Jar Jar Binks Fan Club
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Game Changer & Make Some Noise
YOU ARE THE REASON
Aqua Utopia｜海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
The Stonewall Inn
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he wasn't even looking at me and he found me
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PUT YOUR BEARD IN MY MOUTH
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@berkleydelaporta
the best phrase developed by my mock team this year was "i'm misleading the jury like it's an olympic sport." applicable to many situations, such as running a half-guilty riley kaye prosecution where you try to convince the jury that riley really didn't know anything, she just loved charlie and charlie was manipulating her to break the law! <- total fucking bullshit that girl was SO involved in rob's death. but the jury doesn't need to know that!
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the Relationship Ambiguity Zone™️ is a beautiful place to be. safe place to put your characters. put all characters into Relationship Ambiguity Zone. is that guy your mentor or your dad? Ambiguous!!! are you friends or enemies? Ambiguous!!! is it romantic? is it platonic? is it sexual? Ambiguous!!!!!!! never categorize anything ever in the Relationship Ambiguity Zone. just make them fucking weird about each other.
big fan of when you peel back all layers of a character and at the bottom of it there's love
why are they doing this? because they loved someone so much it caused the plot to happen. Grief counts btw
ESPECIALLY a big fan of when this isn't enough to make them a good person
writing the most valid crash out of all time
Rob has barely processed how much of a shithole Charlie is living in before Charlie throws a vase at his head. He ducks just in time. "What the fuck, Charlie?" "Why the FUCK are you here?" She screams at him in return. "Why the fuck are YOU here?" A shoe whizzes past his head, he jumps away just in time. A second shoe follows it. They're tennis shoes, old and ratty. Charlie's, then. He glances around, briefly, for Riley's conservative heels, sees no sign of them. Huh. Interesting. He'd expect her to be here, after what he heard. He'd expect her to be here tiding up the mess that was her girl. "Taylor follows the gossip columns, and gave Amber a heads up that there might be a media storm coming our way," Rob explains, when he catches sight of Charlie unplugging what looked to be a blender. Probably best to reply to her before she loses her shit again, and the blender hits the wall. "I was—worried." Sure. Worried is the word that he'll go with. He was worried. Charlie laughs at him. It's not a nice laugh. "Taylor gave you a heads up? She didn't even text me!" Rob shrugs. "I mean, she was there when my kids were born. I'm pretty close with her. It's not personal." Another laugh. It sounds slightly hysterical, which isn't new for Charlie. "How did you even find me?" "I mean, you've been doxxed like fifty times." "You looked up my fucking doxxing?" "Uh—" The blender barely misses his head, shatters against the wall. "Charlie!" "You tracked me down from my fucking doxxing after I told you I never wanted to speak with you again!"
"I'm pretty sure you were, actually, begging me to speak with you again at the end of Seaspn 2," Rob corrects. "I'm pretty sure you were like, on your knees begging for me to explain it all. Like, there are a lot of clips online of it."
Charlie makes an inarticulate screech of rage, and Rob suddenly realizes that he really should not have said that.
i think in season 2 it was riley who pushed charlie to let rob "have" kathleen. riley explained to charlie that doing that would protect charlie from negative online backlash because the internet is ruthless to out and proud bisexuals who actually engage with their bisexuality (technically true!). however the goal was not actually to protect charlie from backlash. the goal was to keep charlie single for herself #toxicyuri
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the toxic yuri is yuri-ing
Reese steps closer, still several inches shoeter than Riley, even in her heels. She looks Riley up and down, disdain in her gaze. Looks at Riley's right hand, her nails, cocks her head to the side. "Riley, darling, don't tell me you take turns." "That's... personal," she says as her face heats up, and she goes to turn her head away. Coffin nails suddenly digging into her chin stop her. "Personal?" Reese asks, faux concern in her voice. "It's personal? You're practically drooling over the biggest sack of shit in Midlands while standing in the middle of a hotel hallway—a hotel hallway that has cameras, for the record—and you say 'it's personal?' Darling, the only personal thing about that is how personally close you got to someone much more vindictive than me finding you and getting you fired for fraternization!" "It's not fraternization," Riley manages to reply, somehow. "I'm not stupid enough to date a contestant while the show is going on." Just do everything else, apparently. Reese lets out a laugh of disbelief. "Oh, lovely, my second in command is being fucked by Charlie the Chump and they haven't even defined the relationship!" Reese releases Riley's chin with a flick of her hand. Riley is certain Reese's nails left imprints on her skin. She doesn't dare reach up to touch them. "I can't believe you let her touch you, christ. Follow me." Riley follows.
