Killing Eve || Sweet but Psycho
You'll play along Let her lead you on You'll be saying "No, no" Then saying "Yes, yes, yes" 'Cause she messin' with your head

pixel skylines

⣠Chile in a Photography ā£
we're not kids anymore.
šŖ¼
occasionally subtle
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
wallacepolsom

Andulka

Love Begins

JBB: An Artblog!
Sade Olutola


Discoholic šŖ©
cherry valley forever
todays bird
Three Goblin Art
trying on a metaphor

ē„ę„ / Permanent Vacation
seen from Venezuela

seen from Venezuela
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seen from United Kingdom

seen from United States
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seen from France
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seen from Australia
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@bh9uk
Killing Eve || Sweet but Psycho
You'll play along Let her lead you on You'll be saying "No, no" Then saying "Yes, yes, yes" 'Cause she messin' with your head

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Your life as a book title:
I'll go first
i feel like we dont talk enough about how two of the most decorated female hockey players ever, one a former captain for team canada and the other for the usa, fell in love and had a baby togetherĀ
small gay sports baby
Ok but where is my cheesey lesbian rom-com about them falling in love while playing against each other
who is this
Emily Heller is amazing.Ā http://www.cc.com/video-clips/ao9g6r/stand-up-emily-hellerāwant-to-be-single-forever
I was happily surprised with that twist
The Grim Reaper is no longer able to claim lives directly. Instead, when your time is up a mark appears on your body and it is the duty of every other person to kill you on sight.
I am not a careless person. I cover my tracks, monitor what I say, look before I cross the street. At least, I do now.
When I was 20 years old, I walked home reading a book. I was so engrossed that I failed to notice the heavy metal vehicle moving at my frail, human body at 40 mph.
It swerved, I stopped, no one was hurt, no one died. They never do.
It was only when I took the cookies out of the oven that I noticed the mark on my arm. I knew what it meant. It was my duty to report to the authorities to be murdered. If I didnāt, anyone who saw it would kill me on sight.
I didnāt want to die. I was only twenty years old! I hadnāt even finished college, much less gotten to all my grand plans and ambitions (never mind that I didnāt have any. I had time to plan out the rest of my life later. So I thought.)
I burned my arm on the cookie sheet. The scar covered the black mark somewhat, and I put a bandaid over it. The people at work didnāt question it.
After some time, the burn healed. The mark remained black over the scar, bigger now. I tried carving it out with a knife. It was winter now, and long sleeves were the norm - no one would notice my injury. The mark remained, the bloody lower layers of my skin black as deathās robes.
From then on I wore long sleeves. When I went to the doctor I covered it with paint and hoped they wouldnāt notice. They didnāt. I was lucky.
The mark grew.
I was in trouble when it reached my wrist. As soon as it covered my hand I would be discovered. I ran.
Soon I will be nothing but a shadow in the night. Perhaps some of the stories they tell of night creatures originate from people like me. Those who escaped, their marks covering them, even the whites of their eyes turned deepest black. In a way, we are no longer human. Isolated, undying, immortal, betrayers of natureās most fundamental law: all things must come to an end.
If I outlive humanity, will I ever die?
When the sun goes nova, will I still exist?
When the universe ends, will I endure?
Or is death simply a shortcut to that end? When the last star has gone out and matter has been erased, will Death greet me with a weary sigh, sayingĀ āwhere have you been? Weāve been waiting for you for an eternity.ā
At that point, will I even remember who is waiting for me?
Daaamn thatās some good writing.

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Trends that made a comeback
Me: Small but knowing
you donāt be knowing what the top shelf looks like
@aussie-sass
[Beca & Chloe go grocery shopping]
Chloe: Iāll take one of these.. *picks up broccoli*
Chloe: ..and one of these.. *picks up bananas*
Chloe: ..and one of these! *grabs Becaās arm and grins*
[Beca rolls her eyes with an amused grin]
Janelle MonƔe 60th Annual GRAMMY Awards

