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@bananaleaves

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I am exceptionally lucky in that my parents never hit me, grounded me, confiscated my things, banned me from my hobbies or threatened any of these actions to make me behave as a kid. as an adult it has made me realise how very very long a road most people have to traverse before they can take a statement like 'no rule that must be enforced by threat is legitimate' seriously.
I really do mean this sympathetically. we are not well equipped as a culture to grapple with the implications of power and violence, because we are intimately saturated in it from birth. cruelty feels natural, and that's hard to unlearn.
a bunch of things that I know are going to sound really corny (which honestly I think is half the cultural problem - the idea that non-coercive parenting is touchy-feely, ineffectual or just kind of cringe - but that could be a whole other post)
the main thing was that they always explained things to me. if I wanted something I couldn't have, they explained why (from 'we can't afford that', 'it's bad for you', 'it's dangerous', all the way up to 'it's made by a big company that treats its workers badly, and we don't want to give them money'). If I threw a tantrum, they either waited it out until I got tired and bored or they redirected what we were doing ('we have to be patient and wait in line. if we don't wait in line, we can't go into the theatre. we can't wait in line if you scream and upset people. okay then, we're going home.')
beyond that, they always spoke to me like a full person. they asked my opinion on things and took it seriously, and asked me why as much as I asked them. apparently I had a phase as a toddler where I always wanted to be the first one on the swings / down the slide, and would throw almighty fits about it, until my mum took me aside one day and said 'why do you want to be first? are you worried the slide will get used up?' I laughed like it was the funniest thing I'd ever heard, and never kicked up a fuss about taking turns after that.
on the granular level, they focused on positives over negatives. My mum would draw little good behaviour charts for me, featuring e.g. me walking a long winding path through the woods with my soft toys. the path would be made up of, say, 30 stones, and every day that I was well behaved I'd earn a sticker on one of them. when I reached the end of the path, I got to pick a treat. something like a new plastic animal for my collection, or a day trip to the aquarium.
I do remember them sitting me down once and asking me to come up with what I thought would be an appropriate punishment if I ever did something really bad. I think my first suggestion was something like 'no TV', which was a real nice try because we didn't have a TV at the time. I don't remember what I finally decided on, it might have been 'no dessert for a week'. We wrote it down together and I signed my name, and they sealed it in an important looking envelope which they put in my dad's filing cabinet (for important documents). This would be unsealed if I ever did something Really Bad. the eventuality never came up, but the act of participating in the exercise kept me mostly on the straight and narrow. It's funny, the conceptual punishment itself wasn't even that bad. It was the seriousnes of the adult commitment I'd made to Behaving Well that did the trick.
When I DID do the standard naughty stuff, my parents would just sit me down and explain to me seriously why it was wrong and what impact it had caused for other people. They'd ask what motivated me, and why I acted on those feelings in that specific way. They would, of course, tell me they were disappointed. If necessary, they would tell me how things would have to change as a result of what I'd done. They were always, always open to hearing out my side of the story, and always, always took my feelings seriously even if they disapproved of my behaviour. they would ask if I was ready to say sorry and get a hug. if I wasn't ready, if I was still upset or angry, they would give me space in my room and ask me to come find them when I wanted to make up. and I always did, because I always knew they would accept it.
One time I was leaving a friend's place and an older lady with basically no English came up to me and communicated that she was very cold and needed a ride. She pointed to tell me where to go.
I got there and her daughter or granddaughter came out and was like omg her phone died we were worried
And then the older lady said something and the younger lady translated.
"She knew she could trust you because you have pink hair"
I thought it was funny at the time. But when I think back on it I think she was basically saying "you had a visible sign of not vibing with the system I was afraid of"
Be weird. Be colorful. Help random people.
it’s small joys saturday y’all let’s get it
Vincent van Gogh, Green Wheat Fields, Auvers, 1890, oil on canvas, National Gallery of Art

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I have made a 2907 compilation <33
Reblogging your old posts creates what is know as a "leitmotif"
One time when I was like three years old I was laying in my mom’s bed, and I don’t remember what we were talking about except I was being fussy about having to do something, and just like whenever I was being like that she asked, “are you trying to pick a fight?”
And I didn’t really know what that meant, only that I always said no, but for some reason or another I was very annoyed and a fight sounded pretty good so for the first time ever I said “yes”
And I don’t know what I was expecting to happen, but I remember my mom just going “Okay, then. Let’s fight. What do you want to fight about?”
And I remember it occurring to me all of a sudden that the onus was on me to generate the energy to pick something to be mad about, and wishing she’d just do something worth fighting FOR me, but she just went, “I’m not the one who wants to fight. If you want to fight, you have to pick something to fight about”
and I just went ugh. Never mind, that’s too much work. So said “I don’t wanna fight actually, I’m just cranky” and she told me “okay well just say that next time” and in hindsight that was actually probably a very important formative experience
Saying “you wanna GO?!” to a toddler as a means of teaching emotional awareness and social skills
Scream queen Delainey Hayles 😱
THE X FILES 1.05 the jersey devil WIDOW'S BAY 1.05 what to expect on your trip

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you're just mad because you're hungry and tired and your legs hurt and you head hurts and you're too hot and you have depression
i have a personality flaw that always positions me on the side of characters who are hiding everything and refuse to accept help. like do NOT confide in people. confiding in people is the enemy. REAL winners lie and lie and continue lying until they ruin every single thing theyve got going for them & didnt fix a single goddamn thing. keep digging grandpa youre almost there
I do love you so very much. I love you with all my heart and soul.
Brief Encounter (1945), directed by David Lean
My name is Catherine and I am an alcoholic. By the time she’d got around to formulating that sentence, alcohol was a problem. Prior to that, it had seemed like a solution. No, that was too glib: rather, it hadn’t seemed like anything at all; it had simply been what one did. Perhaps a tad self-dramatic (a bottle for solace was such a time-worn trope, it felt like you weren’t doing heartbreak properly without a glass in your hand) but more often, just the normal backdrop. It was the obvious adjunct to an evening alone with the box, and absolutely de rigueur for an evening out with girlfriends. And then there were dates, which Catherine often had in those days, and you couldn’t have a date without a drink. A meal meant a drink; the cinema meant a drink afterwards. And if you were plucking up courage to ask him back for coffee, a drink was necessary; and ultimately… Ultimately, if you needed somebody there, because you didn’t want to wake in the middle of the night knowing you were alone, you were going to have to fuck somebody, and sooner or later you were going to have to fuck anybody, and that demanded a drink if anything did.

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Catherine Standish letting the light into Slough House.
Slow Horses | 2.01 Last Stop 🐌🐎
SENSE AND SENSIBILITY (2026) dir. georgia oakley