Love Poem: Centaur, Donika Kelly
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Love Poem: Centaur, Donika Kelly

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remember when I could write, like seven years ago? ~ "you must be somewhere in London, you must be loving your life in the rain."  At times, this has felt like my first winter. Your leaving made the cold sharper. My scarf hangs me in suspense, and there are words like Turkey on my tongue, Armenia, my belly curving and dipping like a corrie in the Scottish highlands. I become obsessed with all things foreign, and my irrelevance begins to haunt me. So I stand under a burnt sky, I hoard dictionaries. I try to find the right words for this feeling, but my translations are poor. There are days when everything else falls by the wayside. My dreams make us into the strangest history. I remember my last summer, when you chewed my shoulders like a teething child. I remember the heat of you, I stuck to you like a stamp. We could have gone anywhere. And now when I feel the cold I think of you. Your magician's smile, your immediate sleep. I wonder if your mouth is still a kiss waiting to happen. Whether your spine is still the loveliest knot, still made of hazelnuts.
mostly on my mind lately is panic, all forms of panic. I’m sure you know the list, that everyone has their own list. I don’t know how I’m so ruled by panic internally but so unmoved in this physical world, you know? a few weeks ago I finished reading Maggie Nelson’s “The Red Parts”, which it feels like I’ve been waiting all my life to read. I’m still processing this book and what it’s done to me, but importantly it has left me two additional panics to grapple with, or at least helped me identify them. my first panic is how Maggie talks about death, this passage where she reflects on the Buddhist idea of practising for death, how it’s a moment of opportunity, how she's terrified she might never learn in time. also her quoting of Eileen Myles: "need each other as much as you can bear. everywhere you go in the world." my second, related panic is slow creep homesickness, nostalgia, how panic is sometimes grief. how they both fall down on you like a house and it’s crushing and you can only take away one brick at a time and that is sometimes, never, fast enough. I don’t know where to go with either of these feelings, but they are so interlinked I don’t know how to think about one without the other anymore. you see, there’s nothing immediate or deliberate about your choice of where to live and who to surround yourself with if you’re not constantly anxious about death, losing people, wasting time while you live undecided. I will forever remember an article I read years ago that frames this for me: someone had calculated, if they were to live X more years, and their [insert loved one] lived X more years, and if they lived on the opposite side of the country and only visited, on average, twice a year, they would only see their [insert loved one here] X more times before on of them died. you can of course imagine that it wasn’t enough. would knowing X make it enough? could you work within your limits, be ok with what you have? I assume it’s never enough and that we are always stretching, or denying ourselves so that we are at peace, somehow, by never thinking about the inevitable. that like Maggie, I will never have practiced enough. I don’t know how to serve this panic better.
one of my favorite poem titlesÂ
Saudade by Erika L. Sánchez
In the republic of flowers I studied the secrets of hanging clothes I didn’t know if it was raining or someone was frying eggs I held the skulls of words that mean nothing you left between the hour of the ox and the hour of the rat I heard the sound of two braids I watched it rain through a mirror am I asking to be spared or am I asking to be spread your body smelled like cathedrals and I kept your photo in a bottle of mezcal semen-salt wolf’s teeth you should have touched my eyes until they blistered kissed the skin of my instep for thousands of years sealed honey never spoils won’t crystallize I saw myself snapping a swan’s neck I needed to air out my eyes the droplets on a spiderweb and the grace they held who gave me permission to be this person to drag my misfortune on this leash made of gold

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I don’t know what it is about being sick that makes me feel like I’m maybe low-grade sadder than I’ve ever felt before. The country is flooding and I feel sad about it but I just ask my dad about his backyard. I’m not going home for Easter this year, again, which is fine except the combination of distance and nostalgia are a particular kind of sadness I still don’t know how to navigate. A Thing that was going to happen for me at work is probably not going to happen anymore and everyone is angry for me but I don’t think I feel that sad about it. Is it too predictable to say that there’s maybe a part of me that expects for things not to turn out, or is relieved when they don’t because things just keep going as they’ve been going? On the weekend we found a vine that had literally choked a whole tree to death. I do feel sad about that.
