1965 Artist Concept of Kennedy Space Center, Vehicle Assembly Building and Launch Complex 39
Source: The Giki Tiki Archives

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shark vs the universe
cherry valley forever

2025 on Tumblr: Trends That Defined the Year

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1965 Artist Concept of Kennedy Space Center, Vehicle Assembly Building and Launch Complex 39
Source: The Giki Tiki Archives

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the people sitting outside eating sweet green salads at 1230 today in the 102 degree weather with the wildfire yellow clouds overhead seriously don't give a fuck about anything anymore
TROYE SIVAN 2026 | via Instagram (July 14)
Keanu Reeves polaroid by Gus Van Sant.
by Peter Schmid

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Where's a public library? by the Toronto Public Library, 1975, showcasing library branches in the west end of Toronto
Merina; Madagascar, 1900-1908. Maurice Teissonnière
I can't stop thinking of Grace being reborn on the ship. Gosling calls the coma bag his amniotic sac. He's released from it wobbly, frightened, struggling to speak, like a brand-new baby; is stunned to find out he's been released into an enormous universe with no instructions. He encounters death immediately without understanding. He has to learn to know himself from nothing--"Am I smart?" He cries and screams over how overwhelming it all is, like a toddler shoved into a world he can't control.
Through his angsty teen stage he is learning the little things that make him himself -- he likes cilantro, he has muscles, he has a sciencey brain -- but none of that gives him a purpose. He goes into depressed undergrad party mode, in a silly hat, soaked in vodka, asking himself what the point of it all is.
But then he sees the ship's golden wall carved with the mission, the memory of the people before him who worked to get him this far, the children coming after him who are depending on him, and something shifts. His shoulders straighten. He takes a deep breath and tosses the little Earth-ball into the air. He understands very little yet, like any young graduate just trying to join the flow of community and history. But Grace has found his adulthood.
After that he can face mortality, responsibility; he puts on his uniform, buries his crewmates. He can grieve them properly and face the future for Earth's sake. After that he's ready to try to meet the moment he's in, even though like all of us he knows now that he will die. And he is ready to meet and love the people different from him who will become his family, his home. He has dealt with fear and loneliness and loss; he's ready for life. He's grown up.
SPIKE FEARN for Flaunt Magazine, photographed by Ryan Pfluger

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ladies and gentlemen, the mighty ponytail
grace + saying goodbye to earth 🌱
Project Hail Mary (2026) dir. Phil Lord, Chris Miller
he's like bisexual and stuff
Hail Mary, full of Grace

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Project Hail Mary (2026), dir. Phil Lord & Christopher Miller
WIDOW'S BAY
1x01 | 1x02