02/07/26: SUI vs CAN | Sarah Fillier's PPG

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02/07/26: SUI vs CAN | Sarah Fillier's PPG

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GREGORY HINES & MIKHAIL BARYSHNIKOV White Nights (1985) dir. Taylor Hackford
Masters of their craft.
My favorite thing about this sequence is that if you don’t know who Hines and Baryshnikov are, and I tell you one is a ballet dancer and one taps, you should be able to figure out who’s who based on their specific movements, even though the choreography is the same.
ABSOLUTELY. It’s so obvious in the way they move, and things like the positioning of the hips as they do the same step. Where the weight is in the leg. All those things. It’s one of the things that makes the sequence such a pleasure to watch – you can see that both of them are amazing dancers and you can also learn a lot about their specific disciplines and the differences between them watching it.
OK OK I am actually going to go through those gifs one by one to talk about the things that really strike me in each one as demonstrating the two styles of dance. I’m sure I am missing some things, this is just what is obvious to me.
1. Look how they lead the movement as they step back. Baryshnikov moves his leg following a hip/torso movement. Hines comes very close to leading with his knee. You’ll see that knee-leading motion in a later step, too. You can probably do this yourself: stand with your feet and hips square to the front, then turn your hips towards the left and use the pull of it to lead your leg into the step. Then go back to square, and take a step back by letting your knee open to the side and go backwards. You should be able to feel the muscles working pretty differently – the first movement engages a lot more of your core, the second relies more on your various thigh muscles.
2. The leg extension in the air – that perfect straight leg is ballet to the core – and look at how differently their hips and feet are when they land! Baryshnikov’s hips are squared to the side and his feet are aligned; Hines’s hips are angled and his back foot faces the front and is flat. If a ballet dancer had his foot like that – and he might – his hips wouldn’t be doing that angle.
3. This is a tap sequence and it’s where that knee-lead comes in again. Hines’s hips are loose and his knees seem to be leading the movement – almost like they are pulling both his hips and his ankles along for the ride. You can see where his feet will strike by watching the knees. Baryshnikov is not a tap dancer and it really shows here! Once again you can see that he moves his hips in order to shift his knees and weight.
4. There are a few things here but the biggest to me is how they land out of that jump. Hines lands…well, like a tap dancer. He comes down hard and flat – you can see the little jolt as he hits – like he’s slammin’ that tap shoe down to make a big ol’ noise. Baryshnikov’s landing foot isn’t as easy to see, but he comes down toe-first, as is correct for ballet.
5. Again there are a few, but what I find most striking is the looseness/rigidness of posture. Both of them have immense body control, but Hines is letting his joints flex more in the air. It looks to me like again he brings his heel down harder, as well, on both back and front legs – in fact I kind of wonder if the heeled boots Baryshnikov has on are to make it easier for him to match Hines’s foot movements in certain sequences, since he won’t have to bring his foot down as far. (They’re both in shoes with some degree of heel, but Hines’s are much less so.)
6. Aaah both of these are lovely spins. Again with the rigidity vs looseness in the joints, but also, Hines traces MUCH more of his foot on the ground, which is common in tap spins but uncommon in ballet. His weight is slightly less centered over the support leg, and you also can see the knee-lead vs hip-lead here as well – look how Baryshnikov shifts his weight, then look how Hines does it. And as they come out of it, Baryshnikov has his toe pointed and his heel up, while Hines snaps his heel down against the floor.
To me, a non-dancer, their dance styles are like comparing French and German - one is all crunchy sharp hard stops and the other is fluid smooth and soft. And something that is specific (I believe) to Baryshnikov is during the jumps - when Hines is in the air, it looks like he’s fighting gravity and is actively going up and then coming back down. Baryshnikov on the other hand looks like he is flying and is choosing to land. IIRC from when I was young and this movie first came out and Baryshnikov became my first blorbo, the amount of time he spent in the air and how gracefully he did it was a thing that even people who knew ballet were baffled and impressed by.
Turn the sound on the video, it changes everything
Gun Crazy 1950 | dir. Joseph H. Lewis

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If Deniz didn't see you, would you have let us go? If Cihan didn't seen me, would you have left? I would have. Really? What do you think, you think I enjoy living here with you? Then why did you stay?
KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
You might not know me, but I know you, and not in a vague kind of way. What the hell are you talking about? Your name is Mueller Hayes. You joined the Academy in ‘95, spent your first year on patrol. Speeding tickets for your friends quickly disappear, a little cash for courtesy. Nothing major. Nothing worth making a fuss over. But I see the patterns in your life, even if you don’t. Fast forward a few years, and, well. Here you are, huh? Got your heard smashed up against the cold tile under the weight of all your bad decisions, and a 600 FICO score. Which is why Paul Gomez owns you.
Law & Order: Special Victims Unit — 26.19: Play With Fire.
URSULA & TITUS DANFORTH READY OR NOT 2: HERE I COME (2026)

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I'm unwell.
99% of "mysterious disappearances" esp of people in their 20s who start acting weird for 48 hours and then vanish are not mysterious, thats just when a lot of reality-obliterating mental illness tends to kick in and it's pretty easy to get a short circuit in your brain that makes you go family guy death pose in joshua tree national park. it's not any less tragic, it's just a documented phenomenon and not particularly predictable. its a big reason the medical advice is for people with a family history of schizophrenia to completely avoid weed and psychedelics. "people just go crazy sometimes" is a principle of human health that used to be a lot more accepted prior to the american midcentury and to a certain extent thats a healthier way to conceptualize and prepare for the risk, as opposed to the modern assertion that anyone acting weird is dangerous and broken forever.
you should have a rough outline of a plan for if any of your loved ones experiences psychosis, it really does happen a lot. UTIs can cause psychosis. taking drugs, even safe drugs, or prescription drugs, can cause psychosis. i was once prescribed a heavy regimen of vitamin D because i was deficient, but the doctor never told me to stop taking it, so i moved to california, stopped being deficient, and developed vitamin d toxicity with downstream hyperparathyroidism which triggered significant hypomania that was undetected and uncontrolled for yeeeeeeears. i just slowly got Weird and started making impulsive decisions based on slightly out-of-gamut beliefs. i drove cross country by myself to have a love affair. the love affair was real, the series of decisions leading to burning down my life in pursuit of it were based on not great brain function however. etc. you see what i mean. churchill mentioned depression being the "black dog who stalks us" (one reason for Churchgrim's multi-referential name) but theres another, stealthier dog called Insanity and it's closer to some people than others but man it sneaks up on you. every time i see one of those "guy gets weird and drives into the wilderness forever" missing persons stories i think "yeah i could totally pull that off"
if this is an outdated resource, please let me know so i can stop reccing it to people, but "i'm not sick! i don't need help!" is a book about how to help a family member experiencing psychosis. the link above is the internet archive scan.
Branches Of An Almond Tree In Blossom Interpretation in Red - Vincent van Gogh
LOVE FOR JENNY CONLEE
don’t carry it all

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SANDITON (2019 - 2023)
DIXIE CARTER, LISA PELUSO, and ANNIE POTTS as JULIA SUGARBAKER, SHANNON GIBBS, and MARY JO SHIVELY DESIGNING WOMEN (1986–1993) S01E16 · “Reese's Friend”