Berly's Bandcamp

This outstanding compilation will allow you to dive into the golden era of Mongolian music and enjoy its variety and uniqueness. Fans of Mongolian music as well as music collectors who like digging the musical history of foreign countries will love this compilation! "Mongolian Music from 70s - vol. I" is a wonderful mark in history of Mongolian music, with all it's amazing beauty and versatile instrumentations and vocals.

An Ever Changing View comes in a package as striking as the music, with handmade fonts designed by Ian Anderson of The Designers Republic and the specially commissioned tapestry by artist Sara Kelly is a stunning and harmonious complement to the record's sound.

‘Padmāsana’ is a celebration of the richness of Indian culture, and the warmth and generosity of the people living there. The album is named after the Sanskrit word for the classic lotus position in yoga - an ancient position commonly used for meditation in the Hindu, Buddhist and Jain traditions. The album cover depicts the white lotus flower beautifully painted by Lorna Robertson, in a style inspired by the visual aesthetic of traditional Indian artwork. The intricate pattern on the back cover is taken from a wooden carved stamp purchased in the sprawling market of Jaipur.

Originally released in 1984 ‘Fire In My Heart’ fuses elements of disco, funk and new wave to create a mystical masterpiece. ‘Won’t Be Your Fool’ has more obvious 80’s leanings and the 12” closes with the Instrumental Dub of ‘Fire In My Heart’, stripping back the vocals and letting the bassline work its magic.

When I made my first album "The Force Aching", I knew it was the part of and the beginning of a trilogy and the journey to that point would help me arrive at a point of clarity about what sonic world I was building. Once I started recording these songs after I released my 2nd album 'Nothing Is Sacred', I found a common thread of resilience, overcoming, taking stock of loss and the celebration of the continuous creation of the self. And while mixing it, I began to think about myself - a Ghanaian who grew up on golden era hip-hop, now carving out a space for my own brand of music. This was when the vision of Jollof Warrior crystalized. In his/her/their DNA, there was the scope of cinema, the ambience of dark science fiction, the politics of the personal, the futuristic of ancient traditions, the poetry handed down from masters of ceremonies and the transmutation of pain into joy.

The solo-project of Keaton Khonsari (Razorbumps, Narrow Head), Semantix is the result of years in the Texas underground that Khonsari spent learning synthesis and production. Violent Protocol contains 5 originals and three remixes from DKA alumni Balvanera and Autumns along with Orlando's Mother Juno. Violent Protocol’s catchy, rhythmic basslines, tense atmosphere, and old-school EBM samples confronting despair, violence, and power structures will surely appeal to long time followers of DKA and new fans alike. We here at DKA loved Semantix's first release Mania in the Psychosphere and feel that this sophomore release will place Semantix amongst EBM's elite dance floor destructors in 2023.

Rhythm Section International curates the third instalment of SHOUTS, spanning a massive 29 tracks, it traverses a vast range of genres from contemporary R&B through to club focused cuts. Encompassing the core of Rhythm Section’s wide sonic imprint, the compilation continues to focus on up and coming producers & artists alongside more established names to shine a light on the exceptional musical talent stirring in 2022.

My lonely purple sweater walking down the street Under perfect weather but theres something wrong with me Oooo bad at keeping company Already on my own and I Don't wanna cry alone Mmmmm no I Don't wanna cry alone Mmmmm no I Don't wanna cry alone I'm already on my own Mmmmmmmmmm Don't wanna cry alone Don't wanna Can anybody anybody hear me are you listening On this corner so long that they think I'm soliciting I need a friend that can commit To my immense problems Let's talk obsession Let's talk about our sadness Let's talk about confessions Let's talk a little gossip Let's talk about our traumas I'll tell no one I promise I put that on some commas cause I Don't wanna cry alone Mmmmm no I Dont wanna cry alone Mmmmm no I Don't wanna cry alone I'm already on my own Mmmmmmmmmm Don't wanna cry alone Don't wanna cry alone