one thing that I am trying to really show when writing these two is that. okay. so riley is very dedicated to maintaining this aesthetic of decency. she intentionally manipulates charlie and triggers charlie's trauma repeatedly, but she does so in a way that is intended to mask her actions for an imaginary audience. everything is cloaked in an illusion of decency, of care, of societally acceptable actions.
reese does not do that.
reese has reached a level of success where, as long as she keeps a tight fucking hold on said success, as long as she ruthlessly eliminates any competition, she gets to engage in actions that women are more traditionally punished for and avoid said punishment. she can scream at the PAs, she can stomp around and make demands and be listened to instead of being dismissed as overemotional, because she's the "head bitch in charge", no one gets to dismiss her and stay employed. she can be crude and cruel when speaking to riley, when speaking to the contestants.
(this is a stark contrast to my charlie, who tries and fails to do that. who engages in similar behaviors when she's hurt—the yelling, the screaming, trying to make yourself seem big and scary—but she's laughed at for them, again and again. she's laughed at up until she starts acting like riley, until she starts pulling underhanded, backstabbing moves.)
riley is quietly manipulative to succeed while maintaining an illusion of helplessness. reese is loudly cruel because she's clawed her way to a position where it's acceptable and she sees it as her right to deal cruelty out as she sees fit. charlie is genuine with her emotions, but doesn't have the societal standing that makes negative emotions "acceptable" like they are for reese, so she's continuously punished by society for displaying those emotions until she turns into riley.
the toxic yuri is yuri-ing
Reese steps closer, still several inches shoeter than Riley, even in her heels. She looks Riley up and down, disdain in her gaze. Looks at Riley's right hand, her nails, cocks her head to the side. "Riley, darling, don't tell me you take turns." "That's... personal," she says as her face heats up, and she goes to turn her head away. Coffin nails suddenly digging into her chin stop her. "Personal?" Reese asks, faux concern in her voice. "It's personal? You're practically drooling over the biggest sack of shit in Midlands while standing in the middle of a hotel hallway—a hotel hallway that has cameras, for the record—and you say 'it's personal?' Darling, the only personal thing about that is how personally close you got to someone much more vindictive than me finding you and getting you fired for fraternization!" "It's not fraternization," Riley manages to reply, somehow. "I'm not stupid enough to date a contestant while the show is going on." Just do everything else, apparently. Reese lets out a laugh of disbelief. "Oh, lovely, my second in command is being fucked by Charlie the Chump and they haven't even defined the relationship!" Reese releases Riley's chin with a flick of her hand. Riley is certain Reese's nails left imprints on her skin. She doesn't dare reach up to touch them. "I can't believe you let her touch you, christ. Follow me." Riley follows.
