materials.
I have seen so much support for the library in text, and I've seen folks pass around those beautiful "queer your library" flyers. Keep doing that. That's great. Nothing wrong with that. But you HAVE to turn your words into action. We MUST remember to actually go to our local organizations and libraries and actually, with our own fucking hands, interact with these materials we want to see more of.
My branch is medium-sized for a library, maybe a little small. We don't have as many materials as I'd like, but we have fundamentals. Tell me why, even with all the verbal support I've gotten from my local community for the library as a resource for our LGBT+ community, every single trans biography and a good chunk of our vaguely queer theory books were on the list. This isn't a scheme to take the books off the shelves, it isn't another bigoted American governmental push. The only thing we look at when we weed is how long it's been since the last time the item was checked out.
Three years.
No one in my community interacted in any meaningful way with the few books on trans life and history we physically had on the shelves for three fucking years.
I promise you the materials you want and need are there, but this isn't a horde. This isn't a static safety net. You have to use them. You MUST use them or, in the future, maybe in three years, they *won't* be there anymore.
This isn't a vague post, there's no one person I'm hinting at or calling out. I'm not even talking directly to anyone who's directly in my line of sight. I just want everyone to hear this. Big library, small library, whatever. Doesn't matter. Please, we cannot be losing our shelf visibility like this.
I work in a different library and can confirm, it's a decision based on popularity not censorship
we're big enough to have lots of shelf space but still have the problem on a different scale. We do have a back storage room rather than completely getting rid of some things, but having to ask for that might be a barrier for sensitive subject matter and prevent people from casually stumbling across something of interest
Yep. Different library worker here, we weeded adult non-fiction recently bc it's most rarely used and we needed to clear a bookshelf of space, and there were a decent number of queer books on the list. Thankfully not all of them, but some (we had a lot lol). Our criteria is also no borrows in 3yrs. I can't borrow the whole list by myself. I do try to get these books in, and the local authority are happy to buy them, but we need space for new books every so often and we can't keep everything forever! If you want them, you have to use them!
(incidentally, the whole list was 35 pages long, which... please borrow the books you want people)
I didn't have time to comment the first time I reblogged, but I can add now:
I'm also a librarian and queer books are almost always cut first when we have to weed for space or prioritize new releases over old items because no one reads them
I will say, when I worked at a large downtown location, we had a "browsing card" that we would check out items we found taken off the shelf and left on a table, as an example of a book that had clearly been read, just not checked out by anyone
it's possible queer books do actually get a bit of unfair treatment in this regard because people may be nervous or outright scared to check them out onto an account with their name on it. so they get browsed at a much higher rate, but if a library doesn't have a specific system in place (or need for it) to count browsed items, then it looks like they aren't being used and they get weeded
for other librarians, a browsing card is a great idea if you have enough staff for the extra work / enough items left out to justify it
for patrons, check out queer books even if you don't read them! you're not lying or committing any type of fraud. you're keeping books on the shelf long enough for pride season when people are interested in checking them out again and for people scared to use their own accounts or who don't have library cards
for anyone nervous about using their library card, libraries do not keep search histories of what you check out!! this means even if the government does come back with a warrant, *wet farting noise* too bad! it doesn't exist!
so please check out queer books!
I have to wonder how often they aren't checked out because those in an exploratory period may not feel safe enough for them to go home with them, too. Kids, for example, or folks who have ended up in a het marriage that... Doesn't feel like it's quite right (or may be physically abusive).
This is most definitely one of the causes of this. That's why it's so important for folks who *can* to *do*.
It feels like such a small thing, but all movements are made up of small things! We have this mindset that in order to get everything done, everyone must be doing their (or *the*) absolute best at all times. But not everyone can do the same things, to the same degree, with the same amount of productivity or success. Not everyone can; sometimes, they're the ones that need help. Sometimes people just need help.
This post is very much so intended for the people who can. I've seen a lot of replies from folks who say they don't have to (or don't think about) checking out or requesting queer books from the library specifically because they *can* buy them, can pirate them, or already have them in their house or on their computers or phones. But in instances like that, keeping these books in circulation is less for you and more for the people who can't. The folks who come to the library, who don't have access to internet--or even electricity--at home and would never--have never--been able to interact with this "ubiquitous queer community" we have here online who has made so many of these. materials so avaliable to the rest of us.
And... if I can be a little frank. Sometimes the hyperaccessibility of these materials online (through pirating, cheap e-book copies, etc) gives people a false sense of security. It implies that these things are an infinate resource, good for "When I get around to it".
And often, you won't. There's so much to read and so much to do. So much to download and so much to sit down and stare at for hours. That kind of mental scope puts books in people's hands (or phones), but never in their heads.
But the moment your favorite document archival site gets knocked offline for breaching copyright or your go-to mega corporate audiobook distributor decides it doesn't want "those" materials anymore, what's left? What did you download? What information did you internalize? Did you ever get around to it? If you did, great, but what good does that do for the person who didn't? Are you going to be the one to redistribute that information? Are you going to communicate it in the place of the author whose words are no longer publically accesible or, mostly avaliable, but only behind hefty paywalls and financial gatekeeping? How would someone else get a hold of it? How could they, if they wanted?
This is excellent info.
What are some good books to check out for those who can?
Gosh... there's so many options. I wouldn't know where to start without knowing who I'm talking to and what they're looking for. What I can recommend is for folks to check out creators like @makingqueerhistory who have spent just a ridiculously beautiful amount of time collecting queer history and book lists! You'll find something in seconds reading their page.
Personal pitch: I liked the books Tar Hollow Trans and Gay Poems for Red States. Both great.
I'm glad I was tagged in this because it means I can cosign (and also add a little nugget of info).
I live in a province that is currently trying to ban queer books from libraries, and as a library patron, this is terrifying. 95% of the books I read are from the library and a lot of them are way out of my budget to buy personally.
Making Queer History would not exist without the school library I skipped class in to write articles. It would not exist without my friends with library cards for their universities sharing them and getting me access to rare texts. I would not be able to read as much as I do without Libby and Hoopla. If I have ever given you a book recommendation, know that I likely got it from the library first.
I cannot overstate the importance of protecting libraries and checking out queer books. And I want to say thank you to everyone above for being as passionate as I am about queer books in libraries.
Love y'all <3
@official-library-posts
official library post
I hate when job apps have sections on the form like this that only allow you to enter numbers, like at least give me some parameters. Are you looking for an hourly rate? Weekly? Annual?
Okay.