I used to think I got all my sadness from my mother. her sadness was so obvious and affected me so early it seemed impossible to escape. Â but Idk. there is so much of it everywhere. would I have been sad with or without her? my dad has his own sadness, quiet and calm. is sadness inherited or catching or both?Â
In the New Century I Gave You My Name
The orchestras kept playing. They had a gin fix.
Why in this fog I still see you I can’t say.
With your beard and high darkness around me.
In your small machine many messages
and faces that once let you in.
The ocean drowns time all the time, slowly.
Everyone had a birthday and buried something.
I was coming from one person and into another
when really what are we: some accident.
In this show where we all have a favorite.
What we have is a taste for that thing we can feel,
will not say. Some of us wanted more
and in all the wrong ways too.
There was of course an escape…
in a year, on a street, in some near distant past
when what had us was childish and flame.
And maybe it would have been different
and maybe it would have been this.
Do you remember my hair when I met you? Much longer. The violins ended it well.
Outside, the city continued to tease us.
Hurricanes came, storms couldn’t please us:
it was all very fast and beautifully made.
You ask why I’m thinking of death Â
but I’m thinking of you and it’s fleeting.
We were terrible, unrelenting and everywhere then.
All I know is I can’t stop writing about people.
So much happened. I can’t stop writing about love. - Alex DimitrovÂ
Elegy Owed by Bob Hicok
In other languages you are beautiful – mort, muerto – I wish I spoke moon, I wish the bottom of the ocean were sitting in that chair playing cards and noticing how famous you are on my cell phone – picture of your eyes guarding your nose and the fire you set by walking, picture of dawn getting up early to enthrall your skin – what I hate about stars is they’re not those candles that make a joke of cake, that you blow on and they die and come back, and you, you’re not those candles either, how often I realize I’m not breathing, to be like you or just afraid to move at all, a lung or finger, is it time already for inventory, a mountain, I have three of those, a bag of hair, box of ashes, if you were a cigarette I’d be cancer, if you were a leaf, you were a leaf, every leaf, as far as this tree can say
Mike missing/feeling L in Stranger Things. The hole shes’s left. The space he’s saved for her even when she’s not there. He keeps the home fires burning. Usually this is “woman’s work.” But in this case, Mike—a boy—does the waiting.

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Song | Brigit Pegeen Kelly
Listen: there was a goat’s head hanging by ropes in a tree. All night it hung there and sang. And those who heard it Felt a hurt in their hearts and thought they were hearing The song of a night bird. They sat up in their beds, and then They lay back down again. In the night wind, the goat’s head Swayed back and forth, and from far off it shone faintly The way the moonlight shone on the train track miles away Beside which the goat’s headless body lay. Some boys Had hacked its head off. It was harder work than they had imagined. The goat cried like a man and struggled hard. But they Finished the job. They hung the bleeding head by the school And then ran off into the darkness that seems to hide everything. The head hung in the tree. The body lay by the tracks. The head called to the body. The body to the head. They missed each other. The missing grew large between them, Until it pulled the heart right out of the body, until The drawn heart flew toward the head, flew as a bird flies Back to its cage and the familiar perch from which it trills. Then the heart sang in the head, softly at first and then louder, Sang long and low until the morning light came up over The school and over the tree, and then the singing stopped…. The goat had belonged to a small girl. She named The goat Broken Thorn Sweet Blackberry, named it after The night’s bush of stars, because the goat’s silky hair Was dark as well water, because it had eyes like wild fruit. The girl lived near a high railroad track. At night She heard the trains passing, the sweet sound of the train’s horn Pouring softly over her bed, and each morning she woke To give the bleating goat his pail of warm milk. She sang Him songs about girls with ropes and cooks in boats. She brushed him with a stiff brush. She dreamed daily That he grew bigger, and he did. She thought her dreaming Made it so. But one night the girl