the odds of me wearing a corset under my suit to force myself to sit up straight at counsel table during ORCS is so high 😭😭😭 I have so many minor things about my performance to fix i can't waste energy on my posture when theres so much else 😭😭😭
i'm having too much fun with this
"Please don't be angry, baby," Riley says, quieter this time, inching closer, widening her eyes. "We're supposed to be a team," Charlie shoots back, but it's distinctly more uncertain now. "And we are. You're the contestant. I'm the story producer. I'm just doing what I need to do to tell your story." "And I can't have more of a voice in that?" Charlie asks, but she sounds resigned. Well, resigned and interested. Her cheeks are pink, and her eyes are very determinedly on Riley's face. Which is a shame, because there are better things she could be looking at—there's a reason Riley is standing this close, after all—but Charlie is respectful, first and foremost. Credit to Kate Martin, she supposes, for raising Charlie that well. "It needs to be genuine, baby," Riley reminds her, moving her hand on Charlie's cheek up to her hair to brush a stray lock of hair back into place. Charlie sways with the movement, but pouts at the words. "You can't script your own reaction. That's just bad television!" Charlie cracks the smallest of smiles—then freezes, like a deer in headlights. Riley barely processes the sudden change before— "Actually, bad television is when my second in command disappears to go fuck a contestant," a new voice chimes in. A calm voice. A collected voice. A voice that makes Riley's blood freezes in her veins. Riley jumps backwards like she's a kid caught with her hand in the candy jar, spins around faster then she ever has before. Oh, fuck. Oh, fuck fuck fuck.
Her panic must be visible on her face, because Reese, standing there like the devil herself, laughs.
"Oh, calm down Riley, ratings are rising, so I suppose that fucking the beta strategist can be your reward for a job well done! If you really want to spend your night that way, who am I to judge?" Reese drawls after her laughter fades. Despite the debatably supportive words, her voice is full of clear disdain at the prospect. "Well, it can be your reward once I don't need you anymore, that is. Which isn't yet, and isn't going to be for a few hours. So, uh, Martin? Be a doll and scram. Hunt down another contestant, start some drama, just—do something that reminds me why we pay you, kay?" Reese pauses, smiles. "Because let me make it clear: I'm not paying you to eyefuck my story producer in the hotel hallway."
post episode 8 fic snippet
"You lied to me!" Charlie accuses, quick to follow Riley out of the room. Riley rolls her eyes, walks faster, heading towards a quieter area of the hotel. "Stop—fucking strutting away from me, you lied to me!" "You recovered beautifully," Riley reassures her, not bothering to slow down. "I needed to lie, Cholly, it was for the edit. We needed that genuine surprise on your face." She chances a glance back at Charlie through a window, winces at the look on Charlie's face. Right. She's going to need a bit more. "Oh, don't look at me like that. That close up on you solidifying your resolve after realizing the situation? The edits to Sabrina Carpenter are going crazy. I've seen more fancams of you in the last hour than of Rob in the last week." A pause. "You're watching fancams of Rob?" The offense in Charlie's voice is laughable. But Riley doesn't laugh. She's not stupid. Anger is vulnerability for Charlie. Instead, Riley spins around, places herself in front of Charlie, focusing Charlie to suddenly stop walking just in time to avoid collision. Charlie wobbles as she does so, nearly overcorrects, fixes it—barely. Once it's clear Charlie isn't going to fall, Riley brings her hand to Charlie's chin, tilts it up until they're making eye contact. Charlie looks angry. Jealous. Good. "Baby, I told you, I'm watching more fancams of you," Riley says, pitching her voice deeper. She knows the tone that she knows Charlie can't resist. She squares her shoulders, tosses her hair back. Watches Charlie watch how jacket shifts with the movement, revealing her collarbones. "They're loving you."
This DID predict the future lol this is just the not pg version of what Lennox heard in that broom closet
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case change hopes
- more toxic rileycharlie! have the new witness watch charlie sneak out of riley's room during the middle of the night. give us a witness explicitly notice that riley is acting colder to charlie during the 10 days after valentine's day before charlie apologizes. give us a screaming argument about rob and how riley is "letting him ruin charlie's life again". please amta PLEASE
- more reese krumpe and more of her iconic shoes that she was gonna stab someone (potentially jha) with
- megan the pa as a witness. i NEED to hear more about how awful working on that damn set was
- on that note, give rivera some more lines about the production treating the staff badly come on amta u know u want to
- more details about charlie tampering with rob's food hello??? why is this a one off line??? WHAT DO YOU MEAN THE TAMPERING WAS WAY ABOVE ACCEPTABLE LEVELS. WHAT'S ACCEPTABLE?!?!?!