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āThe womanās got to show up, [like], āWe all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.ā
#me @ quentin tarantino fans
Mad Max: Fury Road and practically every film JJ Abrams has ever made including The Force Awakens.
Mad Max: Fury Road was edited by Margaret Sixel, who is married to George Miller and who he begged to edit the film because he said that if a man edited it, would be a totally different movie and not one he wanted to make.
Maryann Brandon and Mary Jo Markey edited The Force Awakens. Maryann Brandon has worked on almost all of the shows and films Abrams has worked on and Mary Jo Markey is also a frequent collaborator.
Thelma Colbert Schoonmaker has edited all of Martin Scorceseās films since Raging Bull and worked with him for around 40 years.
Sally Menke edited all of Quentin Tarantinoās films until her tragic death in 2010.
Julia Bloch is an editor gaining attention for her work on Blue Ruin and Green Room.
about 40% of Hollywood editors are women. when discussing how these women are underrepresented, you need to give their names.
and Marcia LucasĀ (who won a BAFTA for her editing work on Taxi Driver)Ā was Georgeās editor all the way through Jedi
Did Jordin Sparks ever figure out how to breathe with no air
when was the last time u heard anything about jordin sparks. i rest my case
PREACH!
Give this a 100,000 notes please. This needs to be all over the internet.
THIS! Conservatives want to pretend that academia is made up of liberal elites instead of admitting that education and factual knowledge fly directly in the face of their ignorant, ridiculous views.
Iām surprised it took this long for someone to say this tbh
every tweet made my heart grow bigger
the most #UselessLesbian thing i have ever done was when i was trying to figure out if this girl liked me or not, just constantlyĀ arguing with myself about it, and after a couple, uh, months, of this, i was like,Ā āgod i wish i could just like⦠go to court and lay out all this evidence and have a couple lawyers argue over the TRUE MEANING of her text messages, and then a judge tells me if she likes me or not.ā and then the proverbial lightbulb went off over my proverbial head, and i dug into my mock trial folder from high school and found the trial guidelines and i wrote out an entire trial transcript featuring a plaintiff (me), my attorney (my wildest hopes and dreams), a defense attorney (my worst fears and insecurities), and a judge (my desperate attempt at rationality). the final product was several thousand words long. it clarified nothing. at any point in this process did it occur to me to ask her how she felt about me? absolutely not. did i ever stop and think,Ā āhey, maybe i should tell her that i like her?ā absolutely not. thatās for people who take risks and i donāt take risks i take myself to court in my own head.

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I donāt trust people who donāt like 80s pop music like what are you? straight? grow up
āBallet embraces the soft, ethereal and majestic side to women, and yet we often donāt see the media portray black women in this light. My project aims to reveal that women of color possess these qualities. We too are capable of portraying the princess, fairy and swan.ā
Ā āAesha Ash
Aesha Ashās prestigious career has included world class roles. Yet sheās now on to a different mission, with three big goals. She wishes to see ballet become more diverse. She hopes to inspire youth from rough areas to pursue their dreams. And she wants to show the world that tough environments canāt hold back talented people, especially those with ambition.
Aesha performed professionally for 13 years. She attended the legendary School of American Ballet; joined the New York City Ballet at age 18; and has danced solo and principal roles for companies like the BĆ©jart Ballet in Lausanne, Switzerland, and the Alonzo King Lines Ballet in San Francisco. Now sheās focused on The Swan Dreams Project, in which she uses imagery to tackle stereotypes placed on black women. Aesha commissions photographers to snap her as a ballerina in her hometown of rugged Rochester, New York, and in Richmond, California, and then donates proceeds from photo sales to organizations helping advance inner city youth. She also donates images to organizations for their fundraisers and to people seeking more positive imagery for their children or groups.
The dancer points out that black women have always existed in ballet, yet few become principals, the highest tier of dancers. When Misty Copeland became the first black female principal with the prestigious American Ballet Theatre last summer, Aesha found the milestone a moment to celebrate, yet sad and troubling that in 2016, weāre still celebrating a first. She hopes The Swan Dreams project will give more dancers ā and youths in general ā the chance to be celebrated for their own talents.
Rochester has one of Americaās highest crime rates. But Aesha hits the streets to prove that her hometown is more than violence and gangs. Thatās where her Swan Dreams Project comes in. āMy community saw that out of our environment came a ballerina, not just negativity ā a little black girl from inner city Rochester actually went on to become a professional ballet dancer in a top-tiered company,ā Aesha said in a one-on-one interview for this report. āYouth followed me on the street saying, āThis is what we need. This lifts us up.āā
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This is the dancer that doubled for Zoe saldana,who didnāt have dance skill beyond childhood dance lessonsā¦
Everyone else was a pro,and she actually did all of the work. Why didnāt they leave her in the main cast?
^ Basically. Now I feel like watching Center Stage. Havenāt seen it in years.