didn’t hear the train’s horn, And the next morning she woke to an empty yard. The goat Was gone. Everything looked strange. It was as if a storm Had passed through while she slept, wind and stones, rain Stripping the branches of fruit. She knew that someone Had stolen the goat and that he had come to harm. She called To him. All morning and into the afternoon, she called And called. She walked and walked. In her chest a bad feeling Like the feeling of the stones gouging the soft undersides Of her bare feet. Then somebody found the goat’s body By the high tracks, the flies already filling their soft bottles At the goat’s torn neck. Then somebody found the head Hanging in a tree by the school. They hurried to take These things away so that the girl would not see them. They hurried to raise money to buy the girl another goat. They hurried to find the boys who had done this, to hear Them say it was a joke, a joke, it was nothing but a joke…. But listen: here is the point. The boys thought to have Their fun and be done with it. It was harder work than they Had imagined, this silly sacrifice, but they finished the job, Whistling as they washed their large hands in the dark. What they didn’t know was that the goat’s head was already Singing behind them in the tree. What they didn’t know Was that the goat’s head would go on singing, just for them, Long after the ropes were down, and that they would learn to listen, Pail after pail, stroke after patient stroke. They would Wake in the night thinking they heard the wind in the trees Or a night bird, but their hearts beating harder. There Would be a whistle, a hum, a high murmur, and, at last, a song, The low song a lost boy sings remembering his mother’s call. Not a cruel song, no, no, not cruel at all. This song Is sweet. It is sweet. The heart dies of this sweetness.
remembering Brigit Pegeen Kelly.
after Joy Harjo I am not ready to die yet: magnolia tree going wild outside my kitchen window & the dog needs a house, &, by the way, I just met you, my sisters & I have things to do, & I need to talk on the phone with my brother. Plant a tree. & all the things I said I’d get better at. In other words, I am not ready to die yet because didn’t we say we’d have a picnic the first hot day, I mean, the first really, really hot day? Taqueria. & swim, kin, & mussel & friend, don’t you go, go, no. Today we saw the dead bird, & stopped for it. & the airplanes glided above us. & the wind lifted the dead bird’s feathers. I am not ready to die yet. I want to live longer knowing that wind still moves a dead bird’s feathers. Wind doesn’t move over & say That thing can’t fly. Don’t go there. It’s dead. No, it just blows & blows lifting what it can. I am not ready to die yet. No. I want to live longer. I want to love you longer, say it again, I want to love you longer & sing that song again. & get pummeled by the sea & come up breathing & hot sun & those walks & those kids & hard laugh, clap your hands. I am not ready to die yet. Give me more dreams. To taste the fig. To hear the coyote, closer. I am not ready to die yet. But when I go, I’ll go knowing there will be a next time. I want to be like the cactus fields I drove through in Arizona. If I am a cactus, be the cactus I grow next to, arms up, every day, let me face you, every day of my cactus life. & when I go or you go, let me see you again somewhere, or you see me. Isn’t that you, old friend, my love? you might say, while swimming in some ocean to the small fish at your ankle. Or, Weren’t you my sister once? I might say to the sad, brown dog who follows me down the street. Or to the small boy or old woman or horse eye or to the tree. I know you I knew I know you, too I’m saying, could this be what makes me stop in front of thatdogwood, train whistle, those curtains blowing in that window. See now, there go some eyes you knew once riding the legs of another animal, wearing its blue sky, magnolia, wearing its bear or fine or wolf-wolf suit, see, somewhere in the night a mouth is singing You remind me   You remind me & the heart flips over in the dusky sea of its chest like a fish signaling, Yes, yes it was me! &, yes, it was, & you were there, & are here now, yes, honey, yes hive, yes I will, Jack, see you again, even if it’s a lie, don’t let me know, not yet, not ever, I need to think I’ll see you, oh, see you again.
“I Am Not Ready to Die Yet,” Aracelis Girmay (via commovente)
Robbie is working late tonight and my night feels all thrown off. It’s so weird how one person becomes the thing by which you measure nearly everything else.