- make rob more complicit in the five years of harassment.
- have jha specifically state as a conclusion that the end of season 2 is what caused charlie to get doxxed. let's explain doxxing in court!
- give us like some overheard hearsay of reese covertly threatening kaye if kaye fucks up another season
- have lennox reynolds hand riley kaye a pamphlet about "reporting unhealthy work environments" but don't give us the pamphlet (because kaye shredded it) (immediately) (no hesitation)
KILLING REESE IS NOT GIVING ME MORE REESE. BTW.
What the fuck do you MEAN they killed reese
post episode 8 fic snippet
"You lied to me!" Charlie accuses, quick to follow Riley out of the room. Riley rolls her eyes, walks faster, heading towards a quieter area of the hotel. "Stop—fucking strutting away from me, you lied to me!" "You recovered beautifully," Riley reassures her, not bothering to slow down. "I needed to lie, Charlie, it was for the edit. We needed that genuine surprise on your face." She chances a glance back at Charlie through a window, winces at the look on Charlie's face. Right. She's going to need a bit more. "Oh, don't look at me like that. That close up on you solidifying your resolve after realizing the situation? The edits to Sabrina Carpenter are going crazy. I've seen more fancams of you in the last hour than of Rob in the last week." A pause. "You're watching fancams of Rob?" The offense in Charlie's voice is laughable. But Riley doesn't laugh. She's not stupid. Anger is vulnerability for Charlie. Instead, Riley spins around, places herself in front of Charlie, focusing Charlie to suddenly stop walking just in time to avoid collision. Charlie wobbles as she does so, nearly overcorrects, fixes it—barely. Once it's clear Charlie isn't going to fall, Riley brings her hand to Charlie's chin, tilts it up until they're making eye contact. Charlie looks angry. Jealous. Good. "Baby, I told you, I'm watching more fancams of you," Riley says, pitching her voice deeper. She knows the tone that she knows Charlie can't resist. She squares her shoulders, tosses her hair back. Watches Charlie watch how jacket shifts with the movement, revealing her collarbones. "They're loving you."
case change hopes
- more toxic rileycharlie! have the new witness watch charlie sneak out of riley's room during the middle of the night. give us a witness explicitly notice that riley is acting colder to charlie during the 10 days after valentine's day before charlie apologizes. give us a screaming argument about rob and how riley is "letting him ruin charlie's life again". please amta PLEASE
- more reese krumpe and more of her iconic shoes that she was gonna stab someone (potentially jha) with
- megan the pa as a witness. i NEED to hear more about how awful working on that damn set was
- on that note, give rivera some more lines about the production treating the staff badly come on amta u know u want to
- more details about charlie tampering with rob's food hello??? why is this a one off line??? WHAT DO YOU MEAN THE TAMPERING WAS WAY ABOVE ACCEPTABLE LEVELS. WHAT'S ACCEPTABLE?!?!?!
- make rob more complicit in the five years of harassment.
- have jha specifically state as a conclusion that the end of season 2 is what caused charlie to get doxxed. let's explain doxxing in court!
- give us like some overheard hearsay of reese covertly threatening kaye if kaye fucks up another season
- have lennox reynolds hand riley kaye a pamphlet about "reporting unhealthy work environments" but don't give us the pamphlet (because kaye shredded it) (immediately) (no hesitation)
i think hartley used to get dragged to basketball games for networking opportunities and marlowe would flirt with them the ENTIRE TIME and hartley would consider throwing themself or marlowe into the middle of the court every time (this is flirting for them)
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weaponized competence
learned helpfulness
evil therapist: to ground yourself, look around, name 5 things you can kill, and 4 things you can at least maim