A casual comeback for the Casual Dots, a mid ’00s indie supergroup of sorts who released one record on CD and then disappeared for two decades, Sanguine Truth is one of the year’s most accomplished rock records. Though recorded piecemeal over many years, the music made by the Christina Billotte-led trio (with Kathi Wilcox on guitar and Steve Dore on drums) has never been overly indebted to any one style, so it always sounds modern, a knotty mélange of tough-girl garage, taut post-punk, and swoony doo-wop. On Sanguine Truth, Billotte’s songs are by turns pressing and pensive; sweet and sour; topical and timeless, but always hallmarked by the elegant serpentine twining of Billotte and Wilcox’s guitars. Sanguine Truth is a sophisticated and timely release that delineates the monumental on a minimalist scale, a clear-eyed reflection of how the most life-changing experiences are sometimes only graspable in hindsight.

Yaya Bey is one of R&B’s most exciting storytellers. Using a combination of ancestral forces and her own self-actualization, the singer/songwriter seamlessly navigates life’s hardships and joyful moments through music. Bey’s new album, ‘Remember Your North Star’, captures this emotional rollercoaster with a fusion of soul, jazz, reggae, afrobeat and hip-hop that feeds the soul. The artist’s knack for storytelling is best displayed in the album’s lead single, “keisha”. It’s an anthemic embodiment of fed-up women everywhere who have given their all in a relationship, yet their physical body nor spiritual mind could never be enough.

Topical Dancer - which cements Charlotte and Bolis as a duo under both their names for the first time and is co-written and co-produced by Soulwax – is both a triumph of kaleidoscopic electro-pop and “a snapshot of how we think about pop culture in the 2020s.”

The London-born, Maryland-raised, Brooklyn-based DJ, songwriter, producer, and multi-instrumentalist - aka Ibe Soliman - continues to build on the well-deserved acclaim from his 2021 debut LP, “PINK,” as well as a slew of standalone singles and collaborations with the likes of Shabazz Palaces, Jarv Dee, and Stas THEE Boss.

Robag Wruhme is back with two intense, low-slung monster tunes in his unique masterful fashion. "Glut" is destined to set your peak time dancefloor on fire with its killer bassline and trippy sequences. "Un-spok-en" is equally relentless and unfathomable, garnished with a haunting vocal snippet.

Rave, jungle and techno with cut-ups of popular samples. From Berlin, with love.

Powerful jungletek and speed techno from Brazil.

“One of dance music’s ultimate tastemaker labels” - Billboard

In these daunting yet precious circumstances, Italian producer Markeno has found his rhythm back, dusting off old records and re-approaching his past musical love affairs that he believed to be long forgotten. Here, in the fertile limbo that connects past and future, "Dock lown (exploring)" is born: a 3-tracker release with a chameleonic nature and an undeniable groove, in which Markeno is able to tactfully combine different genres such as indie, post-rock, African music, electro and funk. In the contemporary music scene, overly saturated with catchy melodies and seductive lyrics, it is refreshing to encounter a composition like "Fase 01", which starts from a purely percussive structure. Just when the ear is settled and well inserted into the tangle of drums, here comes the melodic twist, no less than at the fourth minute, injecting an unexpected groove and chalking out the contours of a track with multiple personalities: a little esoteric, a little synth-wave, quirky and badass. The temperature rises with “Zona Rossa”, in which the electro hint sketched in “Fase 01” becomes more pronounced, opening the doors to a dense psychedelic scenario. A shamanic loop accompanies the electric bass and escorts us through the smoke of the bonfire, veils swayed by the wind and colored lights that sparkle in the night. The ritualistic humming of '’Zona Rossa”' is still hearable, floating in the rarefied atmosphere, while the last track “Limbo” makes its entrance and confirms once again the poliedric but congruous essence of this release, whose percussive attitude lures you in and whose hypnotic and groovy body makes you stay. At least for one more dance.