In the last few weeks, I have: seen my mother for the first time in 18 months, met her partner for the first time, welcomed him into my home, listened to Sufjan Stevens play almost the entirety of Carrie and Lowell, which is sick with loss, and talked to my sister about a lot of big, heavy family things. All this stuff – and all the good byes and leaving and distance, have meant a lot of reflecting, or more so than usual I guess. Talking to Robbie about patterns and similarities between me and my mother. Reading my GP’s assessment suggesting that, on top of generalised depression and anxiety, I had attachment disorder, which to me is a fancy and almost unnecessary term for just flat out not fucking coping with change. When I saw that psychiatrist last year, him saying that I had almost definitely developed attachment issues as a child because of my relationship with my mother – not because she ever abandoned me, or us (although there was threat, after threat), but because, in working through her own host of mental health issues, she wasn’t as present or as “adult” as I would have needed. How my being older might have shielded my sister from that, but how she, in turn, had to watch me navigate what I guess were very extreme emotions, and turned herself inwards instead. The repeated phone calls to my parents at sleep overs after the initial excitement wore off, because I couldn’t bear to be away from my own home. How my mother’s lost weekends in bed to her depression felt like a personal slight. The heavy, heavy blow of break ups because they meant someone had weighed up their options and decided that I was not worth sticking around for, even if (like it did happen, more than once) I had decided it wasn’t worth it either. How I was only really forced out of my childhood home by an interstate move. How every small disagreement with Robbie becomes, in my mind, the possibility of him leaving me. How I wasn’t surprised when, eventually, my mother did leave – even if it wasn’t because of me, even if she came back, even if in the end everything selfishly feels like it’s my fault anyway, even if it was, importantly, more of a returning, a resettling, a healing of her own. “Do you get enough love, my little dove, why do you cry?” – and it’s not that I didn’t, just that love was nearly always a threat, which also meant love was always bigger and, if such a thing is possible, more than it needed to be.
Hera, Say Hello
Some say marriage is a twinning. 
 A surgery of adding attachments. 
 When I undress, the dirt throbs 
for me. The mushrooms betray
 chastity and parade their vile shape. 
 Why, among this applause, 
 have I become so small in this life, 
why has love taken away my face? 
 Some women pray for a husband 
 who will take the sky in his fist 
 and break it. We do not sign away 
 our power to men who sog 
like paper boats. Whoever we marry: 
 we vanish like a trick. What sickness, to call a woman wife just once, then 
call her chalkboard until she is a puff 
 of white dust, a vague outline 
 against a black sky. I have so little 
of my own. I could hold this new 
 worth in one hand. When my husband 
 fucks and plunders through seasons 
 and countries like a migration 
of hurt, I am left in a field of women 
giving birth to mirrors of their own 
vanishing lives. This is the painting 
I have become. My life is not to be 
worshipped. I would trade it to the god 
 of bolt guns or knives. They say 
 there is beauty in the dark eyes 
 of a cow. I am out among the neglected 
bodies looking for beauty in this slaughter. Meghan Privitello

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I Did Think, Let's Go About This Slowly by Mary Oliver
I did think, let’s go about this slowly This is important. This should take some really deep thought. We should take small thoughtful steps. But, bless us, we didn’t.
For all the difficult things about my mother (for all the difficult things about me), there are as many good things. How she encouraged me to read and be accepting. How she loves when I make her favourite cake. How she tells stories about me when I was younger, and how beautiful she is in the photo of us on my first birthday, which is maybe my favourite photo of us together, even now. How she wrote and illustrated her own stories for me and my sister, which I can still remember. How she stayed up with me when I would have what I now know were panic attacks, even though she had to work the next morning. How she went overboard at birthdays and Christmas because she wanted us to have what she never had. How she would call my boyfriends dickheads if they were dickheads. How she tried so hard even if it wasn’t always right. How all of this, and the hard stuff too, can exist in the same person, and how to make peace with that.