Dial C For CRAZY

“Above all, Tex Avery steered the Warner Bros. house style away from Disney-esque sentimentality and made cartoons that appealed equally to adults, who appreciated Avery’s speed, sarcasm, and irony, and to kids, who liked the nonstop action. Disney’s “cute and cuddly” creatures, under Avery’s guidance, were transformed into unflappable wits like Bugs Bunny, endearing buffoons like Porky Pig, or dazzling crazies like Daffy Duck. Even the classic fairy tale, a market that Disney had cornered, was appropriated by Avery, who made innocent heroines like Red Riding Hood into sexy jazz babes, more than a match for any Wolf. Avery also endeared himself to intellectuals by constantly breaking through the artifice of the cartoon, having characters leap out of the end credits, loudly object to the plot of the cartoon they were starring in, or speak directly to the audience.”

-Gary Morris (Bright Lights Film Journal)

“He wasn’t Bugs without the gags we gave him.”

Why Do We Keep Breaking For No Reason On The Highway

I’m Going Above The Speed Limit Why Are You Riding My Ass 

Use Your Fucking Blinker

Pull Over And Get Your Shit Together If You Don’t Know Where You’re Going

Bitch Turn If You’re Going to Turn

I’m In The Far Right Lane Why Are You Still On My Ass Just Fucking Pass Me

Inching Closer Every Second Isn’t Gonna Make The Light Change Any Quicker

Wtf Was That