Decided to make an attempt at drawing the queen herself.

tannertan36
Mike Driver
Sade Olutola
Cosimo Galluzzi
Keni

Kaledo Art

roma★
Fai_Ryy
d e v o n

#extradirty

JVL
Aqua Utopia|海の底で記憶を紡ぐ
macklin celebrini has autism

blake kathryn
Jules of Nature

Love Begins
let's talk about Bridgerton tea, my ask is open
noise dept.
Today's Document

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@baronofshadows1684
Decided to make an attempt at drawing the queen herself.

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clark devouring himself
Anyway i love how the movie uses this very abstract out-there horror premise to represent the human tendency to get stuck on something and obsess over it and become trapped in a never-ending cycle and to resist change so hard that you still change anyway but in a way that degrades and warps and destroys you and the fallibility of human memory and how every time you recall something it gets a little less accurate which means the more you obsess over something the further entrenched in it you become the more you choose to live here the worse it gets the less you understand it until your perspective on the objective reality of it is completely destroyed. The backrooms are a brain the whole thing is a brain. The horror is the human brain. CAN ANYBODY HEAR MEEEEE
*licks finger and tastes the air* my fallout game is about to crash

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Curie
we saw you from across the bar and thought you were really off. and awkward. and that you have that "you think you're better than me" chip on you.
commission for @mysticmuttzblog !!! had alot of fun with this one hehehe
ahsoka sees rotta on a new republic base and undergoes all five stages of grief when she realizes that that's baby stinky from her first mission ever with anakin and force, she's old (category 5 adult experience)

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Can’t really articulate it properly but. Something about Clark and the need for ownership being a repeated theme throughout the movie. Something about how he constantly emphasizing that it was his house, his store, his money that pays for everything. Or the way he refers to the copies as “furniture” and treats them as such despite the fact they do show some sentience. The way he treated Mary as a means to justify his not wanting to leave and his refusal to change. The fact that Clark eats from the copies and the Captain eats people.
The Captain’s “den” being filled with piles of clothes and pieces of the cardboard cutout it destroyed. The piles of furniture in the middle of rooms. Something about the Captain’s hostility at people that enter Backrooms possibly from seeing them as an invasion upon his space, his house, threatening change in a place he does not want it. Trying to gain control over your life by trying to own and control everything around you. Is this anything
The backrooms are a failing brain trying to hold onto even the most basic of memories, even as they warp and decay.
The backrooms are generative AI trying to capture something real but only achieving a malformed, mindless imitation.
The backrooms are stagnation, an unwillingness to step into the new and uncomfortable effort of changing, instead running through the same old routine even as it starts to fall in on itself.
The backrooms are nostalgia cannibalizing itself, trying to remake and remake what it already knows without making anything new, until the familiar is so bastardized it's barely recognizable.
"I like it in here"
Okay. But its going to consume you.
"We don't have to change"
Okay. But it's going to consume you.
Eventually you have to leave. Eventually you have to run. And its painful and it's so much harder than staying in the comfort of what you know. In that house that stopped being a home years ago. Living memories you've replayed so many times over and over that the details are warping and becoming hollowed out corpses.
And it will consume you when you least expect it. You'll rot right there along with the building foundations and distort right along with your memories.
You'll have to run eventually, even if that's not how you're wired.
The window was never locked.
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
I really love that the backrooms film answers probably something that everyone has at least wondered once.
“What happens if I just… choose to stay.”
It kills you. It will eventually kill you. Because you’re choosing to live in a memory. An echo of the past.
To live in the past is to no longer experience the future.
To no longer experience the future is to run out of the present.
To run out of the present allows the past to catch up to you. Quickly.
Clark was dead the second he made that choice. Not just because of the captain. But because in that very moment he let go of his future.
And became someone who only exists in the past.

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hello, average tumblr user. your challenge is to name a canonically lesbian female character in the tags of this post. if you name a male character for any reason, you will be shot in the head. good luck.